Adulthood Rites

They passed near a broad trench, its sides covered with grass. At its center flowed a clear stream. No doubt there were wet seasons when the entire riverbed was filled, perhaps to overflowing. The wet and dry seasons here would be more pronounced than in the forest around Lo. There, it rained often no matter what the season was supposed to be. Akin knew about such things because he had heard adults talk about them. It was not strange to see this shrunken river. But when he looked up as he was carried toward the far end of the pit, he saw for the first time between the green hills to the distant, snow-covered peaks of the mountains.

“Wait!” Akin shouted as the salvager—Sabina, her name was—would have carried him on toward the house on the far side of the hole. “Wait, let me look.”

She seemed pleased to do this. “Those are volcanic,” she said. “Do you know what that means?”

“A broken place in the Earth where hot liquid rock comes up,” Akin said.

“Good,” she said. “Those mountains were pushed up and built by volcanic activity. One of them went off last year. Not close enough to us to matter, but it was exciting. It still steams now and then, even though it’s covered with snow. Do you like it?”

“Dangerous,” he said. “Did the ground shake?”

“Yes. Not much here, but it must have been pretty bad there. I don’t think there are any people living near there.”

“Good. I like to look at it, though. I’d like to go there some day to understand it.”

“Safer to look from here.” She took him on to the short row of houses where salvagers apparently lived. There was a flattened rectangular metal frame—Sabina’s “truck” apparently. It looked useless. Akin had no idea what Humans had once done with it, but now it could only be cut up into metal scrap and eventually forged into other things. It was huge and would probably yield a great deal of metal. Akin wondered how the feeding shuttle had missed it.

“I’d like to know how the Oankali smashed it flat this way,” another woman said. “It’s as though a big foot stepped on it.”

Akin said nothing. He had learned that people did not really want him to give them information unless they asked him directly—or unless they were so desperate they didn’t care where their information came from. And information about the Oankali tended to frighten or anger them no matter how they received it.

Sabina put him down, and he looked more closely at the metal. He would have tasted it if he had been alone. Instead, he followed the salvagers into one of the houses. It was a solidly built house, but it was plain, unpainted, roofed with sheets of metal. The guest house at Lo was a more interesting building.

But inside there was a museum.

There were stacks of dishes, bits of jewelry, glass, metal. There were boxes with glass windows. Behind the windows was only a blank, solid grayness. There were massive metal boxes with large, numbered wheels on their doors. There were metal shelves, tables, drawers, bottles. There were crosses like the one on Gabe’s coin—crosses of metal, each with a metal man hanging from them. Christ on the cross, Akin remembered. There were also pictures of Christ rapping with his knuckles on a wooden door and others of him pulling open his clothing to reveal a red shape that contained a torch. There was a picture of Christ sitting at a table with a lot of other men. Some of the pictures seemed to move as Akin viewed them from different angles.

Tate, who had reached the house before him, took one of the moving pictures—a small one of Christ standing on a hill and talking to people—and handed it to Akin. He moved it slightly in his hand, watching the apparent movement of Christ, whose mouth opened and closed and whose arm moved up and down. The picture, though scratched, was hard and flat—made of a material Akin did not understand. He tasted it—then threw it hard away from him, disgusted, nauseated.

“Hey!” one of the salvagers yelled. “Those things are valuable!” The man retrieved the picture, glared at Akin, then glared at Tate. “What the hell would you give a thing like that to a baby for anyway?”

But both Tate and Sabina had stepped quickly to see what was wrong with Akin.

Akin went to the door and spat outside several times, spat away pure pain as his body fought to deal with what he had carelessly taken in. By the time he was able to talk and tell what was wrong, he had everyone’s attention. He did not want it, but he had it.

“I’m sorry,” he said. “Did the picture break?”

“What’s the matter with you?” Tate said with unmistakable concern.

“Nothing now. I got rid of it. If I were older, I could have handled it better—made it harmless.”

“The picture—the plastic—was harmful to you?”

“The stuff it was made of. Plastic?”

“Yes.”

“It’s so sealed and covered with dirt that I didn’t feel the poison before I tasted it. Tell the girls not to taste it.”

“We won’t,” Amma and Shkaht said in unison, and Akin jumped. He did not know when they had come in.

“I’ll show you later,” he said in Oankali.

They nodded.

“It was

more poison packed tight together in one place than I’ve ever known. Did Humans make it that way on purpose?”

“It just worked out that way,” Gabe said. “Hell, maybe that’s why the stuff is still here. Maybe it’s so poisonous—or so useless—that not even the microbes would eat it. Nonbiodegradable, I think the prewar word was.”

Akin looked at him sharply. The shuttle had not eaten the plastic. And the shuttle could eat anything. Perhaps the plastic, like the truck, had simply been overlooked. Or perhaps the shuttle had found it useless as Gabe had said.

“Plastics used to kill people back before the war,” a woman said. “They were used in furniture, clothing, containers, appliances, just about everything. Sometimes the poisons leached into food or water and caused cancer, and sometimes there was a fire and plastics burned and gassed people to death. My prewar husband was a fireman. He used to tell me.”

“I don’t remember that,” someone said.

“I remember it,” someone else contradicted. “I remember a house fire in my neighborhood where everybody died trying to get out because of poison gas from burning plastics.”

“My god,” Sabina said, “should we be trading this stuff?”

“We can trade it,” Tate said. “The only place that has enough of it to be a real danger is right here. Other people need things like this—pictures and statues from another time, something to remind them what we were. What we are.”

“Why did people use it so much if it killed them?” Akin asked.

“Most of them didn’t know how dangerous it was,” Gabe said. “And some of the ones who did know were making too damn much money selling the stuff to worry about fire and contamination that might or might not happen.” He made a wordless sound—almost a laugh, although Akin could detect no humor in it. “That’s what Humans are, too, don’t forget. People who poison each other, then disclaim all responsibility. In a way, that’s how the war happened.”

“Then

” Akin hesitated. “Then why don’t you paint new pictures and make statues from wood or metal?”

“It wouldn’t be the same for them,” Shkaht said in Oankali. “They really do need the old things. Our Human father got one of the little crosses from a traveling resister. He always wore it on a cord around his neck.”

“Was it plastic?” Akin asked.

“Metal. But prewar. Very old. Maybe it even came from here.”

“Independent resisters take our stuff to your villages?” Tate asked when Akin translated.

“Some of them trade with us,” Akin said. “Some stay for a while and have children. And some only come to steal children.”

Silence. The Humans went back to their trade goods, broke into groups, and began exchanging news.

Tate showed Akin the house where he was to sleep—a house filled with mats and hammocks, cluttered with small objects the salvagers had dug up, and distinguished by a large, cast-iron woodstove. It made the one in Tate’s kitchen seem child-sized.