Perhaps she saw in her father's death, in the resulting necessity upon her as an orphan and a pauper, to turn to her next of kin for food and shelter and protection ‐ and this kin the niece whom she had been asked to save ‐ perhaps in this she saw fate itself supplying her with the opportunity to observe her sister's dying request.
Perhaps she even saw herself as an instrument of retribution: if not in herself an active instrument strong enough to cope with him, at least as a kind of passive symbol of inescapable reminding to rise bloodless and without dimension from the sacrificial stone of the marriagebed.
Because until he came back from Virginia in '66 and found her living there with Judith and Clytie (Yes, Clytie was his daughter too: Clytemnestra. He named her himself. He named them all himself: all his own get and all the get of his wild niggers after the country began to assimilate them. Miss Rosa didn't tell you that two of the niggers in the wagon that day were women?No, sir, Quentin said.
Yes. Two of them. And brought here neither by chance nor oversight. He saw to that, who had doubtless seen even further ahead than the two years it actually took him to build his house and show his good intentions to his neighbors until they allowed him to mix his wild stock with their tame, since the difference in tongue between his niggers and theirs could have been a barrier only for a matter of weeks or perhaps even days. He brought the two women deliberately; he probably chose them with the same care and shrewdness with which he chose the other livestock ‐ the horses and mules and cattle which he bought later on. And he lived out there for almost five years before he had speaking acquaintance with any white woman in the county, just as he had no furniture in his house and for the same reason: he had at the time nothing to exchange for them. Yes. He named Clytie as he named them all, the one before Clytie and Henry and Judith even, with that same robust and sardonic temerity, naming with his own mouth his own ironic fecundity of dragon's teeth. Only I have always liked to believe that he intended to name Clytie, Cassandra, prompted by some pure dramatic economy not only to beget but to designate the presiding augur of his own disaster, and that he just got the name wrong through a mistake natural in a man who must have almost taught himself to read... When he returned home in '66, Miss Rosa had not seen him a hundred times in her whole life. And what she saw then was just that ogreface of her childhood seen once and then repeated at intervals and on occasions which she could neither count nor recall, like the mask in Greek tragedy, interchangeable not only from scene to scene, but from actor to actor and behind which the events and occasions took place without chronology or sequence, leaving her actually incapable of saying how many separate times she had seen him for the reason that, waking or sleeping, the aunt had taught her to see nothing else. On those guarded and lugubrious and even formal occasions when she and the aunt went out to Sutpen's Hundred to 'spend the day and the aunt would order her to go and play with her nephew and niece exactly as she might have ordered her to play a piece for company on the piano, she would not see him even at the dinner table because the aunt would have arranged the visit to coincide with his absence; and probably Miss Rosa would have tried to avoid meeting him even if he had been there. And on the four or five occasions during the year when Ellen would bring the children in to spend the day at her father's, the aunt (that strong vindictive consistent woman who seems to have been twice the man that Mr Coldfield was and who in very truth was not only Miss Rosa's mother but her father too) cast over these visits also that same atmosphere of grim embattled conspiracy and alliance against the two adversaries, one of whom ‐ Mr Coldfield ‐ whether he could have held his own or not, had long since drawn in his picquets and dismantled his artillery and retired into the impregnable citadel of his passive rectitude: and the other ‐ Sutpen ‐ who' probably could have engaged and even routed them but who did not even know that he was an embattled foe. Because he would not even come to the house to the noon meal.
His reason may have been because of some delicacy for his father‐in‐law. The true reason for and beginning of the relationship between Mr Coldfield and himself neither aunt, Ellen, or Miss Rosa ever knew, and Sutpen was to divulge to but one man ‐ and that under the pledge of confidence as long as Mr Coldfield lived ‐ out of regard for Mr Coldfield's carefully nurtured name for immaculate morality ‐ and which, your grandfather said, Mr Coldfield himself never divulged for the same reason.
