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Dr. MacPhail shook his round naked head and clicked his tongue on teeth. "Seems to me Fernie doesn't do all that could be done to tone Izzard down," he said.

Then the girl remembered Steve's wounded arm, and the doctor examined, washed, and bandaged it.

"You won't have to wear the arm in a sling," he said, "if you take a reasonable amount of care of it. It isn't a deep cut, and fortunately it went between the supinator longus and the great palmar without injury to either. Get it from our burglar?"

"No. Got it in the street. A man named Kamp and I were walking toward the hotel tonight and were jumped. Kamp was killed. I got this."

An asthmatic clock somewhere up the street was striking three as Steve passed through the MacPhails' front gate and set out for the hotel again. He felt tired and sore in every muscle, and he walked close to the curb.

"If anything else happens tonight," he told himself, "I'm going to run like hell from it. I've had enough for one evening."

At the first cross-street he had to pause to let an automobile race by. As it passed him he recognised it—Larry Ormsby's cream Vauxhall. In its wake sped five big trucks, with a speed that testified to readjusted gears. In a roar of engines, a cloud of dust, and a rattling of windows, the caravan vanished toward the desert.

Steve went on toward the hotel, thinking. The factory worked twenty-four hours a day, he knew; but surely no necessity of niter manufacturing would call for such excessive speed in its trucks—if they were factory trucks. He turned into Main Street and faced another surprise. The cream Vauxhall stood near the corner, its owner at the wheel. As Steve came abreast of it Larry Ormsby let its near door swing open, and held out an inviting hand.

Steve stopped and stood by the door.

"Jump in and I'll give you a lift as far as the hotel."

"Thanks."

Steve looked quizzically from the man's handsome, reckless face to the now dimly lighted hotel, less than two blocks away. Then he looked at the man again, and got into the automobile beside him.

"I hear you're a more or less permanent fixture among us," Ormsby said, proffering Steve cigarettes in a lacquered leather case, and shutting off his idling engine.

"For a while."

Steve declined the cigarettes and brought out tobacco and papers from his pocket, adding, "There are things about the place I like."

"I also hear you had a little excitement tonight."

"Some," Steve admitted, wondering whether the other meant the fight in which Kamp had been killed, the burglary at the MacPhails', or both.

"If you keep up the pace you've set," the factory owner's son went on, "it won't take you long to nose me out of my position as Izzard's brightest light."

Tautening nerves tickled the nape of Steve's neck. Larry Ormsby's words and tones seemed idle enough, but underneath them was a suggestion that they were not aimless—that they were leading to some definite place. It was not likely that he had circled around to intercept Steve merely to exchange meaningless chatter with him. Steve, lighting his cigarette, grinned and waited.

"The only thing I ever got from the old man, besides money," Larry Ormsby was saying, "is a deep-rooted proprietary love for my own property. I'm a regular burgher for insisting that my property is mine and must stay mine. I don't know exactly how to feel about a stranger coming in and making himself the outstanding black sheep of the town in two days. A reputation—even for recklessness—is property, you know; and I don't feel that I should give it up—or any other rights—without a struggle."

There it was. Steve's mind cleared. He disliked subtleties. But now he knew what the talk was about. He was being warned to keep away from Nova Vallance.

"I knew a fellow once in Onehunga," he drawled, "who thought he owned all of the Pacific south of the Tropic of Capricorn—and had papers In prove it. He'd been that way ever since a Maori bashed in his head with a stone mele. Used to accuse us of stealing our drinking water from his ocean."

Larry Ormsby flicked his cigarette into the street and started the engine.

"But the point is"—he was smiling pleasantly—"that a man is moved to protect what he thinks belongs to him. He may be wrong, of course, but that wouldn't affect the—ah— vigour of his protecting efforts."

Steve felt himself growing warm and angry.

"Maybe you're right," he said slowly, with deliberate intent to bring this thing between them to a crisis, "but I've never had enough experience with property to know how I'd feel about being deprived of it. But suppose I had a—well, say—a white vest that I treasured. And suppose a man slapped my face and threatened to spoil the vest. I reckon I'd forget all about protecting the vest in my hurry to tangle with him."

Larry laughed sharply.

Steve caught the wrist that flashed up, and pinned it to Ormsby's side with a hand that much spinning of a heavy stick had muscled with steel.

"Easy," he said into the slitted, dancing eyes; "easy now."

Larry Ormsby's white teeth flashed under his moustache.

"Righto," he smiled. "If you'll turn my wrist loose, I'd like to shake hands with you—a sort of antebellum gesture. I like you, Threefall; you're going to add materially to the pleasures of Izzard."

In his room on the third floor of the Izzard Hotel, Steve Threefall undressed slowly, hampered by a stiff left arm and much thinking. Matter for thought he had in abundance. Larry Ormsby slapping his father's face and threatening him with an automatic; Larry Ormsby and the girl in confidential conversation; Kamp dying in a dark street, his last words lost in the noise of the marshal's arrival; Nova Vallance giving him an empty revolver, and persuading him to let a burglar escape; the watch on the floor and the looting of the blind man's savings; the caravan Larry Ormsby had led toward the desert; the talk in the Vauxhall, with its exchange of threats.

Was there any connection between each of these things and the others? Or were they simply disconnected happenings? If there was a connection—and the whole of that quality in mankind which strives toward simplification of life's phenomena, unification, urged him to belief in a connection—just what was it? Still puzzling, he got into bed; and then out again quickly. An uneasiness that had been vague until now suddenly thrust itself into his consciousness. He went to the door, opened and closed it. It was a cheaply carpentered door, but it moved easily and silently on well-oiled hinges.

"I reckon I'm getting to be an old woman," he growled to himself; "but I've had all I want to-night."

He blocked the door with the dresser, put his stick where he could reach it quickly, got into bed again, and went to sleep.

A pounding on the door awakened Steve at nine o'clock the next morning. The pounder was one of Fernie's subordinates, and he told Steve that he was expected to be present at the inquest into Kamp's death within an hour. Steve found that his wounded arm bothered him little; not so much as a bruised area on one shoulder—another souvenir of the fight in the street.

He dressed, ate breakfast in the hotel cafe, and went up to Ross Amthor's 'undertaking parlour,' where the inquest was to be held.

The coroner was a tall man with high, narrow shoulders and a sallow, puffy face, who sped proceedings along regardless of the finer points of legal technicality. Steve told his story; the marshal told his, and then produced a prisoner—a thick-set Austrian who seemingly neither spoke nor understood English. His throat and lower face were swathed in white bandages.

"Is this the one you knocked down?" the coroner asked.

Steve looked at as much of the Austrian's face as was visible above the bandages.

"I don't know. I can't see enough of him."

"This is the one I picked out of the gutter," Grant Fernie volunteered; "whether you knocked him there or not. I don't suppose you got a good look at him. But this is he all right."