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Yes, that was good. That was tasty. This will taste good as well.

Puppetman let the rage slowly fade as Mariu ducked back inside. Now he toyed with the feelings for Cara. He diluted the binding respect, let the affection dim. You need her. You've always wanted her. You looked at those hidden breasts as she walked by and wondered how they would feel, all silken and warm. You wondered at the hidden place between her legs, how it would taste, how it would feel. You knew it would be hot, slick with desire. You'd stroke youself at night and think of her writhing underneath you, moaning as you thrust.

Now Puppetman turned derisive, mocking, modifying passion with the residue of Mariu's anger. And you knew that she'd never want you, not looking the way you do, not the joker with the needled quills. No. Her body couldn't be for you. She'd laugh about you, making coarse jokes. When Joao possessed her, he'd laugh and say, "This would never be Mariu; Mariu would never take pleasure from me."

Cara screamed. Gregg heard cloth tear and felt Mariu's uncontrolled lust. He could imagine it. He could imagine him bearing her down roughly, uncaring that his barbs gouged her unprotected skin, looking only for release and imagined vengeance in the violent, agonizing rape.

Enough, he thought, quietly. Let it be enough. But Puppetman only laughed, staying with Mariu until orgasm threw his mind into chaos. Then Puppetman, sated himself, withdrew. He laughed hilariously, letting Mariu's emotions drop to normal, let the joker look in horror at what he'd done.

Already there were more shouts from the building, and Gregg heard the sirens in the distance. He opened his eyes-gasping, blinking-and ran.

Inside, Puppetman eased himself into his accustomed place and quietly let Gregg place the bars around him. Satisfied, he slept.

FRIDAY, DECEMBER 26, 1986, SYRIA:

Misha sat bolt upright, sweat-drenched from the dream. She had evidently cried out in fear, for Sayyid was struggling to sit up in his own bed.

"Wallah, woman! What is it?" Sayyid was hewn from a heroic mold, fully ten foot tall and muscled like a god. In repose he was inspiring: a dark, Egyptian giant, a myth given life. Sayyid was the weapon in Nur al-Allah's hands; terrorists such as al-Muezzin were the hidden blades. When Sayyid stood before the faithful, towering over all, they could see in Nor al-Allah's general the visible symbol of Allah's protection.

In Sayyid's keen mind were the strategies that had defeated the better-armed and supplied Israeli troops in the Golan Heights, when the world had thought Nor al-Allah and his followers hopelessly outnumbered. He had orchestrated the rioting in Damascus when al-Assad's ruling Ba'th Party had tried to move away from Qu'ranic law, allowing the Nur sect to forge an alliance with the Sunni and Alawite sects. He craftily advised Nur al-Allah to send the faithful into Beirut when the Christian Druze leaders had threatened to overthrow the reigning Islamic party. When the Swarm Mother had sent her deadly offspring to Earth the year before, it was Sayyid who had protected Nor al-Allah and the faithful. In his mind was victory. For the jihad Allah had given Sayyid hikma, divine wisdom.

It was a well-kept secret that Sayyid's heroic appearance was also a curse. Nor al-Allah had decreed that jokers were sinners, branded by God. They had fallen from shari'a, the true path. They were destined to be slaves of the true faithful at best; at worst they would be exterminated. It would not have been wise for anyone to see that Nor al-Allah's brilliant strategist was nearly a cripple, that Sayyid's mighty, rippling thrws could barely support the crushing weight of his body. While his height had doubled, his mass had increased nearly fourfold.

Sayyid was always carefully posed. He moved slowly if at all. When he must go any distance, he rode.

Men who had seen Sayyid in the baths whispered that he was as heroically proportioned everywhere. Misha alone knew that his manhood was as crippled as the rest of him. For the failure of his appearance Sayyid could only blame Allah, and he did not dare. For his inability to stay aroused more than a few moments, he blamed Misha. Tonight, as often, her body bore the livid bruises of his heavy fists. But at least the beatings were quick. There were times when she thought his awful, suffocating weight would never rise from her.

"It is nothing," she whispered. "A dream. I didn't mean to wake you."

Sayyid rubbed at his eyes, staring groggily toward her. He had brought himself to a sitting position, and he panted from the effort. "A vision. Nur al-Allah has said-"

"My brother needs his sleep, as does his general. Please."

"Why must you always oppose me, woman?" Sayyid frowned, and Misha knew that he remembered his earlier embarrassment, when in frustration he had battered her, as if he could find release in her pain. "Tell me," he insisted. " I must know if it's something to tell the prophet."

I am Kahina, she wanted to say. I'm the one Allah has gifted. Why must you be the one to decide whether to wake Najib? It was not your vision. But she held back the words, knowing that they led to more pain. "It was confused," she told him. " I saw a man, a Russian by his dress" who handed Nur al-Allah many gifts. Then the Russian was gone, and another man-an American-came with more gifts and laid them at the prophet's feet." Misha licked dry lips, remembering the panic of the dream. "Then there was nothing but a feeling of terrible danger. He had gossamer strings knotted to his long fingers, and from each string dangled a person. One of his creatures came forward with a gift. The gift was for me, and yet I feared it" dreading to open the package. I ripped it open, and inside…" She shuddered. "I… I saw only myself. I know there was more to the dream, but I woke. Yet I know, I know the gift-bearer is coming. He will be here soon."

"An American?" Sayyid asked. "Yes."

"Then I know already. You dream of the plane carrying the Western infidels. The prophet will be ready for them: a month, perhaps more."

Misha nodded, pretending to be reassured, though the terror of. the dream still held her. He was coming, and he held out his gift for her, smiling.

"I'll tell Nur al-Allah in the morning," she said. "I'm sorry I disturbed your rest."

"There's more I would talk about," Sayyid answered. She knew. "Please. We're both tired."

"I'm entirely awake now"

"Sayyid, I wouldn't want to fail you again…"

She had hoped that would end it, yet had known it would not. Sayyid groaned to his feet. He said nothing; he never did. He lumbered across the room" breathing loudly at the exertion. She could see his huge bulk beside her bed, a darker shade against the night." He fell more than lowered himself atop her. "This time," he breathed. "This time."

It was not this time. Misha didn't need to be Kahina to know that it would never be.

FROM THE JOURNAL OF XAVIER DESMOND

DECEMBER 29, 1986/BUENOS AIRES:

Don't cry for Jack, Argentina…

Evita's bane has comes back to Buenos Aires. When the musical first played Broadway, I wondered what Jack Braun must have thought, listening to Lupone sing of the Four Aces. Now that question has even more poignance. Braun has been very calm, almost stoic, in the face of his reception here, but what must he be feeling inside?

Peron is dead, Evita even deader, even Isabel just a memory, but the Peronistas are still very much a part of the Argentine political scene. They have not forgotten. Everywhere the signs taunt Braun and invite him to go home. He is the ultimate gringo (do they use that word in Argentina, I wonder), the ugly but awesomely powerful American who came to the Argentine uninvited and toppled a sovereign government because he disapproved of its politics. The United States has been doing such things for as long as there has been a Latin America, and I have no doubt that these same resentments fester in many other places. The United States and even the dread "secret aces" of the CIA are abstract concepts, however, faceless and difficult to get a fix onGolden Boy is flesh and blood, very real and very visible, and here.