As the chopper descended, the landscape only became slightly more defined. Now they could see that those darker green blobs below were actually stands of trees. The slate- colored patches were open water, reflecting the color of the sky. And the brownish smears were acres of sawgrass beaten down at the moment by the path of the storm. Harmon pointed to a kidney-shaped island that looked more and more like a pile of pickup sticks as they got closer. Soon they could make out tall trees snapped off at their tops and vegetation and debris at their base so thick it was difficult to discern anything more. They came in lower and then from the backseat Squires called out: "Structure at eight o'clock." The pilot swung his head down and to the left. Harmon was on the blind side.
"Bank a turn and get as low as you can," Harmon said, climbing out of his seat and squeezing into the back with his partner. While they swung around, Harmon and Squires readied the fast ropes, tying them to U-bolts secured into the floor of the chopper. Harmon slid open a side door and looked out.
"Eleven o'clock," he said into the microphone. "See it?"
"Yeah, I got it," the pilot said. "I'll get you over that decking at the rear."
"Nice armpit they got for us to visit this time," Squires said. "I'm not picking up any movement but that don't mean a thing considering that ground cover. Shit, somebody coulda parked a fucking yacht in there and you wouldn't spot it." The big man took the Mk23 handgun out of his operations bag and strapped it to his thigh.
When they were thirty feet over the dark wooded deck both men slung their packs over their shoulders and put their feet out on the landing runners.
"I'll call on the satellite phone for a pickup," Harmon said to the pilot and by turn, Squires first, they rappelled like circus artists down the ropes. "Fuck! They are cops," Buck said when he saw the first man slide down the rope and touch down on the deck. The guy unsnapped his line and had a nasty-looking handgun out faster than Buck had seen most men flick a switchblade. He was dressed all in black, like some goddamn SWAT dude who meant business. Then the second guy came down.
"What the hell?" he whispered to himself. This one was dressed like he was going to baseball game: a pair of jeans and a golf shirt and some kinda loose jacket flapping in the wind. He landed just as softly as the other one but as far as Buck could tell he wasn't armed.
Buck was now waist-deep in the water and obscured by a clump of fern and downed tree branches. When they first slipped out of the cabin he eyeballed the helicopter, expecting to see a rescue decal on its belly or at least a Sheriff's Office logo. Instead it was unmarked. From his angle he couldn't even see the identification numbers and he had to assume it was a private chopper. Dope dealers? Owners?
Then he and the boy both slipped down into the water, using the deck as cover. When the chopper door opened and a couple of ropes came tumbling out, he'd ordered Wayne to take the shotgun around to the other side of the cabin so they could flank whoever came down, just as they'd done to Freeman. When the first man slid down he saw the SWAT getup and thought cops. Now he didn't know what the hell was going on, but the gun in the SWAT guy's hand jacked up the situation and he kept the stolen.45 up and ready. He just hoped Wayne could see that the dude in black was armed.
Buck stayed down, out of sight, and when the helicopter pulled up and the sound faded the place went silent again. Buck was quietly working the possibilities. If they go through the door and confront Marcus and find Freeman and his partner, what the hell happens? Maybe he should make a break for the airboat now, let the boys fend for themselves. Maybe he should wait, take a chance on these guys opening the other side of the place. He knew drugs were inside. A huge score. A once-in-a-lifetime score. A score just like his daddy couldn't resist. If he made this work he would ride off in the sunset to Hendry County where he belonged, workin' the open range, no more penny-ante burglaries and dodging the cops. How can you walk away? Buck watched the two men bending their heads together, talking softly, and then the one in black started moving east toward the door. No, thought Buck, this has been thought out. No turning back now.
Suddenly a scream ripped through the humid air that raised the hair on the back of Buck's neck and dropped his jaw at the same instant. The sound was filled with more surprise and pain than Buck had ever heard even in the concrete halls of Avon Park prison and his reaction was the same as when he was inside: his legs started moving, as if you could run away from such terror even in an eight-by-ten cell.
He moved to his left, out away from his cover, his eyes focused on the men who both seemed to have been frozen by the shattering cry. Then he saw Wayne; he'd come up out of the swamp at the sound of his friend's scream and was up on the deck, running with the shotgun held foolishly at port arms. Water was dripping off his shirt and pants legs and there was a look of anguish on the kid's face as his mouth formed the word "Marcus!" and he slid around the corner into full view of the helicopter men.
The barrel of Wayne's shotgun never even made it to point when the SWAT man spun with his handgun at the ready and fired twice. A spray of blood instantly mixed with the droplets of water flying off the kid's chest and two blossoms of red bloomed on his upper chest as he went down. The shotgun clattered forward across the wooden planks and came to a sudden stop under the foot of the man with the jacket. The other one was still in a military firing position, both hands steadying his handgun and then, as if he'd seen him all along, the big man shifted the sights of the weapon onto Buck, who was thirty feet away in the swamp, his feet still, his eyes trying to decipher what had just happened.
"Don't move, asshole!" the SWAT guy said, and then started moving down the deck, stepping then sliding, shuffling his feet, keeping a stance and a balance as if he'd been trained and did this kind of thing every day: drop out of the sky, shoot a kid in the chest.
Buck had his hands up in response to the man's pointed gun. He still held the.45, now high and over his head, pointing at the still-lightening sky. The man was nearly even with him when, back behind all of them, Buck saw Marcus come out from around the east corner. The kid was bent half over, his right arm extended out in front of him, the end looking like a bloody stump. The boy's face, though, was up, and in his eyes were an odd look of shock and a plea for help.
"Jesus," the jacket man said and the tone of his voice and maybe the look on Buck's face caused the SWAT guy to turn his head. And that's when Buck shot the big man in the back, the.45 roaring.
The second shot hit SWAT man as he spun, entering his face just below the cheekbone and at an upward angle exiting at his sideburn, the big caliber round removing his ear at the same time. The third shot dropped him to his knees, where he melted in a heap.
Buck did not like guns, never had. But that did not mean he was inept at their use.
After the third recoil he swung the sights back down the deck to where jacket man was. This one had been unarmed when he arrived but now he had the over-and-under twelve- gauge shotgun in one hand and bloody Marcus in the other. He had the kid's neck in a hold and had positioned him as a shield. He seemed fixed that way, his knee down on one of the bags they'd dropped, holding the kid, figuring he was protection of some kind. Buck held the.45 on them both as he climbed out of the swamp and onto the deck. He seemed incredibly calm as he stepped over Wayne's crumpled body. The kid was whimpering and seemed to be shrinking by the minute, gone fetal, folding up on himself, like a balloon leaking air. Buck stopped short of the SWAT man's body and did not look down at it. Somewhere in the background he thought he heard music. But his eyes were on jacket man's eyes.