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'My medication is on the counter above the washbasin, Helen,' St James said. 'Will you fetch me two tablets?'

'Medication?' Lady Helen felt a quick surge of concern. She didn't think she had misread his reasons for locking himself away in his room for the afternoon. He hadn't been acting as if he was having any pain at all, despite Cotter's admonition to her earlier.

'It's just a precaution. Above the washbasin.' He smiled, a flicker that passed across his face and was gone in an instant. 'I take it that way sometimes. Before instead of during. It works just as well. And if I'm to put up with Mr Sweeney as a thespian for an evening I ought to be prepared.'

She laughed and went to get it for him, calling back into the bedroom. 'Actually, this isn't a bad idea. If tonight's production is anything like the other we saw, we'll all be popping painkillers before the evening's through. Perhaps we should take the bottle along with us.'

She brought the tablets back into the bedroom. He had gone to the window where he was leaning forward on his crutches, looking out at the southern view of the grounds. But she could tell from his profile that his eyes registered nothing.

The sight of him like this negated his words, his polite co-operation, and the lightness of his tone. She realized that even his smile had been a device to cut her off completely, while all along he existed, as he always had done, alone.

She would not accept it. 'You might have fallen,' she said. 'Please. Simon darling, the path was too steep. You might have been killed.'

'Indeed,' he answered.

The cavernous Howenstow drawing room did not possess the sort of qualities that made one feel at home wandering through it. The size of an overlarge tennis court, its furniture – an aggregation of antiques positioned in conversational groupings – was scattered across a fine chenille carpet. Walled with Constables and Turners and displaying an array of fine porcelains, it was the sort of room that made one afraid of moving precipitately in any direction. Alone, Deborah carefully picked her way down its length to the grand piano, intent upon examining the photographs that stood on top of it.

They comprised a pictorial history of the Lynleys' tenure as the Earls of Asherton. The stiff-backed fifth Countess stared at her with that unfriendly expression so predominant in the photographs of the nineteenth century; the sixth Earl sat astride a large bay and looked down at an unruly pack of hounds; the present Lady was robed and gowned for the Queen's coronation; Tommy and his siblings frolicked through a youth of wealth and privilege.

Only Tommy's father, the seventh Earl, was missing. As she noticed this, Deborah realized that she had seen his likeness nowhere in the house, in either photograph or portrait, a circumstance she found decidedly odd, for she had seen several pictures of the man in the townhouse Tommy occupied in London.

'When you're photographed to join them, you must promise me you'll smile.' Lady Asherton came to meet her, a glass of sherry in her hand. She looked cool and lovely in a cloudy white dress. 'I wanted to smile, but Tommy's father insisted that it wasn't done and I'm afraid I caved in quite spinelessly. I was like that in my youth. Most appallingly malleable.' She smiled at Deborah, sipping her sherry and moving from the piano to sit in the embrasure of a window behind it.

'I've so enjoyed my afternoon with your father, Deborah. I talked incessantly, but he was quite gracious about it, acting as if everything I said was the height of wit and sense.' She turned her glass upon her palm and seemed to be watching how the light struck the design cut into the crystal. 'You're very close to your father.'

'Yes,' she answered.

'That's sometimes the way when a child loses one parent, isn't it? It's the mixed blessing of a death.'

'Of course, I was very young when my mother died,' Deborah said in an attempt to explain away the distance she had not been able to ignore between Tommy and his mother. 'So I suppose it was natural that I would develop a deeper relationship with Dad. He was doing double duty, after all. Father and mother to a seven-year-old. And I had no brothers or sisters. Well, Simon was there, but he was more like… I'm not sure. An uncle? A cousin? Most of my upbringing fell to Dad.'

'And you became a unit as a result, the two of you. How lucky you are.'

Deborah wouldn't have called her relationship with her father the product of luck. Rather it was the outcome of time, paternal patience and willing communication. Saddled with a child whose impetuous personality was nothing like his own, Cotter had managed to adjust his own thinking in a constant attempt to understand hers. If devotion existed between them now, it was only due to years in which the seeds of a future relationship had been planted and cultivated.

'You're estranged from Tommy, aren't you?' Deborah said impulsively.

Lady Asherton smiled, but she looked very tired. For a moment Deborah thought that exhaustion might wear at her guard and prompt her to say something about what was at the root of the trouble between herself and her son. But instead she said, 'Has Tommy mentioned the play tonight? Shakespeare under the stars. In Nanrunnel.' Voices drifted to them from the corridor. 'I'll let him tell you about it, shall I?' That said, she gave her attention to the window behind her where a light breeze carried into the room the salty fragrance of the Cornish sea.

'If we fortify ourselves enough, we should be able to survive this with some semblance of sanity,' Lynley was saying as he entered the room. He went directly to a cabinet and began pouring three sherries from one of the decanters that stood in a semicircle upon it. He gave one to Lady Helen, another to St James, and tossed back his own drink before catching sight of Deborah and his mother at the far end of the room. He said, 'Have you told Deborah about our Theseus and Hippolyta roles this evening?'

Lady Asherton raised her hand fractionally from her lap. Like her smile, the movement seemed weighted by fatigue. 'I thought that was best left to you.'

Lynley poured himself a second drink. 'Right. Yes. Well' – this to Deborah with a smile – 'we've a duty play, darling. I'd like to tell you that we'll go late and bow out at the interval, but the Reverend Mr Sweeney is an old family friend. He'd be crushed if we weren't there for the entire production.'

'Dreadful though the production will certainly be,' Lady Helen added.

'Shall I take photographs while we're there?' Deborah offered. 'After the play, I mean. If Mr Sweeney's an especial friend, perhaps he'd like that.'

'Tommy with the cast,' Lady Helen said. 'Mr Sweeney will burst. What a wonderful idea! I've always said you belong on the stage, haven't I, Tommy?'

Lynley laughed, made a response. Lady Helen chatted on. As she did so, St James took his drink and wandered towards two large Chinese vases that stood at either side of the doorway into the long Elizabethan gallery that opened off the east end of the drawing room. He ran his fingers over the smooth porcelain surface of one of them, tracing a particularly intricate pattern made by the glaze. Deborah noted that, although twice he lifted his glass of sherry to his lips, he drank neither time. He seemed intent upon looking at no-one.

Deborah hardly expected anything else after the afternoon. In fact, if not acknowledging anyone's presence helped him to forget about it all, she felt quite as if she would like to indulge in the same behaviour even though she knew that, for herself, forgetting would not occur any time soon.

It was bad enough tearing Brooke away from Sidney, knowing his behaviour was the product of neither love nor lust but violence and a need to hammer her into submission. It was even worse helping Sidney climb the cliff, hearing her hysterical weeping, catching hold of her so that she wouldn't fall. Her face was bleeding and beginning to swell. The words she sobbed out were incoherent. Three times she stopped, wouldn't move, merely wept. All that had been a living nightmare. But then at the top there was Simon, standing against a tree, watching for them. His face was half-hidden. His right hand dug into the tree's bark so hard that the bones stood out.