Just at the wrong minute Henderson decided to look over his shoulder at us—an unevenness in the road twisted his wheels—his machine swayed—skidded—went over on its side. Almost immediately, from the heart of the tangle, came a flash and a bullet moaned past my ear. Another. And then, while I was still hunting for something to shoot at in the pile of junk we were drawing down upon, McClump's ancient and battered revolver roared in my other ear.
Henderson was dead when we got to him—McClump's bullet had taken him over one eye.
McClump spoke to me over the body.
"I ain't an inquisitive sort of fellow, but I hope you don't mind telling me why I shot this lad."
"Because he was—Thornburgh."
He didn't say anything for about five minutes. Then: "I reckon that's right. How'd you know it?"
We were sitting beside the wreckage now, waiting for the police that we had sent our commandeered chauffeur to phone for.
"He had to be," I said, "when you think it all over. Funny we didn't hit on it before! All that stuff we were told about Thorn-burgh had a fishy sound. Whiskers and an unknown profession, immaculate and working on a mysterious invention, very secretive and born in San Francisco—where the fire wiped out all the old records—-just the sort of fake that could be cooked up easily.
"Now, consider Henderson. You had told me he came to Sacramento sometime early this summer —and the dates you got tonight show that he didn't come until after Thornburgh had bought his house. All right! Now compare Henderson with the descriptions we got of Thornburgh.
"Both are about the same size and age, and with the same color hair. The differences are all things that can be manufactured—clothes, a little sunburn, and a month's growth of beard, along with a little acting, would do the trick. Tonight I went out to Taven-der and took a look at the last batch of laundry—and there wasn't any that didn't fit the Coonses! And none of the bills all the way back were large enough for Thornburgh to have been as careful about his clothes as we were told he was."
"It must be great to be a detective!" McClump grinned as the police ambulance came up and began disgorging policemen. "I reckon somebody must have tipped Henderson off that I was asking about him this evening." And then, regretfully: "So we ain't going to hang them folks for murder after all."
"No, but we oughtn't have any trouble convicting them of arson plus conspiracy to defraud, and anything else that the Prosecuting Attorney can think up."
—End—
THE ASSISTANT MURDERER
Gold on the door, edged with black, said:
ALEXANDER RUSH,
PRIVATE DETECTIVE
Inside, an ugly man sat tilted back in a chair, his feet on a yellow desk.
The office was in no way lovely. Its furnishings were few and old with the shabby age of second-handdom. A shredding square of dun carpet covered the floor. On one buff wall hung a framed certificate that licensed Alexander Rush to pursue the calling of private detective in the city of Baltimore in accordance with certain red-numbered regulations. A map of the city hung on another wall. Beneath the map a frail bookcase, small as it was, gaped emptily around its contents: a yellowish railway guide, a smaller hotel directory, and street and telephone directories for Baltimore, Washington, and Philadelphia. An insecure oaken clothes-tree held up a black derby and a black overcoat beside a white sink in one corner. The four chairs in the room were unrelated to one another in everything except age. The desk's scarred top held, in addition to the proprietor's feet, a telephone, a black-clotted inkwell, a disarray of papers having generally to do with criminals who had escaped from one prison or another, and a grayed ashtray that held as much ash and as many black cigar stumps as a tray of its size could expect to hold.
An ugly office—the proprietor was uglier.
His head was squatly pear-shaped. Excessively heavy, wide, blunt at the jaw, it narrowed as it rose to the close-cropped, erect grizzled hair that sprouted above a low, slanting forehead. His complexion was of a rich darkish red, his skin tough in texture and rounded over thick cushions of fat.
These fundamental inelegancies were by no means all his ugliness. Things had been done to his features.
One way you looked at his nose, you said it was crooked. Another way, you said it could not be crooked; it had no shape at all. Whatever your opinion of its form, you could not deny its colour. Veins had broken to pencil its already florid surface with brilliant red stars and curls and puzzling scrawls that looked as if they must have some secret meanings. His lips were thick, tough-skinned. Between them showed the brassy glint of two solid rows of gold teeth, the lower row lapping the upper, so undershot was the bulging jaw. His eyes— small, deep-set, and pale blue of iris—were bloodshot to a degree that made you think he had a heavy cold. His ears accounted for some of his earlier years: they were the thickened, twisted cauliflower ears of the pugilist.
A man of forty-something, ugly, sitting tilted back in his chair, feet on desk.
The gilt-labelled door opened and another man came into the office. Perhaps ten years younger than the man at the desk, he was, roughly speaking, everything that one was not. Fairly tall, slender, fair-skinned, brown-eyed, he would have been as little likely to catch your eye in a gambling-house as in an art gallery. His clothes—suit and hat were gray— were fresh and properly pressed, and even fashionable in that inconspicuous manner which is one sort of taste. His face was likewise unobtrusive, which was surprising when you considered how narrowly it missed handsomeness through the least meagreness of mouth—a mark of the too-cautious man.
Two steps into the office he hesitated, brown eyes glancing from shabby furnishings to ill-visaged proprietor. So much ugliness seemed to disconcert the man in gray. An apologetic smile began on his lips, as if he were about to murmur, "I beg your pardon, I'm in the wrong office."
But when he finally spoke it was otherwise. He took another step forward, asking uncertainly:
"You are Mr. Rush?"
"Yeah." The detective's voice was hoarse with a choking harshness that seemed to corroborate the heavy-cold testimony of his eyes. He put his feet down on the floor and jerked a fat, red hand at a chair. "Sit down, sir."
The man in gray sat down, tentatively upright on the chair's front edge.
"Now what can I do for you?" Alec Rush croaked amiably.
"I wan t—I wish—I would like—" and further than that the man in gray said nothing.
"Maybe you'd better just tell me what's wrong," the detective suggested. "Then I'll know what you want of me." He smiled.
There was kindliness in Alec Rush's smile, and it was not easily resisted. True, his smile was a horrible grimace out of a nightmare, but that was its charm. When your gentle-countenanced man smiles there is small gain: his smile expresses little more than his reposed face. But when Alec Rush distorted his ogre's mask so that jovial friendliness peeped incongruously from his savage red eyes, from his brutal metal-studded mouth—then that was a heartening, a winning thing.
"Yes, I daresay that would be better." The man in gray sat back in his chair, more comfortably, less transiently. "Yesterday on Fayette Street, I met—a young woman I know. I hadn't—we hadn't met for several months. That isn't really pertinent, however. But after we separated—we had talked for a few minutes—I saw a man. That is, he came out of a doorway and went down the street in the same direction she had taken, and I got the idea he was following her. She turned into Liberty Street and he did likewise. Countless people walk along that same route, and the idea that he was following her seemed fantastic, so much so that I dismissed it and went on about my business.