It was a pause in the room’s noises, rather than any specific signal, which revealed the mystery of the tenantless chair. The gathered company took a breath and the player’s lute fell silent, though only for a moment, a gap between notes. When the moment had passed, the music and laughter resumed, but by then I had seen him, the silent figure standing outside the circle, his back to us, one hand held behind him, covered up to the knuckles in the foamy lace that poured from his dark sleeve. He was bending forward to feed a monkey perched among the leaves of a potted tulip tree encumbered with glass fuchsias. He seemed as though he might have been there always, in the uncertain territory of the ornamental glade.
Then he turned, and an ugly chance, combined with the fumes of los, made me believe I recognized him. In the way he turned toward me, his feral mouth, his preoccupied gaze, I thought I saw the Kestenyi dancer of Bain. The ghastly shock made me choke; my skin was awash in sweat; I thought I saw him as he had been in the brothel, with his cruel handsomeness and lunatic air, somehow transported to this dainty chamber full of aristocrats. In another moment the dreadful resemblance dissolved, and I breathed again, as the dark-clad figure advanced and joined the circle, retaining no likeness to the dancer except for a certain purity of feature and striking grace and height.
He flung himself into the velvet chair and lit a cigarette. He was instantly the focus of darted glances and covert whisperings: conversation faltered, and an almost imperceptible depression entered the room, spoiling its atmosphere of an enchanted treasure chest. The young man who had caused the disturbance leaned back in his chair. He looked less and less like the dancer who had so unnerved me: his hair, though long, was tied in a knot on his neck; he wore a black skullcap, and the circle of glass in his right eye gave him the look of a jeweler or a young scribe. He seemed an arrogant, studious, slightly corrupt young man, well-born and long accustomed to being obeyed. Yet he shared with the Kestenyi dancer an electricity: the combination of beauty and the suggestion of menace.
“Refreshments!” the High Priestess intoned in her dark and somnolent voice. Four servant girls rose and melted into the forest. The priestess had drawn herself up, the light gleaming on the swelling expanse of her breasts, and was looking at the strange youth in the black skullcap. The servant girls returned with a cart, and cries of appreciation greeted the towers of candied passion fruit it carried, the pears poached in wine, the segments of preserved ginger impaled on peppermint swords, and the little swans carved from white chocolate. This fare dispersed the gloom which had arrived with the weary stranger. It was served with a different wine, sweet and red, poured in tiny golden cups and strewn with jasmine petals, and followed by a hot drink made from cocoa beans. Under the influence of these confections the guests grew even merrier than before, rose from their chairs, and changed places, balancing their glass plates on their knees and waving their little forks, to which there clung pale flecks of whipped cream. They spoke to me at last, and complimented me on my Olondrian. I learned the word for the los-vesseclass="underline" alosya. The white-haired youth came to sit on the arm of my chair, and I told him about the island of Jennet, the world’s greatest producer of chocolate.
When we were drinking our chocolate, the priestess announced abruptly: “Enough!”—and, still laughing and talking, the guests rose to their feet, carrying their steaming cups, and went out through the forest, the ladies shrieking when their hair caught in the glass buds. The servants followed them. The lute player straightened his supple legs, picked up his cushion, and departed with the confidence of one who makes his living by skill. Soon there were only five of us: the High Priestess, Miros, the courtier in peach-colored silk, the dark stranger with the lace cuffs, and myself.
The priestess arranged her skirts on the couch. An invisible monkey chittered.
“Well,” said the courtier in a peevish, strangely querulous voice: “If we’re going to hold a secret council, must we do it in such glaring light? My head has been throbbing for the past hour.”
At a sign from the priestess, Miros brought out a fantastically ornate lamp, encrusted with claws and tendrils of old brass, and set it on the table. He climbed on a stool to extinguish the ceiling lamps, jumped down, and retired among the jingling leaves. In the newly mysterious room, the company looked theatrical, hollow-eyed. Faint laughter reached us from beyond the trees.
The courtier shook himself; the dimness seemed to restore his energy. He gave me his small pale hand and said: “Auram, High Priest of Avalei.”
“Jevick of Tyom.”
He laughed. His hair was so dry and black it reflected no light at all, his lips stark red in his powdered face. “I know who you are. We all know who you are. We expended some effort to see you in person, however. Delighted to meet you at last.”
“Delighted,” the priestess echoed. I looked at her. In the gloom she had grown, her breasts and throat monumental above her black dress. Her hair was like the ramparts of a city. “I have heard,” she said, “that you have spoken with an angel.”
Her features wavered in the light cast upward from the lamp. I wished fervently that I had not drunk so much. I wanted to ask the name of the strange youth in the dark suit but decided to concentrate on saving myself. “It is true,” I said.
“Tell us,” said the priestess. And I leaned forward and blurted out the tale of my haunting, my captivity, and the ways of the Rotted Dead.
When I had finished, the priest turned to the others and clutched the arms of his chair. “If it is true, we may hold a Night Market again!”
“Yes,” said the priestess. “Still, it is too early to speak of that now. We must examine him thoroughly first. We must be sure.”
“Of course,” said Auram.
“What is a Night Market?” I asked.
The priestess turned to me, fingering the jet beads at her throat. In the sculptured mask of her face only her eyes, long and black, the lids painted with two streaks of apple-green, lived and brooded. “The Night Market, my child, is one of Avalei’s multitude of blessings. It is held in the provinces, in the countryside. People come from far away to buy and sell, to eat and drink, to be merry together if only for a night. And always at the center of it there is the avneanyi, to answer their questions and comfort them in their distress.”
Avneanyi—a mystic, a saint. “One ridden by angels.”
My blood slowed. “What sort of questions do they ask?”
“All sorts of questions, my child. The angels know all.”
“But I can’t speak to her. I don’t want to speak to her. I only want to be rid of her and go.”
“Yes,” she said. “Naturally you would like to return to your homeland. As we say, the fire of home is brighter than any other fire. And we also say, the cold of home is colder than any other. But an angel must be honored before it departs.”
“Yes,” the priest put in, in his soothing, quavering voice. “Like the Snow Child, whom we summon to cure fevers. It never departs without an offering. When the patient is cured we give it basil leaves and grain, and then it melts…”
Sweat gathered on my brow. “I can’t talk to her.”