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Discuss Danielle. She is fifty-six, with brittle, overdyed burgundy hair and orange lipstick and many sad tattoos whose meanings she hopes to share with you. She is a friendly person but has a greedy little girl's heart and her eyes grow narrow as she drinks and she looks at you as if you were the last piece of cake at the party. Margarita salt is gathered at the corners of her mouth and you sometimes walk with her to the storage room but only if you are extremely drunk. (She is forever buying drinks and placing them before you and calls you a spoilsport if you demur.) There is an honest light in the storage room and you want to smash it out to put Danielle at ease but she does not appear to mind, despite the bad times imprinted on her face and the shadows that dance beneath her bangs and eye sockets as she leans and then lunges toward you. You are backed against the ice machine and the storage room is spilling over and you want to scream and laugh and shout and punch Danielle in her gut but she is working your belt like an angry parent and you know that you have come too far to turn back and so you stare at the bare bulb until it burns out your eyesight black and pulsing.

Discuss the short, overweight Hispanic woman who follows you into the storage room after you winked at her. She is so unattractive you believed this would be harmless but she has misinterpreted the gesture as one of lustful beckoning, and now without even a kiss to share she is on her knees, and though you are well behind in your work duties and have no time for such things you find your hand is reaching up to lock the deadbolt. You try to concentrate so as to expedite the romance and are staring at the labels of the many bottles on the shelves when the woman begins grunting and you assume she is doing something to herself as well as to you and you are looking down to see if this is true when you notice that her hair is so thin she could only be described as balding or partially bald, and your jaw drops at the corpse-gray color of her scalp and the dainty, pink-and-blue veins crisscrossing her head like a roadmap. You manage to finish up and the woman is standing and holding you around your torso. Now you can see her scalp plainly and you want to know if she has recently gone through some cancerous ordeal but cannot think of a way to bring this up without causing offense. You ask if she is all right and the woman looks up at you, the eyes of a stranger. She tells you she misses her boyfriend.

Discuss the alcoholic and narcotics-addicted pharmacist woman who you believe is actually a pre-op transsexual male. She is short and thin with an attractive, heavily made-up face and drugged bedroom eyes. Her short black hair is crunchy from hairspray and her bare shoulders are covered with tiny bumps that you assume are the result of whole-body shaving or waxing. She has a different man with her every night; he is always dark-skinned and hairy and a little unsure and frightened. These are lonely men and they come to hate you when they see that their date has feelings for you, and they ask her to leave for another night spot; when she will not go they leave alone and the woman shrugs and looks at you suggestively. She has asked you many times to walk her to her car or to the ladies' room, and has asked to accompany you to the storage room, but you always say no because there are certain mysteries in the human world that you have never been curious about and here is one of them. But one slow night you are so drunk and so completely uninterested in breathing and living that when another bartender dares you to find out once and for all the gender of this being, you lead her by the hand to the back bar men's room. Her eyes are wide with sex-craving as you walk her into the stall and you embrace her and begin to kiss her and you will know in a moment whether she is male or female when her bare leg touches the cold porcelain of the toilet and she pushes you abruptly back and storms out of the bathroom and toward the front bar. You follow and ask her what's wrong and she is nearly in tears and wants to know if you honestly believed she was the type to be groped beside a toilet? Just what kind of a whore do you think she is? You tell her that that was precisely what you were hoping to find out and she slaps your face and leaves the bar swinging her purse like a mace. There are five or six customers in the room and they are applauding the performance and you wave to them modestly and the bartender's face is set in inquiring stone.

The Shammy is shaped like a television set (her head is shaped like a toaster oven) but one night she draws you into the storage room with the aid of fishnet stockings and lipstick and whiskey and dim lighting and her sweet, truthful smile. Now she comes by every evening in hopes that the stars will once more shine in her favor, and this is very sad because she lives an hour away and takes public transportation to visit you, and because you are looking sickly and do not smell good and have not once said anything of consequence to her, and the idea that you are an inspiration in this girl's existence is a true life's tragedy.

She probably loves you but you ignore her because you will bring her nothing but heartache and you know that if you ever see her cry you will want to kill her out of pity. But when she enters the bar shaking and with ripped tights and tells you she was mauled on the bus you feel a kindness for her and tell her she can sleep at your place if she likes and take the bus back home in the morning, and this cheers her and soon she is drunk and beaming. Throughout the shift you tell her that there will be nothing sexual between you and that you are thinking only of her safety and comfort and she agrees completely but is telling whoever happens to sit beside her that she is going home with you tonight so that soon you are being teased by your coworkers and by the child actor and Curtis, who says, "You really bagged a babe this time, boy."

You drive to your home with The Shammy at your side. You are once again operating the magical LTD. (When your wife left with the Toyota you were forced to clean and partially repair your old car. You had it towed to a shop, where the mechanic would neither confirm nor deny the vehicle's magical powers. When pressed, he admitted he was a Chevy man. He got the car running for under a hundred dollars and gave you a mesh-back hat free of charge.) You are very drunk and have to close one eye to see the road and The Shammy leans against you and coos and rests a hand on your lap and soon your resolution is forgotten and you wake up hours later to vomit and wonder at the broad, freckly body lying on what was once your marriage bed. The Shammy raises an arm, milky white and thick as your thigh, and tells you that she is starving and wonders where you will take her for breakfast before driving her home (you never said you would drive her home). She names a brightly lit restaurant frequented by acquaintances of yours and asks for the telephone and invites several friends to the restaurant as well. They have heard all about you, she says, and cannot wait to finally meet you.