"Hey, Candy!" Frank yelled as he drove by.
She waved, trying not to look too guilty for being out in the street in the middle of a Thursday morning.
"No school today?" Frank yelled.
Candy was just trying to figure out a way to answer this without lying to Frank Wrightson, when the woman in the car behind his truck honked her horn to hurry him on his way. Returning Candy's wave, he drove off.
Which way now ? she thought. She couldn't wait at the intersection forever.
And then the decision was made for her. A gust of wind came down Stillman Street from the direction of the chicken factory. It stank of chicken excrement and worse. I'm not going to take Stillman Street , she thought to herself. So that left Lincoln. Without another thought, she turned the corner, and as soon as she'd done so she knew that was the decision she was supposed to make.
Not only did the foul smell disappear almost completely, but there—at the far end of the street, where Lincoln ran out of houses and gave way to the prairie—was a cloud, vast and shaped like some enormous flower, blossoming as the wind carried it south, away from town.
For some reason the sight of it—its golden color, its shape, its sheer size—put everything she'd left behind—Miss Schwartz and her stupidities, Deborah Hackbarth and the rest, even the smell on Stillman Street—out of her head.
Smiling as she walked, she headed on past the hotel and on down Lincoln Street toward the cloud.
The wavy lines in her head began to fade now, as though they had done their job by getting her out wandering until she came in sight of this blossom-cloud. She'd seen it; she had her destination.
The houses were thinning out now as she approached the end of Lincoln Street. She could remember venturing so far in this direction only once before, and that was because Patti Gibson, who'd been her best friend three years ago, had brought her down here to show her one of the few memorable front lawns in Chickentown. It had belonged to an old woman by the name of Lavinia White, known to all as the Widow White. In place of flowers, Lavinia had "planted" plastic pinwheels in the grass, the kind constructed of brightly colored plastic that made a whirring sound when the wind spun them. No doubt the Widow White was a little bit crazy, because she hadn't simply put three or four of these things in her garden; she'd planted hundreds, in place of ordinary flowers. Some bright scarlet, some eye-pricking green, some striped or spiraled. It had been quite a sight, Candy remembered.
To her astonishment she found that they were still there. She heard them before she saw them, the massed noise of their whirring coming to meet her down Lincoln Street. When she came in sight of them, she found that they were all rather the worse for wear. Clearly the Widow White had not replaced the pinwheels with new ones over the last few seasons, and many had been knocked over by the wind, or had lost their plastic blooms, and she'd simply left the sticks in the dirt. But perhaps one in three of them remained operational, and that still provided a bizarre spectacle.
Candy glanced up at the house itself as she passed, and there in the upper window, sitting in a wheelchair watching the world go by (or as much of the world as would pass by the last house in the street before the grasslands began) was old Widow White herself. She had her eyes on Candy, so Candy gave her a wave and a smile. The Widow White returned neither.
There was no barricade or fence at the end of the street. Just a sign, placed at the limit of the asphalt that stated, with absurd redundancy:
STREET ENDS
"Oh really?" said Candy, looking up at the sign. Beyond it, there was just rolling prairie and the cloud. It had grown in size in the time that Candy had taken to walk the length of Lincoln Street, and it was no longer moving away from town. The wind had changed direction, and now seemed to be coming from the north. It had a curious tang to it, which was not the smell of the factory and its clotted drains. She didn't know what it was.
She glanced back over her shoulder down the length of Lincoln Street. From here it was a half-hour walk home, at least. If the great gilded cloud was bringing rain, then she was going to get wet on her way back to Followell Street. But she had no desire to start the homeward trek, not for a little while, at least. She had no idea of what lay ahead of her besides the wild hills and the long grass, and the orange milkweed, the larkspur, and prairie lilies in among the grass.
But walking for a while where nobody (except the Widow White) knew she'd gone was better than going home to listen to her father in the first stages of the day's drinking, raging on about the injustices of his life.
Without another thought she walked on past the STREET ENDS sign, catching it with her palm as she went so that it rocked in the shallow hole some lazy workman had made for it, and headed out into the gently swaying grass.
