‘The medical chest,’ hissed Cribb.
‘Yes. Now I’m not entirely certain where . . . No matter. You props over there! Start removing these battens, will you? You may need tools from the carpenter’s room. And you in the purple weskit, fetch some salt quick from the nearest bar. We’ll bathe his leg in salt water as soon as we’ve cleared the stage. You all right, Albert?’
A sonorous groan from the centre of the debris caused some pessimistic head-shaking among the rescue-party. Murmurs of concern rose in the ranks behind—for most of the company had abandoned the dressing-rooms at Albert’s first yell of pain, and now stood about the stage in what they were wearing (or not wearing) at the moment of crisis. Constable Thackeray, seated on the basket containing the bulldog, had given all his attention to fastening the straps securely. He was dimly conscious of a group clustered near him, but not that they were ballet-girls. When he raised his face it was within a yard of a surface normally concealed by a tutu. A veritable outrage on decency! He dipped his head instantly, like a bargee just seeing a low bridge. Then by degrees, and strictly in the cause of duty, he mastered his modesty and raised his eyes.
Then someone arrived with a crowbar. A sudden commotion, the intervention of a young woman in lilac and white crying shrilly, ‘Don’t you dare go near Albert with that!’ so alarmed the man that he dropped the implement with a clatter. The bulldog barked ferociously inside its basket and the unseeing audience exploded with laughter, ‘Watch yer-selves!’ shouted the resourceful P.C. Battree, ‘I’m watchin’ you!’
Albert’s protector was Miss Ellen Blake, the first act that evening. She now crouched by the shattered platform in a singularly affecting manner and put her hand comfortingly through a gap in the side. She withdrew it at once with a cry of horror. ‘His arm! It’s deathly cold!’
‘If you’ll stand up, miss, and look through here,’ suggested Cribb, ‘you’ll see that his head’s at the other end. You’ve just put your hand on the cross-piece of Albert’s barbell. Now stand back and let’s get him out.’
Two more planks were prised up. Cribb borrowed a lamp and peered in with the air of an Egyptologist uncovering his first mummy. ‘He’s not in bad shape. Two more boards and we can drag him out at this end.’
Miss Blake came forward again and to everyone’s relief a pale hand rose from inside to meet hers.
‘He’s quite all right now!’ announced the manager, clapping his hands. ‘Back to the dressing-rooms everyone except the ten-minute calls. The show goes on as billed.’ He added in an afterthought, ‘We’d better hurry. There can’t be many songs about policemen left.’
Cribb looked up at the gigantic prancing shadows of Salt and Battree projected through the act-drop. ‘Wouldn’t hurt those two to get the bird. Deuced poor impersonation they give of the police, anyway.’
The manager snapped his fingers. ‘I say, you’re not . . . ? I thought you had an air of authority. How did you happen—’
‘Never mind,’ said Cribb. ‘Where can we take Albert?’
‘The property-room’s the nearest.’
‘Very good.’
Still clutching Miss Blake’s hand as she walked beside him, Albert was borne off the stage and deposited on a dusty chaise-longue in the property-room. Thackeray followed, dragging after him the basket and its growling occupant.
‘Does that animal have to be here?’ were Albert’s first comprehensible words.
‘The dog is the evidence, blast it. A pukka investigator never lets the evidence out of his sight. You can’t trust a confounded soul,’ announced a new speaker from the doorway behind. He was the stage-hand in the purple waistcoat who had gone for salt: a man of slight build and soft, boyish skin, quite eclipsed by fierce blue eyes under a shock of upthrusting grey hair. ‘There’s been an uncommon demand for pies and baked potatoes in the hall tonight, and salt’s as scarce in there as upright women. So I borrowed this from the photographer’s studio next door.’ He held up a large brown bottle. ‘Iodine—the unfailing remedy for a dog-bite. It does a deuced fine job of disinfection, and if you pour it liberally over the wound it has a rare capacity for enlivening a dazed man.’
The manager beamed his admiration. ‘Good Lord, Major Chick, you’re the right man to have in an emergency. Allow me to introduce you to this gentleman. He is a policeman.’
‘Really? Wouldn’t have thought it—looks too blasted intelligent.’
‘Sergeant Cribb, sir.’ They shook hands. ‘And that’s Constable Thackeray on the dog-basket. What was your name, sir?’
‘Chick. Percival Chick. Major, retired. Late Adjutant of the 8th Hussars. Perhaps you have heard of me. I’m not, as you realise, a common scenery-remover. That was a mere subterfuge. Like you, Sergeant. I’m a detective now. But my investigations are limited to the private sphere.’
A private detective! Cribb inwardly snarled with a ferocity equal to the bulldog’s at the instant it sank its teeth into Albert. What an evening! Music hall policemen, and now a private detective! It was his first contact with one of the species, though he had seen their newspaper advertisements often enough, and the brass plates on their doors. Anyone who spoke with a plum in his mouth and could afford the price of lodgings in one of the nobbier areas of London could set up in business and derive a tidy income from it. You filled your rooms with barrowloads of old books and obsolete chemical apparatus and soon there was a stream of wealthy callers with fantasies of blackmail, kidnap and family scandals. So you fed their fears with a few quite spurious discoveries, pinned a crime on some wretched servant and claimed your fee in guineas, with a few choice remarks about the impotence of Scotland Yard. ‘Interested to make your acquaintance, sir. What’s your business here, if I may inquire?’
Major Chick looked cautiously around him. Only the manager, Miss Blake and the Scotland Yard men remained there, besides Albert. ‘I rather think my client, Mr Goodly, should explain.’
‘Why, of course,’ said the manager. ‘A series of unfortunate accidents in the London music halls led me to engage a detective. You see, I doubted whether they were, indeed, accidents. Almost every hall of any reputation has suffered in this way in the last month or two—except the Grampian. Our turn seemed inevitable before long. So Major Chick has been disguised as a stage-hand for the past week in readiness to investigate just such an occurrence as this— even though it appears most improbable that tonight’s small embarrassment was deliberately provoked. You can’t put a bulldog’s fickle behaviour down to Anarchists, now can you? However, I gather from your swift arrival on the scene that you were on the watch for trouble too.’
‘Never mind that,’ said Cribb. ‘Let’s attend to Albert. Hand me the iodine, Major.’ His voice bore the authority of a colonel at the very least and the Major almost clicked his heels as he obeyed the order. From that moment there was no question of who was in charge of the inquiries. ‘Your pocket-handkerchief, if you please, Thackeray.’
Among the bric-a-brac of the property-room was a card-table on which Cribb placed his jacket, before rolling back his shirt-cuffs like a conjuror. ‘Perhaps you will support the leg, Major, and you, Miss Blake, try to keep Albert from becoming distressed. Now, I shall remove this torn section of the tights and expose the wound . . . Capital! An ugly little bite, that. Not a lot of blood, but those teeth sank in a bit, eh Albert? I’ll just wipe the surface clean now, like that. Then I form a pad with the handkerchief, saturate it with iodine and apply it firmly—’
Albert drew in breath through his clenched teeth and made a sound like a sky-rocket ascending. Everyone grabbed and held down a limb as his muscles tensed. His eyes first shut tight, then opened wide, streaming with tears. His hand gripped Miss Blake’s so tightly that she squeaked with pain.