The City caught its breath; the blue hollow lunar glow, streetlight of some necrotic, alternate Viriconium, flickered; and when at last something prompted him to look up again, the servants of the Sign were before him, filing in dumb processional through the chromium Californium door.
Chorica nam VeIl Ban left her table hurriedly and went to sit beside Lord Mooncarrot, whom she loathed. Her shoulders were as thin as a coat-hanger and from the folds of her purple dress there fluttered like exotic moths old invita tion cards with deckled edges and embossed silver script. Mooncarrot for his part dropped both his rancid smile and his yellow gloves – plop! – and now found himself too rigid to pick them up again. Under the table these two fumbled for one another's shaking hands, to clasp them in a tetanus of anxiety and self-interest while their lips curled with mutual distaste and their curdled whispers trickled across the room.
'Hornwrack, take care!'
(Much later he was to realise that even this simple counsel was enmeshed in incidental entendres. Not that it matters: at the time it was already too late to follow.)
'Take care, Hornwrack!'advised a voice of wet rags and bile; a voice which had plumbed the gutters of its youth for inspiration and never clambered out again. It was Verdigris, sidling up behind him to hop and shuffle like a demented flamingo at the edge of vision. What abrupt desperate betrayal was he nerving himself up for? What unforgivable retreat? 'Oh, go away,'said Hornwrack. He felt like a man at the edge of some crumbling sea-cliff, his back to the drop and the unknown waves with the foam in their teeth. 'What do you want here?'he asked the servants of the Sign.
By day they were drapers, dull and dishonest: by day they were bakers. Now, avid-eyed, as hollow and expectant as a vacuum, they stood in a line regarding the woman at his feet with a kind of damp, empty longing, their faces lumpen and ill-formed in the hideous light – moulded, it seemed, from some impure or desecrated white wax – weaving about on long thin necks, grunting and squinting in a manner halfapologetic, half-aggressive. Their spokesman, their priest or tormentor, was a beggar with the ravaged yellow mask of a saint. A surviving member of the original cabal, he wielded extensive financial power though he lived on the charity of certain important Houses of the City. A rich bohemian in his youth, he had refuted the ultimate reality even of the self (staggering, after nights of witty and irreproachable polemic, down the ashen streets at dawn, afraid to destroy himself lest by that he should somehow acknowledge that he had lived). He no longer interpreted but rather embodied the Sign, and when he stood forward and began to work his reluctant jaws back and forth, it spoke out of him.
'You do not exist,'it said, in a voice like a starving imbecile, articulating slowly and carefully, as if speech were a new invention, a new unlooked-for interruption of the endless reedy Song. 'You are dreaming each other.'It pointed to the woman. 'She is dreaming you all. Give her up.'It swallowed dryly, clicking its lips, and became still.
Before Hornwrack could reply, Verdigris – who, filled by circumstance with a bilious and lethal despair, had indeed been nerving himself up, although not for a betrayal -stepped unexpectedly out of the shadows. He had had a bad afternoon at the cards with Fat Main Etteilla; verse was scraping away at the wards of his skull like a picklock in a rusty keyhole; he was a rag of a man, in horror of himself and everything else that lived. To the spokesman of the Sign he offered a ridiculous little bow. 'Pigs are dreaming you, you tit-suckers!'he sneered; and, squawking like a drunken juggler, winked up at Hornwrack.
Hornwrack was astonished.
'Verdigris, are you mad?'
'You're done for, at least!'was all the poet said. 'It's black murder now.'A perverted grin crossed his face. 'Unless -Suddenly he extended a dirty avaricious claw, palm upwards, calloused and ink-stained from the pen. 'If you want her you'll have to pay for her, Hornwrack!'he hissed. 'You can't fight them on your own.'He glanced sideways at the Sign, shuddered. 'Those eyes!'he whispered. 'Quick,'he said, 'before my guts turn to prune juice. Enough for a bed, enough for a bottle and I'm your man! Eh?'As he watched Hornwrack's incomprehension dissolve into disgust, he shivered and sobbed. 'You can't fight them on your own!'
Hornwrack looked at him. He looked down at Fay Glass, insensible yet invested – a mysterious engine of fate. He looked at the spokesman of the Sign. He shrugged.
'Peddle your knife somewhere else,'he told the poet. 'These people have never had cause to quarrel with me. They should remember that. They have made a simple mistake in the identity of this unfortunate woman (who is a cousin of mine, I now see, from Soubridge), and they are leaving.'
He stood there feeling surprised. He had meant to say something else.
'You do not exist,'whispered the Sign. Ansel Verdigris chuckled.
Shadows flickered on the wall. Knives were out in the eerie light.
'Oh very well,'sighed Galen Hornwrack. 'Very well'
Possessed by the sudden instinctive cannibalism of the baboon (our unshakeable mahout, seated in the skull these million centuries) the combatants throw themselves at one another: the flesh parting like lips, wounds opening like avid mouths, precious fluids of the heart spent in one quick salivation; the bloody flux…
Hornwrack watches at the celebration of his own genius, helpless and a little awed. He has done nothing during his self-imposed exile from humanity if not learn his trade. A cold, manufactured rage, counterfeit of an emotion without which he cannot do his work, laps him round. The good steei knife, conjured from its sheath like a memory, settles comfortably in his hand. He can no longer influence himself, and treads the measures of his trade – the cut, the leap, the feint. Like ajuggler in the Atteline Plaza he tumbles to avoid the despairing counterstroke (the blade whickering in beneath his cheekbone, the displaced air brushing feather-like his hollowed cheek). Blood fountains in the mad Californium light, the colour of old plums. That is no new colour. (All the while the girl lay between his shuffling feet like a stone, her eyes full of pain and disbelief.) The knife goes home, and goes home again in the queasy gloom. His blood is now inextricably mixed with that of the Sign, daubed on his bare forearms, greasy underfoot, a fraternity of murder and pain…
(Somewhere behind him Verdigris was struggling, his face luminous with terror, his mouth a gargoyle's spouting a filth of verses, some drainpipe lyric of relaxing sphincters and glazed eyes. 'Remember this, Hornwrack!'he shouted. 'Remember this!'
Hornwrack never heard him.) Three, perhaps four, fall before him, and then the mouthpiece of the Sign squeezes into view from the bloody melee like a face surfacing from the bottom of a dream – long, yellow, smeared with blood, triangular and expressionless as a wasp's – the breath huffing in and out like dry inhalations of some machine, the breath of the insect whispering the deadly symbolic secrets of the cabal, the arid rustling visions of bone and desert – until Hornwrack's knife thumps him squarely in the hollow between collarbone and trapezoid with a sound like a chisel in a block of wood, to end eighty years of fear and doubt. At the point of his death, electricity flares between them, as it the whole cabal gave up its heart in the one despairing, vomited word which was simultaneously his warning and his triumph.