Butterflies and bees wove ahead of her, as if they were showing her the way. She followed them, happily. When next she looked back, the shoulder-high grass had almost obscured Chickentown from sight. She didn't care. She had a good sense of direction. When the time came for her to find her way back, she'd be able to do just that. Her eyes glued to the great swelling mass of the cloud, she walked on, her griefs and humiliations left somewhere behind her, where the road ended and the ocean of grass and flowers began.
5. A SHORE WITHOUT A SEA
After perhaps ten minutes of walking, candy glanced back over her shoulder to see that the gentle swells and gullies she'd crossed to get to her present position had put Chickentown out of sight completely. Even the spire on the church on Hawthorne Street and the five stories of the town hall had vanished.
She took a moment and turned on the spot, three hundred and sixty degrees. In every direction the landscape presented the same unremarkable vista of wind-blown grass, with two exceptions. Some way off to her right lay a small copse of trees, and nearly dead ahead of her was a much more curious sight: a kind of skeletal tower, set in the middle of this wilderness of grass and flowers.
What was it? Some kind of watchtower? If it had been a watchtower then those who'd occupied it must have been very bored, with nothing to watch.
Though it promised to be nothing more than a near ruin, she decided to make it her destination. She'd get there, sit for a while, and then head back. She was getting thirsty, for one thing. She wanted a glass of water. Maybe on the return journey she'd pick up some soda from Niles' Drug Store. She dug in her pocket, just to see what she had. Two singles, one five— and one ten-dollar bill. She pushed them down to the very bottom of her pocket, so they wouldn't slip out.
The wind had become stronger in the time since she'd left the limits of Chickentown, and a little more bracing. There was still the smell of spring green in the air, but there was something else besides, something Candy couldn't quite name, but which teased her nevertheless.
She walked toward the tower, her mind becoming pleasantly devoid of troubling thoughts. Miss Schwartz; letters threatening expulsion; her father in his drinking chair, staring up at her with that look of his, the look she knew meant trouble: all of it was left behind, where the street ended.
Then her toe caught some object so that it skipped ahead of her through the grass. Just a stone, surely. Nevertheless, she bent down to take a closer look, and to her surprise she saw that it was not a stone at all, but a shell. It was large too: about the size of her balled fist, and there were a number of short spikes on it. It wasn't, she knew, a snail's shell. For one thing it was too big, and she had never seen a snail's shell with spikes. No, this was a sea shell, and it was clearly old. Its colors had faded, but she could still see an elaborate pattern upon it: a design that followed its diminishing spiral.
She turned it over, brushed what looked suspiciously like sand out of its crevice, and put it to her ear. It was a trick her grandfather had first taught her, listening to the sea in a shell. And though she knew it was just an illusion—the subtle reverberations of the air in the shell's interior—she was still half persuaded by it; half certain she heard the sound of waves, as if the shell still had some memory of its life in the ocean.
She listened. There it was.
But what was a seashell doing out here?
Had somebody dropped it while walking here? That seemed highly unlikely. Who went walking with seashells in their pocket?
She looked down, wondering if anything else had been dropped in the vicinity. To her surprise, the answer was yes: there were a number of odd items scattered under her feet. More shells, for one thing, dozens of them. No, hundreds; some small, a few even larger than the one she'd picked up. Most were cracked or broken, but some were still intact, their shapes and designs more beautiful, more bizarre, than anything she'd ever seen in a book.
And there was more besides, a lot more. As she studied the ground, her eyes becoming accustomed to picking out curiosities, the curiosities multiplied. There were pieces of wood scattered among the shells, most smoothed into little abstract sculptures by the pale, freckled sand that was mingled with the dark Minnesota dirt. As she bent to pick one of the sculptures up, she saw that there was glass here too: countless fragments—green, blue and white—turned into smoky jewels. She picked up three or four and examined them in the palm of her hand, walking a little way as she did so.
There were more mysteries underfoot with every step she took. A large fish—its flesh pecked away by birds, and the remains baked by the sun. And even a piece of pottery, on which a fragment of an exquisite design remained: a blue figure staring at her with almost hypnotic intensity.
Fascinated by all this, she paused to examine her finds more closely. As she did so, she caught a movement in the long grass out of the corner of her eye. She dropped down onto her haunches, below the level of the tallest grass stalks, and there she stayed, suddenly and unaccountably nervous.