Whatever the reason, Oswald Dark was now considered a harmless lunatic. He wandered at will over the pleasant red roads of the Island, and on moonlight nights sang happily as he strode along, with an occasional genuflection to the moon. On moonless nights he was bitterly unhappy and wept to himself in woods and remote corners. When he grew hungry he would call in at the first house, knock thunderingly on the door as if it had no right to be shut, and demand food regally. As everybody knew him he always got it, and no house was shut to him in the cold of a winter night. Sometimes he would disappear from human ken for weeks at a time. But, as William Y. said, he had an uncanny instinct for clan pow- wows of any sort and invariably turned up at them, though he could seldom be persuaded to enter the house where they were being held. As a rule he took no notice of people he met in his wanderings... except to scowl darkly at them when they demanded jocularly, "How's the moon?"... but he never passed Joscelyn Dark without smiling at her... a strange eerie smile... and once he had spoken to her.
"You are seeking the moon, too. I know it. And you're unhappy because you can't get it. But it's better to want the moon, even if you can't get it... the beautiful silvery remote Lady Moon... as unattainable as things of perfect beauty ever are... than to want and get anything else. Nobody knows that but you and me. It's a wonderful secret, isn't it? Nothing else matters."
IX
The folks in the parlour were getting a bit restless. What... the devil or the mischief... according to sex... was keeping Ambrosine Winkworth so long getting the jug? Aunt Becky lay impassive, gazing immovably at a plaster decoration on the ceiling which, Stanton Grundy reflected, looked exactly like a sore. Drowned John nearly blew the roof off with one of his famous sneezes and half the women jumped nervously. Uncle Pippin absent-mindedly began to hum Nearer My God to Thee, but was squelched by a glare from William Y. Oswald Dark suddenly came to the open window and looked in at these foolish and distracted people.
"Satan has just passed the door," he said in his intense dramatic fashion.
"What a blessing he didn't come in," said Uncle Pippin imperturbably. But Rachel Penhallow was disturbed. It had seemed so REAL when the Moon Man said it. She wished Uncle Pippin would not be so flippant and jocose. Every one again wondered why Ambrosine didn't come in with the jug. Had she taken a weak spell? Couldn't she find it? Had she dropped and broken it on the garret floor?
Then Ambrosine entered, like a priestess bearing a chalice. She placed the jug on the little round table between the two rooms. A sigh of relieved tension went over the assemblage, succeeded by an almost painful stillness. Ambrosine went back and sat down at Aunt Becky's right hand. Miss Jackson was sitting on the left.
"Good gosh," whispered Stanton Grundy to Uncle Pippin, "did you ever see three such ugly women living together in your life?"
That night at three o'clock Uncle Pippin woke up and thought of a marvellous retort he might have made to Stanton Grundy. But at the time he could think of absolutely nothing to say. So he turned his back on Stanton and gazed at the jug, as every one else was doing... some covetously, a few indifferently, all with the interest natural to this exhibition of an old family heirloom they had been hearing about all their lives and had had few and far between opportunities of seeing.
Nobody thought the jug very beautiful in itself. Taste must have changed notably in a hundred years if anybody had ever thought it beautiful. Yet it was undoubtedly a delectable thing, with its history and its legend, and even Tempest Dark leaned forward to get a better view of it. A thing like that, he reflected, deserved a certain reverence because it was the symbol of a love it had outlasted on earth and so had a sacredness of its own.
It was an enormous, pot-bellied thing of a type that had been popular in pre-Victorian days. George the Fourth had been king when the old Dark jug came into being. Half its nose was gone and a violent crack extended around its middle. The decorations consisted of pink-gilt scrolls, green and brown leaves and red and blue roses. On one side was a picture of two convivial tars, backed with the British Ensign and the Union Jack, who had evidently been imbibing deeply of the cup which cheers AND inebriates, and who were expressing the feelings of their inmost hearts in singing the verse printed above them:
Thus smiling at peril at sea or on shore We'll box the old compass right cheerly, Pass the grog, boys, about, with a song or two more, Then we'll drink to the girls we love dearly.
On the opposite side the designer of the jug, whose strong point had not been spelling, had filled in the vacant place with a pathetic verse from Byron:
The man is doomed to sail With the blast of the gale Through billows attalantic to steer. As he bends o'er the wave Which may soon be his grave He remembers his home with a tear.
Rachel Penhallow felt a tear start to her eyes and roll down her long face as she read it. It had been, she thought mournfully, so sadly prophetic.
In the middle of the jug, below its broken nose, was a name and date. Harriet Dark, Aldboro, 1826, surrounded by a wreath of pink and green tied with a true-lover's knot. The jug was full of old pot-pourri and the room was instantly filled with its faint fragrance... a delicate spicy smell, old-maidishly sweet, virginally elusive, yet with such penetrating, fleeting suggestions of warm passion and torrid emotions. Everybody in the room suddenly felt its influence. For one infinitesimal moment Joscelyn and Hugh looked at each other... Margaret Penhallow was young again... Virginia put her hand over Donna's in a convulsive grasp... Thora Dark moved restlessly... and a strange expression flickered over Lawson Dark's face. Uncle Pippin caught it as it vanished and felt his scalp crinkle. For just a second, he thought Lawson was remembering.
Even Drowned John found himself recalling how pretty and flower- like Jennie had been when he married her. What a hell of a pity one couldn't stay always young.
Every one present knew the romantic story of the old Dark jug. Harriet Dark, who had been sleeping for one hundred years in a quaint English churchyard, had been a slim fair creature with faint rose cheeks and big grey eyes, in 1826, with a gallant sea-captain for a lover. And this lover, on what proved to be his last voyage, had sailed to Amsterdam and there had caused to be made the jug of scroll and verse and true-lover's knot for a birthday gift to his Harriet, it being the fashion of the time to give the lady of your heart such a robust and capacious jug. Alas for true loves and true lovers! On the voyage home the Captain was drowned. The jug was sent to the broken-hearted Harriet. Hearts DID break a hundred years ago, it is said. A year later Harriet, her spring of love so suddenly turned to autumn, was buried in the Aldboro churchyard and the jug passed into the keeping of her sister, Sarah Dark, who had married her cousin, Robert Penhallow. Sarah, being perhaps of a practical and unromantic turn of mind, used the jug to hold the black currant jam for the concoction of which she was noted. Six years later, when Robert Penhallow decided to emigrate to Canada, his wife carried the jug with her, full of black currant jam. The voyage was long and stormy; the currant jam was all eaten; and the jug was broken by some mischance into three large pieces. But Sarah Penhallow was a resourceful woman. When she was finally settled in her new home, she took the jug and mended it carefully with white lead. It was done thoroughly and lastingly but not exactly artistically. Sarah smeared the white lead rather lavishly over the cracks, pressing it down with her capable thumb. And in a good light to this very day the lines of Sarah Penhallow's thumb could be clearly seen in the hardened spats of white lead.