Armand Gamache smiled and nodded to Agent Rousseau, then turned and walked back toward the inn, leaving two surprised men behind him. Rousseau that he’d been spoken to so civilly and Beauvoir that Gamache hadn’t done what he’d done on almost every investigation in the past. Invited one of the young, local agents to join them.
Beauvoir knew he should be happy. Relieved.
Then why did he feel so sad?
Once inside the inn and spa, Chief Inspector Gamache was again taken by how attractive it had become. Cool and calm. The old Victorian wreck had been lovingly restored. The stained-glass lintels cleaned and repaired, so that the sun shone emerald and ruby and sapphire on the polished black and white tiles of the entry hall. It was circular, with a wide mahogany stairway sweeping up.
A large floral arrangement of lilac and Solomon’s Seal and apple boughs stood on the gleaming wood table in the center of the hall.
It felt fresh and light and welcoming.
“May I help you?” a young receptionist asked.
“We were looking for two of your guests. Messieurs Marois and Castonguay.”
“They’re in the living room,” she said, smiling, and led them off to the right.
The two Sûreté officers knew perfectly well where it was, having been in it many times before. But they let the receptionist do her job.
After offering them coffee, which was declined, she left them at the door to the living room. Gamache took in the room. It too was open and bright with floor-to-ceiling windows looking down on the village below. A log fire was laid, but not lit and flowers sat in vases on occasional tables. The room was both modern in its furniture and traditional in details and design. They’d done a sympathetic job of bringing the grand old ruin into the twenty-first century.
“Bonjour.” François Marois rose from one of the Eames chairs and put down a copy of that day’s Le Devoir.
André Castonguay looked over from the easy chair where he was reading the New York Times. He too rose as the two officers entered the room.
Gamache, of course, already knew Monsieur Marois, having spoken with him the night before at the vernissage. But the other man was a stranger to him, known only by reputation. Castonguay stood and Gamache saw a tall man, a little bleary perhaps from celebrating the night before. His face was puffy, and ruddy from tiny broken blood vessels in his nose and cheeks.
“I hadn’t expected to see you here,” said Gamache, walking forward and shaking hands with Marois as though greeting a fellow guest.
“Nor I you,” said Marois. “André, this is Chief Inspector Gamache, of the Sûreté du Québec. Do you know my colleague André Castonguay?”
“Only by reputation. A very good reputation. The Galerie Castonguay is renowned. You represent some fine artists.”
“I’m glad you think so, Chief Inspector,” said Castonguay.
Beauvoir was introduced. He bristled and took an immediate dislike to the man. He’d in fact disliked the man before even hearing the dismissive remark made to the Chief. Any owner of a high-end art gallery was immediately suspect, of arrogance if not murder. Jean Guy Beauvoir had little tolerance for either.
But Gamache didn’t seem put out. Indeed, he seemed almost pleased with André Castonguay’s response. And Beauvoir noticed something else.
Castonguay had begun to relax, to grow more sure of himself. He’d pushed this police officer and he hadn’t pushed back. Clearly Castonguay felt himself the better man.
Beauvoir smiled slightly and lowered his head so Castonguay wouldn’t see.
“Your man took our names and addresses,” said Castonguay, taking the large easy chair by the fireplace. “Our home addresses as well as business. Does this mean we’re suspects?”
“Mais, non, monsieur,” said Gamache, sitting on the sofa opposite him. Beauvoir stood off to the side and Monsieur Marois took up a position at the mantelpiece. “I hope we haven’t inconvenienced you.”
Gamache looked concerned, contrite even. André Castonguay relaxed more. It was clear he was used to commanding a room. Getting his way.
Jean Guy Beauvoir watched as the Chief Inspector appeared to acquiesce to Castonguay. To bow before the stronger personality. Not mince, exactly. That would be too obviously a conceit. But to cede the space.
“Bon,” said Castonguay. “I’m glad we got that straight. You didn’t inconvenience us. We were planning to stay a few days anyway.”
We, thought Beauvoir and looked over at François Marois. The men would be about the same age, Beauvoir guessed. Castonguay’s hair was thick and white. Marois was balding, gray and trimmed. Both men were well groomed and well dressed.
“Here’s my card, Chief Inspector.” Castonguay handed Gamache a business card.
“Do you specialize in modern art?” Gamache asked, crossing his legs as though settling in for a nice chat.
Beauvoir, who knew Gamache better than most, watched with interest and some amusement. Castonguay was being wooed. And it was working. He clearly regarded Chief Inspector Gamache as one step up from the beasts. An evolved creature who walked upright but didn’t have much of a frontal lobe. Beauvoir could guess what Castonguay thought of him. The missing link, if that.
He longed to say something intelligent, something clever and knowledgeable. Or, failing that, something so shockingly, violently rude this smug man would no longer believe he was in charge of anything.
But Beauvoir, with an effort, kept his mouth shut. Mostly because he couldn’t think of anything intelligent to say about art.
Castonguay and the Chief Inspector were now discussing trends in modern art, with Castonguay lecturing and Gamache listening as though rapt.
And François Marois?
Jean Guy Beauvoir had all but forgotten him. He was so quiet. But now the Inspector shifted his eyes to Marois. And discovered the quiet, older man was also staring. But not at Castonguay.
François Marois was staring at Chief Inspector Gamache. Examining him. Closely. Then he shifted his gaze to Beauvoir. It wasn’t a cold look. But it was clear and sharp.
It froze Beauvoir’s blood.
The conversation between the Chief Inspector and Castonguay had segued back to the murder.
“Terrible,” said Castonguay, as though voicing a unique and insightful sentiment.
“Terrible,” agreed Gamache, sitting forward. “We have a couple of photographs of the murdered woman. I wonder if you’d mind looking at them?”
Beauvoir handed the photos to François Marois first. He looked at them then passed them on to André Castonguay.
“I’m afraid I don’t know her,” said Castonguay. To give him grudging credit, Beauvoir thought the man looked pained to see the woman dead. “Who was she?”
“Monsieur Marois?” Gamache turned to the other man.
“No, I’m afraid she doesn’t look familiar to me either. She was at the party?”
“That’s what we’re trying to find out. Did either of you see her there? As you can see in one of the pictures, she was wearing quite a remarkable red dress.”
The men glanced at each other, but shook their heads.
“Désolé,” said Castonguay. “But I spent the evening speaking to friends I don’t often see. She could’ve been there and I just didn’t notice. Who was she?” he asked again.
The photos were handed back to Beauvoir.
“Her name was Lillian Dyson.”
There was no reaction to the name.
“Was she an artist?” Castonguay asked.
“What makes you ask?” said Gamache.