"I don't know," the other answered, harsh and sullen. "You don't remember?" your grandfather said. The other did not answer. Then your grandfather told him he must go away, disappear, giving him money to go on: "What ever you are, once you are among strangers, people who don't know you, you can be whatever you will. I will make it all right; I will talk to ‐ to ‐ What do you call her?" And he had gone too far now, but it was too late to stop; he sat there and looked at that still face which had no more expression than Judith's, nothing of hope nor pain: just sullen and inscrutable and looking down at the calloused womanish hands with their cracked nails which held the money while your grandfather thought how he could not say "Miss Judith," since that would postulate the blood more than ever. Then he thought I don't even know whether he wants to hide it or not. So he said Miss Sutpen. "I will tell Miss Sutpen, not where you are going of course, because I won't know that myself. But just that you are gone and that I knew you were going and that you will be all right."
'So he departed, and your grandfather rode out to tell Judith, and Clytie came to the door and looked full and steadily at his face and said nothing and went to call Judith, and your grandfather waited in that dim shrouded parlor and knew that he would not have to tell either of them. He did not have to.
Judith came presently and stood and looked at him and said, "I suppose you wont tell me." ‐
"Not wont, cant," your grandfather said.
"But not now because of any promise I made him. But he has money; he will be ‐" and stopped, with that forlorn little boy invisible between them who had come there eight years ago with the overall jumper over what remained of his silk and broadcloth, who had become the youth in the uniform ‐the tattered hat and the overalls ‐ of his ancient curse, who had become the young man with a young man's potence, yet was still that lonely child in his parchment‐and‐denim hairshirt, and your grandfather speaking the lame vain words, the specious and empty fallacies which we call comfort, thinking Better that he were dead, better that he had never lived: then thinking what vain and empty recapitulation that would be to her if he were to say it, who doubtless had already said it, thought it, changing only the person and the number. He returned to town. And now, next time, he was not sent for; he learned it as the town learned it: by that country grapevine whose source is among Negroes, and he, Charles Etienne Saint‐Valery Bon, already returned (not home again; returned) before your grandfather learned how he had come back, appeared, with a coal black and ape‐like woman and an authentic wedding license, brought back by the woman since he had been so severely beaten and mauled recently that he could not even hold himself on the spavined and saddleless mule on which he rode while his wife walked beside it to keep him from falling off; rode up to the house and apparently flung the wedding license in Judith's face with something of that invincible despair with which he had attacked the Negroes in the dice game. And none ever to know what incredible tale lay behind that year's absence which he never referred to and which the woman, who, even a year later and after their son was born, still existed in that aghast and automatonlike state in which she had arrived, did not, possibly could not, recount but which she seemed to exude gradually and by a process of terrific and incredulous excretion like the sweat of fear or anguish: how he had found her, dragged her out of whatever two dimensional backwater (the very name of which, town or village, she either had never known or the shock of her exodus from it had driven the name forever from her mind and memory) her mentality had been capable of coercing food and shelter from, and married her, held her very hand doubtless while she made the laborious cross on the register before she even knew his name or knew that he was not a white man (and this last none knew even now if she knew for certain, even after the son was born in one of the dilapidated slave cabins which he rebuilt after renting his parcel of land from Judith); how there followed something like a year composed of a succession of periods of utter immobility like a broken cinema film, which the whitecolored man who had married her spent on his back recovering from the last mauling he had received, in frowzy stinking rooms in places ‐ towns and cities ‐which likewise had no names to her, broken by other periods, intervals, of furious and incomprehensible and apparently reasonless moving, progression ‐ a maelstrom of faces and bodies through which the man thrust, dragging her behind him, toward or from what, driven by what fury which would not let him rest, she did not know, each one to end, finish, as the one before it had so that it was almost a ritual.
The man apparently hunting out situations in order to flaunt and fling the ape‐like body of his charcoal companion in the faces of all and any who would retaliate: the Negro stevedores and deckhands on steamboats or in city honky‐tonks who thought he was a white man and believed it only the more strongly when he denied it; the whitemen who, when he said he was a Negro, believed that he lied in order to save his skin, or worse: from sheer besotment of sexual perversion; in either case the result the same: the man with body and limbs almost as light and delicate as a girl's giving the first blow, usually unarmed and heedless of the numbers opposed to him, with that same fury and implacability and physical imperviousness to pain and punishment, neither cursing nor panting, but laughing.