TOPHER (cont.)
Oh, fuck, it hurts! Help me! It hurts it hurts it hurts! I don’t want to be… inside this… any more… Ah! Ah!
TOPHER suddenly staggers forward, his face seeming to MELT from within, little ripples of flame lifting from the skin. He grabs YOUNG BRENT, who shrieks and struggles. ERIC and JANICE do not try to help him, but only fight to get further away, clawing at each other. TOPHER pulls BRENT close so that their faces are only inches apart, wreathed in steam, and shrieks at him. T
OPHER (cont.)
Get me out of here! Fuuuuuck! Make it stop!
The biggest convulsion of all, a moment in which TOPHER seems almost to turn INSIDE-OUT, and BRENT is flung away, slamming against the bedroom wall. TOPHER falls onto the floor, writhing like a smashed snake, making awful gargling noises. YOUNG BRENT slowly climbs to his feet, stumbling and gasping, then staggers out the bedroom door.
TOPHER (cont.) (his voice is different now, weak and ragged)
Stop! Come back! It’s… this is all wrong…
YOUNG ERIC and YOUNG JANICE struggle onto their feet and sprint for the bedroom door. TOPHER’s twitching has slowed — he raises a quivering hand after them.
TOPHER (cont.)
Come… back! Eric! J-Janice! Don’t… leave me… Don’t leave me…
We are on ERIC and JANICE as they hurtle down the stairs in a distortion of sound and vision. YOUNG BRENT is already gone, the front door swinging, and they CRASH through it after him, still screaming into the darkness, screaming, SCREAMING…
As the door swings back and clicks shut (we see it from the inside) the screaming abruptly STOPS.
We are in the empty, current LIVING ROOM with ADULT ERIC, ADULT JANICE, and ADULT BRENT. They turn in unison from the front door and look at the entrance to the stairway. There is a long, grim silence.
JANICE (a ragged whisper)
We should have taken Kimmy…
ERIC
We were afraid…
JANICE
We left her there to bleed to death.
BRENT (staring at them)
Who are you?
ERIC
What?
BRENT
Who are you? Is it you again, another trick? Do we have to do this all over again? (he begins to cry)
I’ve been here for years. There’s nothing left you can do to me…
JANICE
Brent, it’s us. We’re here. It’s really us.
ERIC (to nobody in particular)
You know what we need to do, don’t you?
BRENT
But how do I know that?
ERIC
We need to go upstairs.
JANICE closes her eyes, not arguing, knowing its true.
BRENT
Upstairs? We can’t! (whispers)
He’s up there.
ERIC (to JANICE)
I tried to make it all go away. I was wrong. I lied to you about Kimmy, because… she and I were making out, getting it on, and… and I was feeling like everything would fall apart if you found out.
JANICE (startled)
Oh, God, Eric, really?
ERIC
But I lied and it killed her.
JANICE hesitates, trying to decide what she feels. At last:
JANICE
You can’t change the past. You can’t let it haunt you. We all wish we’d done things… differently.
Without quite realizing it, they both look at BRENT, but he will not meet their eyes. ERIC We should have have called someone — the police, an ambulance. Instead of just leaving Topher there all night, turning into… whatever it was. (a sudden, nasty thought)
Whatever it is.
BRENT
He hates us. We betrayed him.
JANICE
We didn’t know any better.
She looks at ERIC, then holds out her hand, which he takes. As if they’ve had a silent conversation, they both move toward the STAIRS, then, with only the smallest hesitation, they mount up into the shadows. BRENT stares after them for a moment.
BRENT (quietly)
Don’t leave me here.
He stands for a moment, then — with an expression of great hopelessness — he pulls the GUN out of his pocket and starts up the steps after them.
BACK WITH ERIC AND JANET: the stairway is impossibly long, as distorted as some of the earlier hallucinations. They climb silently, clutching each other’s hands. A little MIST or STEAM drifts down from the doorway at the top and eddies past them down the stairs.
They finally reach the door at the top and look into the upper hallway. It’s DISTORTED like 1976, with mist along the wood floor, but empty like “now”. A few leaves rustle beneath their feet, blown in through the broken window at the end of the hall. Silently, ERIC and JANICE step up and begin to walk down the hall. A small cracked voice begins to sing close by.
TOPHER
“Oh I’m glad I’m not an Oscar Mayer wiener. That is what I’d never like to be-ee-ee… ”
As ERIC and JANICE reach the bedroom door, it swings open. The empty bedroom has EXPANDED — it seems dozens of yards across. At the far end, a pale shape — TOPHER REBORN — sits in front of the wall in low mist, head sunken on his chest. The EYE WITH SUN RAYS is scrawled on the wall above his head in dried blood.
TOPHER (cont.)
“… ’Cause if I was an Oscar Mayer wiener, there would soon be nothing… left… of… me… ”
TOPHER lifts his head. He is VERY PALE all over, without any hair, his skin raw and clammy, like some sea creature that has been pulled from a shell. His eyes are all BLACK.
TOPHER (cont.)
Hi, Erky. Hi, Jan-Jan.
JANICE tries to say something, but TOPHER lifts his hand and her mouth works without sound. ERIC takes a step toward him, but TOPHER lifts his other hand and ERIC and JANET are both frozen in place.
TOPHER
Ssshhhhh. It’s time for you to be quiet.
A strange SHIFT in perspective and TOPHER is suddenly right in front of them, still sitting cross-legged. TOPHER (cont.)
I spent a long time being quiet, while I changed. It was like being buried alive. Helpless in the dark — screaming but no one could hear me. Twenty-five years. Twenty-five years, screaming! Think about that. (he reaches out and touches JANICE’s face, then ERIC’s.)
I thought of lots of ways to make you suffer for leaving me. Oh, I lay there a long time in the dark, trapped in that body, thinking about it. What I would do to you. When I had finished… changing.
TOPHER stands. He has no genitals, no nipples, no fingernails or toenails. Music begins to play — Roxy Music again, “In Every Dream Home A Heartache”, slow and building.
TOPHER (cont.)
I thought I might… melt you. Or turn you inside out. Or maybe just let you experience what happened to me — a quarter of a century locked inside yourselves — but that all seemed so… obvious. And after a while, I began to really think…
BRENT suddenly appears in the doorway — staggering, panting for breath.
BRENT
Leave them alone!
TOPHER
Hey, I was wondering when you’d show up!
BRENT
Fuck you! You know it’s not them you want. You know it!
TOPHER
Do I? It’s funny how you think you know things about your friends, isn’t it?
BRENT suddenly levels the gun and shoots, five times in rapid succession, screaming as he does so.
BRENT
Fuck you! Fuck you!
When the smoke clears, the REBORN TOPHER is still standing there, unharmed but for five little puckered holes across his pale body. He smiles and looks down at the bloodless wounds. They close up.
TOPHER
Did you really think you were in a place where that would work? This all belongs to me — don’t you know that? This is all my dream, and this time I’m taking you along.
BRENT sobs and lifts the gun.
BRENT
There’s one bullet left…
TOPHER
Go ahead. What was it you said? “One bullet in the brain of Topher Holland will end all this?”
BRENT slams the gun against his own head and pulls the trigger. Nothing. A moment later the gun crumbles into dust in his hand.