“Lucas Hayes!” Mr. Cochran shouted. “What are you doing up here?”
Lucas looked past Mr. Cochran, his eyes snagging mine, which filled me with something more expansive than my fear of the roof, more encompassing than the cold sky. He came here to see me. A smile worked its way onto my lips. As soon as I realized, I yanked it off my face. I refused to beam dumbly at the boy who’d just stood me up. After all, I wasn’t a no-respect burner girl. I wasn’t poor, dead Brooke Lee.
“Coach C!” Lucas called. “I need you to sign this for me.” He waved a paper in his hand and looked past me like I wasn’t even there.
Suddenly it felt like it was true, that I wasn’t there. And that made me feel embarrassed and resentful and tired, so completely tired that I wanted to lie down on the roof and stare out at the world with its toy cars, ribbon road, and twig trees. I turned away from Lucas and the rest of them, my arms still holding the egg contraption straight out into the big empty sky.
“Stay here,” Mr. Cochran said to me, and I nodded. Where else would I go? Behind me, Mr. Cochran’s voice faded as he started across the roof to sign Lucas’s form. I looked down at my feet, the buckles of my boots dull under the hazy sky; one foot was still up on the roof’s lip. And, almost as if I were watching myself do it, my other foot stepped up to join it. The horizon retreated an inch more, another row of houses now in my view. It was a victory over my fear, I decided. A victory of twelve inches, but a victory nonetheless. Suddenly I wasn’t afraid anymore, not of the height, not the wide sky, not Kelsey Pope’s whispers or Lucas’s smile, which I could almost feel behind me, wedged between my shoulder blades.
“Lucas!” a boy’s voice called. “Catch!”
And then the unmistakable sound of a cracking egg, followed by a gasp from my classmates.
“You were supposed to catch it!”
I started to turn around; I had the impulse to find Lucas’s eyes again, sheepish from not having made the catch. Maybe this time our eyes would meet, and we would see each other, no more than a stretch of roof between us. But I must not have realized how close I was to the edge, because as I turned, my foot slipped. My stomach lurched; my breath filled my mouth in a phantom scream. Suddenly, I wasn’t looking out at Lucas’s eyes, but up at the sky, marbled and gray, no sun to be seen.
I’m falling, I said to myself. Or maybe someone else said it to me.
My head hit the edge of the roof. My teeth bit together. My vision burst with a flash of pain so bright it could have been the sun, burning through that wispy sky.
7: SKETCHES OF BIRD AND GIRL
I WAKE UP WITH A GASP. FOR A SECOND, I DON’T KNOW WHERE I am. The light is all wrong; even in the darkest hour of the night, the glow of the streetlamp outside my bedroom comes through the slats of my blinds, dissecting my room into strips of shadow and light.
Then I remember that I’m not in my bedroom. I’m in the basement of the school, the dirt of the floor pressing against my cheek, the ghost frogs trilling around me. I must have fallen asleep in the library next to Evan and, once I’d stopped hovering, sunk through the floor all the way down to the basement. I’d dreamt I was falling, too, that dream everyone has where you wake up just before you hit the ground.
Well, you do. You wake up.
Me, I hit.
When I climb the stairs, the halls are filled and the tardy bell is clanging. People buzz by, some of them carry crumpled brown bags, others the neon-potion dregs of energy drinks. That’s the bell for the end of lunch, then. I’ve slept through the whole morning.
With a gut-twist, I remember the day before: Kelsey starting the rumor, Lucas skipping my grief group, Usha refusing to paint the mural. This afternoon, the crowd still crawls with whispers of my name, the suicide rumor coughed from mouth to ear like a virus. I search the groups for Patient Zero and her flapping silk banner of hair. My eyes narrow when I spot it. Kelsey Pope. I follow her all the way to art class.
That I find Evan in the art room, hovering on the cupboards that line the back wall, is no surprise. He spends most of his day in the art room because, according to him, Mr. Fisk is the best teacher at Paul Revere High. But I’d forgotten that Usha has art this period, too. She stands at Mr. Fisk’s desk with her sketchpad open. As Kelsey takes a seat with her ponies, I approach the front of the room apprehensively. Usha and I have only fought once, back in ninth grade. I don’t remember what the fight was about, but I do remember that we didn’t talk for a week. And, it felt exactly like this: angry and shameful and resentful and regretful all at once. At least Usha doesn’t have her arms crossed over her chest today; at least she isn’t talking in that horrible detached voice about how she wants to forget me.
“It’s just . . .” She holds the book out and turns her head away, as if she can’t bear to look at it. “It’s just something I tried.”
Birds.
She has drawn a flock of birds. The page is filled with them, gliding, flapping, and hovering. They are no birds I know, no robins, seagulls, egrets, or wrens. She has made up new breeds, new spreads of feather, new sequences of markings, new wingspans, bright eyes, scales, talons, crops, and crests. The style is cartoonlike, but not hasty, not comic; the shaft of each feather has been sketched out, the nostril of each beak. They are all in flight, these birds, and though there is no formation, no migration, their beaks all point in the same direction.
Usha has always been able to draw, turning an errant scribble in my notebook margin into a tiny monster or hothouse flower. When I’d watched her draw, it had seemed so easy—a mark like this here, a line like so there—but whenever I’d tried to re-create one of Usha’s doodles myself, my monsters ended up smudgy blobs, my hothouse flowers, sticks. Usha would take the paper out of my clumsy hands and draw over it—a few quick lines, and suddenly my monster had charm, my flower had pollen and scent. I liked the fact that Usha could draw. In fact, I felt so fiercely proud of her that it was as if the talent were my own, as if there were something that special about me.
Mr. Fisk makes a few remarks about perspective—neither of them mentions yesterday’s conversation about the mural—and I watch Usha retreat to her table, where she flips to a new page and begins to draw an ocean full of jellyfish.
I walk to Evan at the back of the room.
“Sleep well?” he asks with a grin.
“Thanks for waking me up before I sank through the floor,” I tell him.
“Aw, but you looked so peaceful.” Every once in a while, I get a peek past Evan’s hall-monitor exterior, and what’s beneath is pure infuriation. “What are you doing here?” he asks.
“Keeping an eye on her.” I nod over at Kelsey, who’s in a huddle with the other ponies, the light bouncing off their flat-ironed hair. “What do you think she’ll say about me next?”
“Maybe nothing.”
I give him a look.
“Maybe it just slipped out,” he says. “Maybe she didn’t mean to—”
Precisely then, a whisper of my name hisses from the pony table. “Hear that?”
“Hear what?” Evan asks.
“Over there. They just said my name.”
“I didn’t hear anything,” Evan says. “They’re not even talking. They’re all looking at something.” He squints. “What is that?”
It turns out to be a sketchbook, but the ponies are clustered so tightly around it that we can’t even see the white of the page.