Lawrence had gone hard. He scowled, as if deeply offended, and in the light of the flames, his face appeared faintly grotesque and very old.
1893
FORTY-TWO
O
atha Wallace walked into the saloon without bothering to shed his oilskin slicker or knock the snow from his stovepipe boots, tracking great clumps of ice and powder as he crossed the board floor. Lana Hartman sat at the piano, working quietly through the first movement of Beethoven’s Moonlight Sonata.
The young deputy still snored in drunken bliss beside the stove, wrapped in a bearskin robe, a spittoon between his legs.
“First rattle out a the box with some irrigation,” Oatha said.
Joss set up a tumbler and a glass of beer as he reached the bar.
“What are you doin here?” she whispered. “Thought you wasn’t comin back ’til tomorrow.”
“There was a big goddamn spoke in the wheel.”
“What?”
“Unexpected company up at the Sawblade. We was followed by Ezekiel Curtice and that doctor.”
“Russ Ilg?”
“Didn’t catch the man’s name, but we had quite a scrape. Billy shot ’em both, and that makes seven dead in less than a day. We need to quit the flats right now, while the gate’s open.”
Joss took out her makings, rolled a cigarette, pulled a punk from her prayer book—just a sulfur-tipped splinter of wood. She lifted her shirt, struck the match against the middle button of her canvas trousers, then lit the quirly, smoke ascending into the bleary light of the kerosene lamp above the bar. Oatha took up the glass and drank, chased it.
“He’s fair sobered,” Joss whispered, motioning to the deputy. “Wasn’t gonna get him really stewed ’til tomorrow, like we discussed.”
“You got that big bowie under the bar? One you almost shoved through my ear this mornin?”
Joss grinned, blew a stream of smoke into his face.
“That should get the job done.”
“What about . . .” Joss cocked her head toward Lana.
“You ain’t got all attached to that she stuff, have you?”
“You ain’t touchin her, Oath. Let me just send her on home.”
“Fine.”
“What about Billy?”
“What about him?”
“He comin with us?”
“Sure, he’s comin. Gonna try to straighten that balky bitch a his out first.”
“And if she don’t straighten?”
“Well, she knows, and he knows that won’t stand.”
“You reckon that scrub’ll kill his wife? Just like that?”
“I think you might be surprised.”
“I’m still gonna be the one to deal with him for goin rough on ol ’Bart. You ain’t forgot that, have you?”
“Jesus Christ, kinky, cut the boy some—”
“You ain’t got all attached to your pard, have you?”
“No, but Billy done all right today. Ain’t no scissorbill. Boy’s got some sand. Kilt both those men up there like it weren’t nothin, shined, and he’s payin a visit to their wives as we speak.”
“And I give a solitary shit why?”
“Look, we’ll need his help gettin out a town, loadin up everthin at the pass. Drivin the burros down the other side. You can ’dobe-wall him in the tall timber, ’fore we get to Silverton. Don’t you worry those pretty black eyes.”
“Condescend to me one more time.”
“Christ, you’re in a sod-pawin mood.”
“And what if his wife and kid come along?”
“Well, I guess they won’t see Silverton, neither.”
“I want no part a killin that little girl.”
“Then you’ll have no part of it. Pour me another’n. Oh, fuck it, just give me the bottle.” Joss pushed it forward and Oatha thumbed off the cork, swallowed two mouthfuls.
“I gotta say,” Oatha said when he’d finished. “I’m consternated about the future a our association.”
“And why’s that?” Joss took back the bottle and drank.
“You know I love you, so don’t go gettin your underpinnings in a big fuckin knot when I say this.”
“What, goddamn it?”
“You’re a little smoky. Men tend to buck out around you.”
Joss smiled, whiskey running down her chin.
“What you think, I’m gonna make you come, Oath?”
“It’s a reasonable concern, all things considered.”
“Only thing to get you kilt by me is tryin to get me unshucked and in the willows. I see the way you look at me sometimes.”
“Think I want up in the snatch of a mestiza?”
“Right. Was it a hard climb up to the pass?”
“Wasn’t no holiday.”
“Why the fuck didn’t we do this in the summertime?”
“ ’Cause you gonna be doin the strangulation jig down in Arizona. Go on, tell Lana to git.”
“Lana!” Joss yelled over the piano. Lana stopped playing, stared down at her lap. “Lana, honey, I want you to go on home for the day. We gonna be closin up early. You ain’t done nothin wrong. Your playin was real pretty.”
Lana got up from the piano bench, walked to the coatrack, and slipped into her wool-lined cape, pulling the hood over her head.
“Lana,” Joss said. The young woman stopped in the doorway, her back to the bar, head hung low. “You take care now, okay?”
Lana went outside. When the door closed, Joss pulled the bowie out of its sheath, set the knife on the bar.
She and Oatha looked over at the deputy, who was still snoring quietly.
“The key to your shackles is—”
“On that big metal ring on Al’s hip.”
Oatha tilted the bottle, took another long pull. Then he wiped his mouth, picked up the knife, scraped his thumb across the blade.
“I keep it sharp,” Joss warned.
Oatha sucked a whistle through his teeth and licked the blood from the shallow slice. “I’ll say.”
“How you gonna do it?”
“Slip it in between his slabs. Then twisty-twisty.”
Oatha moved soundlessly across the boards. He stopped at the potbellied stove, waited for a moment, letting his fingers warm, then stepped over to the deputy’s left side, positioning himself so he’d have the best angle for a downward thrust.
He opened the bearskin robe, exposing the man’s chest.
Al’s eyes flittered under his lids, and Oatha wondered from what dream he was about to awaken.
His grip tightened on the handle.
As he plunged the blade, he heard something outside, the knife point stopping three inches above the man’s heart.
Oatha glanced back at Joss. “The fuck is that?” he whispered.
He set the knife on the bar, walked to the door, cracked it open.
It was late afternoon, the sky clearing, and though the sun had already dipped below the canyon walls, he could see its long rays coppering the distant bladed rock at the pass, two miles south and two thousand feet above.
Stephen Cole tore down Main Street, hell for leather through waist-deep snow, his horse kicking up clouds of powder, and the Bible-puncher shouting as if the apocalypse were upon them, “They’re coming! They’re coming!”
FORTY-THREE
G
loria wet the nib of her pen in the inkwell. She sat in a chair built of bent aspen branches and wrote by the light of a shadowgee made from an old can of Towle’s Log Cabin Syrup, cut in half and poked full of holes. It hung from a rafter over the beautiful oak table Bart Packer had given them, the candle inside dispensing just enough light for her to write without straining her eyes.