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Julie, after several phone calls, reached an organizer of the antiporn rally. She promised an item in the Our Beat column and then told of the missing youngster. “It’s a long shot, but if you were handing out flyers at the street fair yesterday, I wonder if you saw her.”

“I wasn’t there myself, but there was an incident at the fair that might have involved your young person. Let me give you the number of Sue Laughlin. You mustn’t take her literally if she makes it sound like gang rape, That’s just Sue.”

A chorus of infant and toddler voices rang through Julie’s conversation with Sue Laughlin. “I thought the girl was older-sixteen, maybe. And she did volunteer. Anyway-shut up, Jamie. Can’t you see Mommy’s on the phone?-anyway, she was handing out our flyers when this gang of young jocks started to tease her-’What’s pornography, Juanita?’ That sort of thing.”

“Did they call her by name? It’s important.”

“How would I know her name if they hadn’t? Then one of them snatched the flyers from her and they all clowned around throwing them into the air. And what did she do? She grabbed an umbrella from a concession stand and began thrashing the mischief out of them.”

Gang rape, Julie thought.

“They ran off and the guy selling the umbrellas tried to make her buy the one she’d taken. I was going to say something, but a woman who’d been watching the whole thing said she’d buy the umbrella.”

“Did you know the woman?”

“No. I don’t think she’s from the neighborhood. There were hundreds of people, you know.”

Julie felt herself tighten up. “Did she speak to Juanita?”

“I couldn’t say for sure. I just wasn’t paying attention after that.”

“Could you describe the woman?”

“A big, solid woman, well dressed but flashy, too much makeup, red hair…”

Julie reached Detective Russo at precinct headquarters with her bits of information. Dominic Russo and she were old friends so he could say frankly that he would give it what time he could, but from her parents’ report the youngster sounded like a runaway. The case would go to Missing Persons within twenty-four hours. “We’ll give out her description at roll call and put it on the bulletin board. But you know how many kids hit the streets every day.”

“Yeah.”

“Most of them come home in a day or two.”

“Some don’t ever. I’ll keep in touch, Dom.”

“Don’t I know that,” he said.

Julie went upstairs to see the Rodriguezes as soon as they got home. Juanita’s father was sitting in the kitchen, his head in his hands. He looked up at her when she laid her hand on his shoulder. His eyes were wet. “Why she do this to us? Why?”

Julie, to reassure them of the girl’s resourcefulness, told them how Juanita had confronted the boys who were taunting her. Mrs. Rodriguez turned and stormed at her husband, “Men are pigs. You’re all pigs!” It ought to have been funny, Julie thought, but it wasn’t.

Juanita sat on the bathroom stool in a silk robe that was much too big for her. She had taken a shower she hadn’t wanted and washed her hair on the woman’s command. She hadn’t wanted to take off her clothes, but she was afraid the woman might make her, and might come into the bathroom with her. She hadn’t done that. She only made Juanita hand out her jeans, jacket, and sweat shirt, her bra, panties, and socks. She hadn’t seen her sneakers since they brought her here.

She knew now that this was a loft. The bathroom was fancy-new. So was the kitchen, which didn’t have any doors. The living room ran all the way from the studio-the room with the big bed and the statues-to what must be the front of the building. Street noises seemed to come from there, and there must be a very big window with heavy curtains covering it. Threads of light showed at the top and at the floor. A Castro convertible bed, where they must have slept, was open. The woman, who said she must call her Dee, told her the big door was to the elevator and was kept locked. Juanita was pretty sure there had to be a fire escape. But where?

“Come out now, Juanita. I want to fix your hair.”

“Could I have my clothes, please?”

“You’ll get dressed later. Come on now.”

She went out to where the woman motioned her into a chair in front of a mirror. “Can’t I get dressed before he comes back?”

“First I want to do up your hair.” Dee had a dryer in hand. “Little dark pom-poms might be nice. You could look Japanese. Like a geisha girl.”

“Please. I hate this.” Juanita tugged at the robe.

“Just be patient. You’re going to have beautiful new clothes.”

Dee blow-dried her hair to where she could work with it, making little round buns she fastened and then let loose, then fashioned again. “Very pretty, my little geisha.”

Juanita’s fear was getting bad again. She almost wished the man would come. They might have another fight, a long one. When her mother and father fought, she could run away and hide. Where could she run and hide here? She’d make a dash for the big window and pound on it. She would jump up and down. But people would point and laugh and wouldn’t do anything. Unless the man came and tried to give her the needle and she fought him right there in the window. Maybe then,

“A penny for your thoughts.” Dee smiled at her in the mirror and then looked at herself. “How I wish I was young like you again.”

“Don’t let him stick the needle in me anymore.”

“Over my dead body.”

Juanita felt a little more secure and tried once more, “Couldn’t I have my clothes back now?”

“No, dear. I’ve already put them in the garbage disposal.”

In the early afternoon, with the help of Vendor Licensing and Traffic Control, Detective Russo located the Greystone Puppets truck. It was impounded in the Twelfth Avenue lot for illegal parking overnight. According to the gatekeeper, the owner had arrived early that morning, but without enough money to pay both fine and storage. He was due back within the hour. Otherwise he’d owe the city another hundred dollars for storage. Julie took what money she had in the house and waited outdoors for the squad car to pick her up. Where she had used to carry a pocketful of coins for blind beggars and street musicians, she now carried dollar bills for the homeless.

She and the two precinct officers Russo had commandeered examined the truck. It was locked up tight, but that didn’t mean much, given its condition. As one of the cops said, it was hard to tell what breed it was. They could see the skeleton of a stage set on a platform that probably rolled out onto the tailgate. There was a trunk marked COSTUMES and some painted scenery scaled to the stage. But no puppets.

Very soon a little man with a wisp of a moustache, hollow cheeks, and great melancholy eyes, came up lugging a duffel bag. He showed the cops his receipt from the city. “I had to hock my puppets. They’re my kids! My goddam living.”

“I’ll help you if you can help me,” Julie said. She didn’t look as though she had much to help with, in sneakers and raincoat. But as soon as she started to describe Juanita she was in charge. She soon had the puppeteer wagging his head. He remembered the girl, all right. “She kept asking me questions-did I make the puppets myself, did I make them out of old dolls. Could she make them. She wanted to know where I was going next. ‘Florida,’ I says. ‘I don’t want them to catch cold.’ When she saw I was putting her on-the saddest look I ever saw.” Then he was jolted aware. “She’s come up missing?”

“Since five o’clock last night.”

“I was there on the street till ten. But listen: there was this woman I thought at first was the kid’s mother. She was telling her about puppets. I was changing the act, see. I got three different acts…”

Julie waited out his setting the scene. One of the cops activated a pocket recorder.

“Somewhere in there I got the idea this dame was a con artist. I don’t mean I thought it exactly. It just crossed my mind. She was like playing to me too. That’s what kept the youngster interested. She watched to see if I was interested. That kid’s no fool. The redhead was telling about this old theater she was renovating and how she was collecting puppets that could make like singers…”