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There was nothing comic in it to her. Father used to tease her about it, but even twenty years after that day, when he would tease her I have seen her begin to raise her hand (perhaps with the thimble on one finger) as though to protect herself and the same look come into her face that must have been there when Ellen's aunt departed.

'The aunt covered the town that morning. It did not take her long and it was complete; by nightfall the circumstances of the situation had spread not only beyond the town but beneath it, penetrating the livery stable and the drovers' tavern which was to supply the guests who did attend it. Ellen of course was not aware of this, anymore than the aunt herself was, or would have believed what was going to happen even if she had been clairvoyant and could actually have seen the rehearsal of events before time produced them. Not that the aunt would have considered herself insulated against being thus affronted, she simply could not have believed that her intentions and actions of the day could have any result other than the one for which she had surrendered for the time not only all Coldfield dignity but all female modesty as well. Sutpen I suppose could have told her, but doubtless he knew that the aunt would not have believed him. Probably he did not even try: he just did the only thing he could do, which was to send out to Sutpen's Hundred and bring in six or seven more of his Negroes, men on whom he could depend, the only men on whom he could depend, and arm them with the lighted pine knots which they were holding at the door when the carriage came up and the wedding party got out. ‐ And this is where the tears stopped, because now the street before the church was lined with carriages and buggies, though only Sutpen and possibly Mr Coldfield remarked that instead of being drawn up before the door and empty, they were halted across the street and still occupied, and that now the banquette before the church door was a sort of arena lighted by the smoking torches which the Negroes held above their heads, the light of which wavered and gleamed upon the two lines of faces between which the party would have to pass to enter the church. There were no catcalls yet, no jeering; evidently neither Ellen nor the aunt suspected that anything was wrong.

'For a time Ellen walked out of the weeping, the tears, and so into the church. It was empty yet save for your grandfather and grandmother and perhaps a half dozen more who might have come out of loyalty to the Coldfields or perhaps to be close and so miss nothing of that which the town, as represented by the waiting carriages, seemed to have anticipated as well as Sutpen did. It was still empty even after the ceremony started and concluded. Ellen had something of pride too, or at least that vanity which at times can assume the office of pride and fortitude; besides, nothing had happened yet. The crowd outside was quiet yet, perhaps out of respect for the church, out of that aptitude and eagerness of the Anglo‐Saxon for complete mystical acceptance of immolated sticks and stones. She seems to have walked out of the church and so into it without any warning whatever. Perhaps she was still moving beneath that pride which would not allow the people inside the church to see her weep. She just walked into it, probably hurrying toward the seclusion of the carriage where she could weep; perhaps her first intimation was the voice shouting, 'Look out! Dont hit her now!" and then the object ‐ dirt, frith, whatever it was passing her, or perhaps the changing light itself as she turned and saw one of the Negroes, his torch raised and in the act of springing toward the crowd, the faces, when Sutpen spoke to him in that tongue which even now a good part of the county did not know was a civilized language. That was what she saw, what the others saw from the halted carriages across the street ‐ the bride shrinking into the shelter of his arm as he drew her behind him and he standing there, not moving even after another object (they threw nothing which could actually injure: it was only clods of dirt and vegetable refuse) struck the hat from his head, and a third struck him full in the chest ‐ standing there motionless, with an expression almost of smiling where his teeth showed through the beard, holding his wild Negroes with that one word (there were doubtless pistols in the crowd; certainly knives: the Negro would not have lived ten seconds if he had sprung) while about the wedding party the circle of faces with open mouths and torch‐reflecting eyes seemed to advance and waver and shift and vanish in the smoky glare of the burning pine. He retreated to the carriage, shielding the two women with his body, ordering the Negroes to follow with another word. But they threw nothing else. Apparently it was that first spontaneous outburst, though they had come armed and prepared with the ones they did throw. In fact, that seemed to have been the entire business which had come to a head when the vigilance committee followed him to Mr Coldfield's gate that day two months before. Because the men who had composed the mob, the traders and drovers and teamsters, returned, vanished back into the region from which they had emerged for this one occasion like rats; scattered, parted about the country faces which even Ellen was not to remember, seen for the night or the meal or just the drink at other taverns twenty and fifty and a hundred miles further on along nameless roads and then gone from there too; and those who had come in the Carriages and buggies to see a Roman holiday, driving out to Sutpen's Hundred to call and (the men) to hunt his game and eat his food again and on occasions gathering at night in his stable while he matched two of his wild Negroes against one another as men match game cocks or perhaps even entered the ring himself. It blew away, though not out of memory.

He did not forget that night, even though Ellen, I think, did, since she washed it out of her remembering with tears. Yes, she was weeping again now; it did, indeed, rain on that marriage."

THREE

IF he threw Miss Rosa over, I wouldn't think she would want to tell anybody about it Quentin said. Ah Mr Compson said again. After Mr Coldfield died in '64, Miss Rosa moved out to Sutpen's Hundred to live with Judith. She was twenty then, four years younger than her niece whom, in obedience to her sister's dying request, she set out to save from the family's doom which Sutpen seemed bent on accomplishing, apparently by the process of marrying him. She (Miss Rosa) was born in 1845, with her sister already seven years married and the mother of two children and Miss Rosa born into her parents' middle age (her mother must have been at least forty and she died in that childbed and Miss Rosa never forgave her father for it) and at a time when ‐ granted that Miss Rosa merely mirrored her parents' attitude toward the son‐in‐law ‐ the family wanted only peace and quiet and probably did not expect and maybe did not even want another child. But she was born, at the price of her mother's life and was never to be permitted to forget it. She was raised by the same spinster aunt who tried to force not only the older sister's bridegroom but the wedding too down the throat of a town which did not want it, growing up in that closed masonry of females to see in the fact of her own breathing not only the lone justification for the sacrifice of her mother's life, not only a living and walking reproach to her father, but a breathing indictment, ubiquitous and even transferable, of the entire male principle (that principle which had left the aunt a virgin at thirty‐five). So for the first sixteen years of her life she lived in that grim tight little house with the father whom she hated without knowing it ‐ that queer silent man whose only companion and friend seems to have been his conscience and the only thing he cared about his reputation for probity among his fellow men that man who was later to nail himself in his attic and starve to death rather than look upon his native land in the throes of repelling an invading army ‐ and the aunt who even ten years later was still taking revenge for the fiasco of Ellen's wedding by striking at the town, the human race, through any and all of its creatures brother nieces nephew‐in‐law herself and all ‐ with the blind irrational fury of a shedding snake. The aunt had taught Miss Rosa to look upon her sister as a woman who had vanished, not only out of the family and the house but out of life too, into an edifice like Bluebeard's and there transmogrified into a mask looking back with passive and hopeless grief upon the irrevocable world, held there not in durance but in a kind of jeering suspension by a man who had entered hers and her family's life before she was born with the abruptness of a tornado, done irrevocable and incalculable damage, and gone on. In a grim mausoleum air of Puritan righteousness and outraged female vindictiveness Miss Rosa's childhood was passed, that aged and ancient and timeless absence of youth which consisted of a Cassandralike listening beyond closed doors, of lurking in dim halls filled with that presbyterian effluvium of lugubrious and vindictive anticipation, while she waited for the infancy and childhood with which nature had confounded and betrayed her to overtake the disapprobation regarding any and every thing which could penetrate the walls of that house through the agency of any man, particularly her father, which the aunt seems to have invested her with at birth along with the swaddling clothes.