‘No!’Pete shouted. ’No!’
‘She had a man with her late Saturday afternoon,’ I said. ‘A drunk kid. That was you. Jo-Jo was gone, you were lonely I guess; you had always wanted her. You went up there. I don’t know what happened. I don’t suppose you meant to kill her, you’re not Jake Roth. I figure you got crazy drunk. You hit her, Pete. You hit her and hit her and hit her and hit her!’
‘No,’ Pete said. ‘No… no…’ But he was backed to the wall, and there was no power left in his voice.
‘You were scared. I’d have been scared. You wiped her face. I guess you tried to revive her. You saw she was dead. That was when you ran. How far did you run, Pete? All the way back to Chelsea? Were you back here and feeling safer when you found that you had dropped that miniature Ferrari? When you saw you’d left the handkerchief, and the bottle? You were not one of her regular men, but you had left that Ferrari, and sooner or later the police would dig you out. You’ve seen them work. They don’t give up easy, no. There was that Ferrari, right? It was the Ferrari miniature that gave you the idea, sure. Jo-Jo had one just like it. Jo-Jo was a real boyfriend. Jo-Jo was on the run. Jo-Jo was already in trouble.’
I stopped. I waited. Pete had turned his face to the wall of that white room. ‘You decided to give Jo-Jo to the police. You’re a bright kid. You probably even figured that someone was after Jo-Jo, and maybe that someone would get blamed. Or maybe you’d be real lucky and Jo-Jo would never be found, not alive. A dead Jo-Jo would be a great suspect. Maybe you even knew it was Roth after him by then. Maybe, not. But you sure knew about Stettin and maybe even Tani Jones. You wanted someone blamed; you know the cops don’t stop looking unless they have someone to pin a killing on; it doesn’t look good. So you got the bright idea to give them Jo-Jo. You got the idea to stir it all up by hiring me to make waves. You knew I’d go to the police about Jo-Jo’s rabbit act. You knew the police, or maybe me, would connect Jo-Jo to Nancy Driscoll.’
I could not see those flat, dark eyes. His head was turned away. But I saw his shoulders shake. ‘I don’t suppose you wanted him dead, not at first. I don’t suppose you even thought about that. You just wanted a smokescreen. But then you got beaten up, and you knew there were some hard people after Jo-Jo. That was a break for you, that beating. It made you look good, and it gave you more possible killers of Nancy Driscoll. After all, she had been beaten, too. You got too smart, Pete. You sent me after Nancy, you pushed too hard. You got to thinking that it would be a lot better if the police never found Jo-Jo alive. With what they had on him, if they found him dead, they’d probably pin her killing on him and close the books. Or pin it on the same guys who killed him. It didn’t matter which. If they got him alive, it would not be so good. So you called Roth and told him where to find Jo-Jo. And that was your mistake. Because only you could have told Roth. You had the letter from Jo-Jo.’
He was still weak. Maybe he was tired. In that bed he could not run or fight. And he knew what he had done. There is an urge to confess. There is, ask any cop. I’ll leave the why of that to the psychiatrists, but I know it is true, I’ve seen it too often. I’ve seen a hundred men with no proof against them that will stand up in court, with just enough suspicion on them to be hauled in for questioning, and sooner or later they confess. No rubber hoses. Just weariness and perhaps guilt and that something else I can’t explain — that urge to finally tell. Maybe it is only that it becomes too hard to lie when you know the truth. I’m not talking about the professional criminal, the Jake Roth. I’m talking about the ordinary man who never wanted to kill. A man like Pete Vitanza. He had not meant to kill, I was sure of that, and he was filled by guilt, but he was also afraid, and he tried once more.
‘You got nothin’ll stand up,’ Pete said. His face towards the wall. ‘You got no proof.’
‘I’ve got enough to make Gazzo take you downtown, Pete,’ I said. ‘He’ll ask the questions, Pete. I’ve got enough for that. You know how Gazzo’ll ask. You know you’ll tell him.’
When he turned from that wall his battered face was almost calm. His dark eyes were no longer flat. The eyes had depth again; they had colour. He had been afraid, worried, for a long time now, and it was over. His face even seemed younger under the bruises. He looked at both of us from the bed. His arms stuck out like bandaged boards.
‘She turned me down.’ There was a tone of surprise in his voice as if he still could not believe that Nancy Driscoll had turned him down. ‘I was drunk. I mean, Jo-Jo was gone and I got drunk. So I went up to her place. I took a bottle and some beer. I was there a long time. She threw the tease at me. The bitch! I mean, she shook it all in my face. She gave me the full show. Then she said no. I mean, she said no! I hit her. She called me a pig. She called me a punk, a kid. A dirty pig she said. I hit her again. She was on the floor and I hit her some more. I hit her a lot more. I was crazy drunk. I hit her. Then she didn’t move. I remember something like screams, you know? I mean, I didn’t hear her scream, I just sort of remember. She stopped moving. She was on the floor. I wiped her face. She was dead.’
Pete stopped. His arms stuck straight out. His eyes saw the dead face of Nancy Driscoll. He closed his eyes.
‘So you wiped the beer cans and the bottle,’ I said. ‘You’ve seen the movies. They always wipe off the fingerprints. You took the address book. Maybe your name was in it. But you ran too soon. You left too much. Later you remembered what you had left, and you remembered that Jo-Jo was on the run. Everything you’d left fitted Jo-Jo, too. It looked like a good chance for you. Just frame Jo-Jo. With any luck Jo-Jo might not even be alive to deny it — only you had to be sure Jo-Jo was tied to the Driscoll girl. That was where I came in.’
‘I was scared,’ Pete said. His eyes were still closed. He shivered there in the bed. ‘I was so scared… so scared…’
I went to the telephone to call Gazzo.
Jo-Jo walked out of the hospital room without speaking again. Not to Pete, and not to me.
Chapter 20
Pete signed a statement for Captain Gazzo while he was still in the hospital. When he could get up, Gazzo took him downtown and booked him. I went back to Marty.
‘Why do they confess, baby?’ Marty asked. ‘They always do, men like Pete.’
‘I don’t know,’ I said. ‘Maybe because they’re not really killers. The killing is panic, a moment of irrationality, an emotional accident. When the moment is over they become themselves again, and the guilt and horror gets to them.’
‘But he tried to get Jo-Jo killed, too.’
‘That’s another matter,’ I said. ‘That was fear. No one knew anything, and he had a chance to evade it all. Pin it on another man, that’s the way we are. He might have got away with it if he hadn’t tried too hard. Just like Jake Roth. All either of them had to do was sit tight and they would probably have never been caught.’
We were in her apartment. There were no more shadows waiting out in the dark, or at least no shadows I knew about. No shadows beyond the normal shadows that are always waiting. I had a beer in my hand, it was cool in the room, and Marty was there. Only a week had passed since I had brought Jo-Jo Olsen back from Florida, but it was already history, something to be talked about with a fine detachment.
‘It’s that word probably,’ Marty said. ‘They couldn’t sit tight. They couldn’t live with the danger hanging over them, maybe for the rest of their lives. To never know when it might all be discovered? Listen for every knock at the door? They chose to try to end the danger all the way. Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. I suppose I’d think that way, too. Killers are human, baby. Pete would have lived with fear every day. He tried to get away free.’