Or perhaps the reason was that now since he had got out of his father‐in‐law all that Mr Coldfield possessed that Sutpen could have used or wanted, he had neither the courage to face his father‐in-law nor the grace and decency to complete the ceremonial family group even four times a year. Or perhaps it was the reason which Sutpen gave himself and which the aunt refused to believe because of that very fact: that he did not get to town every day and when he did he preferred to spend it (he used the bar now) with the men who gathered each noon at the Holston House.
That was the face which, when Miss Rosa saw it at all, was across his own dining table ‐ the face of a foe who did not even know that it was embattled.
She was ten now and following the aunt's dereliction (Miss Rosa now kept her father's house as the aunt had done, until the night the aunt climbed out the window and vanished) there was not only no one to make her try to play with her nephew and niece on those days formal and funereal, she did not even have to go out there and breathe the same air which he breathed and where, even though absent, he still remained, lurked, in what seemed to her sardonic and watchful triumph. She went out to Sutpen's Hundred just once a year now when, in their Sunday clothes she and her father drove the twelve miles in a stout battered buggy behind the stout scrubby team, to spend the day. It was now Mr Coldfield who insisted on the visits, who had never gone out with them while the aunt was there, perhaps from a sense of duty, which was the reason he gave and which in this case even the aunt would have believed, perhaps because it was not the true one, since doubtless even Miss Rosa would not have believed the true one: which was that Mr Coldfield wanted to see his grandchildren regarding whom he was in a steadily increasing unease of that day when their father would tell the son at least of that old business between them which Mr Coldfield was not yet sure that his son‐in‐law had never told. Though the aunt was gone, she still managed to bequeath and invoke upon each of these expeditions something of the old flavor of grim sortie, more than ever now against a foe who did not know that he was at war. Because now that the aunt was gone, Ellen had reneged from that triumvirate of which Miss Rosa tried without realizing it to make two. Now she was completely alone, facing him across the dinner table, without support even from Ellen (at this time Ellen went through a complete metamorphosis, emerging into her next lustrum with the finality of actual re‐birth); ‐ facing across the table the foe who was not even aware that he sat there not as host and brother‐in‐law but as the second party to an armistice. He probably did not even look at her twice as weighed against his own family and children ‐ the small slight child whose feet, even when she would be grown, would never quite reach the floor even from her own chairs ‐ as against Ellen who, though small‐boned also, was what is known as fullbodied (and who would have been, if her life had not declined into a time when even men found little enough to eat and the end of her days had been without trouble, fullbodied indeed. Not fat: just rounded and complete, the hair white, the eyes still even young, even a faint bloom yet on what would be dewlaps and not cheeks any longer, the small plump ringed unscarified hands folded in tranquil anticipation of the food, on the damask before the Haviland beneath the candelabra) and against Judith already taller than Ellen, and Henry though not as tall for sixteen as Judith was for fourteen, yet giving promise of someday standing eye to eye with his father; this face which rarely spoke during the meal, with eyes like (as you might put it) pieces of coal pressed into soft dough and prim hair of that peculiar mouse‐like shade of hair on which the sun does not often shine, against Judith's and Henry's out‐of‐doors faces: Judith with her mother's hair and her father's eyes and Henry with his hair halfway between his father's red and Ellen's black and eyes of a bright dark hazel ‐ this small body of Miss Rosa's with its air of curious and paradoxical awkwardness like a costume borrowed at the last moment and of necessity for a masquerade which she did not want to attend: that aura of a creature cloistered now by deliberate choice and still in the throes of enforced apprenticeship to, rather than voluntary or even acquiescent participation in, breathing ‐ this bound maidservant to flesh and blood waiting even now to escape it by writing a schoolgirl's poetry about the also‐dead. The face, the smallest face in the company, watching him across the table with still and curious and profound intensity as though she actually had some intimation gained from that rapport with the fluid cradle of events (time) which she had acquired or 'cultivated by listening beyond closed doors not to what she heard there, but by becoming supine and receptive, incapable of either discrimination or opinion or incredulity, listening to the prefever's temperature of disaster, which makes soothsayers and sometimes makes them right, and of the future catastrophe in which the ogre‐face of her childhood would apparently vanish so completely that she would agree to marry the late owner of it.