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12 Abbott Hogs the Mood

Like many others before him, Abbott discovers, once married, that marriage is a battle — clinically, a negotiation—over the possession of the Bad Mood. A marriage, especially a marriage with children, cannot function properly if both its constituents are in foul temper, thus the Bad Mood is a privilege only one spouse can enjoy at a time. Who gets to be in a Bad Mood? This is the day-to-day struggle. In the Perfect Union, the Bad Mood is traded equitably, like child care or household chores. There is joint custody of the Bad Mood. If one spouse is grumpy for an entire weekend, the other spouse might take the Mood for the workweek. If one spouse is low-spirited during that unpleasant stretch from Christmas to the New Year, the other spouse might claim Thanksgiving, Easter, and the Fourth of July. In the typical marriage, however, one spouse tends to possess the Bad Mood disproportionately. This is called Hogging the Mood. Abbott peacefully acquired his wife’s Bad Mood in a long line at the Big Y during a late afternoon last February, a Thursday, and he has not given it up in four months. It is a testament to his wife’s good nature that she did not, initially, try to reclaim the Mood, as she had every right to do. She is pregnant, after all, and sleeping poorly. For the first few weeks, even a month, she let Abbott have it, no questions asked. Like a friendly librarian, she has always had a lenient overdue policy, and besides, Abbott suspects they have a tacit understanding that he requires the Bad Mood slightly more than she does. Although they have never kept a record — at least he hasn’t — he is reasonably certain that he has been majority owner of the Bad Mood during the marriage. Also, he supposes that she imagines there will be some attractive mood compensation package for her patience and goodwill. But as the weeks and months pass, Abbott senses that she is growing anxious to repossess the Bad Mood. She tries sex, and she tries withholding sex. She tries lighthearted humor and then lighthearted threat. We can, she says, do this the hard way or the easy way. She says broken kneecaps. Eventually she employs guerrilla tactics, surprise raids, quick and deep mood plunges designed to buoy Abbott’s mood and achieve marital equilibrium. But he holds fast. He wants the Bad Mood — he feels he needs it — and giving it up after holding it so long begins to seem arbitrary. He has had it this long — why cede it now? Many times he feels himself veering close to enjoyment or contentment, but then, realizing the risk, he retreats to the center of the Mood. And then this afternoon Abbott returns home from the hardware store and sees his young daughter running out to the driveway to meet him. She says “Dad” over and over again, grabs his leg like a child in an advertisement for life insurance or home mortgage. She smiles up at him, jumping, chanting “Dad,” as if he has been a good father. Abbott kneels to pick her up. He puts his arms around her neck and whispers something affectionate into her ear. Her curly hair tickles his face. When he looks up, he sees his wife watching them from the kitchen window, and that’s when he loses it.

13 Abbott Suffers the Pang of Vindication

Here in the corner of the basement, searching in and among cardboard boxes for a paint tray and rollers, Abbott finds the water. Six gallons, perhaps not hidden, but certainly stashed. His initial confusion gives way to satisfaction, which gives way to disturbance. This is not an argument one wishes to win. As long as Abbott’s wife is nonchalant about apocalypse, as long as her arguments derive from unexamined notions of hope and progress, as long as she does not surreptitiously buy emergency supplies, the household can exist in a delicate but sustainable balance. He’s the one who fears the cataclysmic demise of Western Civilization, not her. But now this dreadful evidence, this unwelcome glimpse inside her. How difficult to know someone, and how undesirable. Six gallons. Abbott walks across the basement to check on the three gallons he has hidden in the opposite corner. There they are, beneath a broken trampoline, looking insufficient. He wonders if she is twice as scared or just twice as diligent.

14 In Which Abbott Fails to Complete a Pretty Basic Task

When Abbott comes in from mowing, he finds his wife cutting his daughter’s hair in the middle of the kitchen. The girl is sitting in her highchair with a towel around her shoulders. She holds still; her face is grave, stoic. Abbott’s wife is biting her lip in concentration. She is using the family’s one pair of scissors, which is also used to cut paper, cardboard, fabric, wire, rubber, rope, dog-food bags, plastic packages of batteries, and once, in the middle of the night, aluminum. “I didn’t know you were going to do this,” Abbott says, wiping the sweat from his face and neck with a paper towel. Abbott’s wife mists the girl’s hair with a spray bottle Abbott has never seen before, not once. Abbott feels like an interloper. He tries to fade to the dark perimeter of the small kitchen, but there isn’t one. “When did you learn how to do that?” he says. Abbott’s wife leans down and closes one eye to check if the back of the girl’s hair is even. She’s so capable, so confident. So skilled and courageous with her dull scissors. “It’s not like I know how,” she says. “I’m just doing it.” The ring of locks around the girl’s highchair looks to Abbott ceremonial or ritualistic. Abbott would no sooner cut his daughter’s hair than remove her appendix. He has never even considered that her hair would need to be cut, but of course her hair needs to be cut. What is the appropriate response to your daughter’s first haircut? Why is he sad and afraid? Abbott’s wife makes one more tiny snip and then circles the highchair, gently pulling strands of the girl’s hair. “There,” she says. “That looks great.” Abbott nods. It does look good. He emerges into the center of the room and puts his hand on the girl’s head. “No, Dad,” she says. “Would you mind sweeping up this hair?” his wife asks. Abbott slinks to the closet for the broom and the thing that you sweep things into. “Do you want to see?” Abbott’s wife says to their daughter, holding up a mirror. Abbott sweeps the hair into the thing and holds it. Golden ringlets is what they are. “What am I supposed to do with this?” he says. His wife says, “Just toss it.” Abbott walks to the trash can, opens the lid, and sees the coffee grounds, a leathery carrot, some wet noodles, and a diaper. He closes the lid. Abbott’s wife holds the mirror, brushes loose hair from the girl’s neck. “Well,” she says, “why don’t you take it outside and spread it to the winds?” Abbott says, “Really?” “It’s an organic substance,” his wife says. Abbott takes his daughter’s hair outside. He walks through the pachysandra and onto the lawn, smelling the cut grass and exhaust. The cat dashes across the yard, reminding Abbott that he has a cat. The birds are making a racket in the trees, and Abbott squints up into bright sun. Then he looks back down at the golden hair against the green plastic. He walks back through the pachysandra and into the house. His wife and daughter have moved to some other room. He can hear their voices. From a kitchen drawer he takes a sandwich bag. He pours in the hair, seals the bag, and places it behind a cookbook on top of the refrigerator, where it will remain either forever or until Abbott’s wife removes it.