These scraps of dialogue were interchanged on a lovely summer evening in the year seventeen hundred and eighty-nine, before the back door of a small house which stood on the banks of the Seine, about three miles westward of the city of Rouen. The one speaker was lean, old, crabbed and slovenly; the other was plump, young, oily-mannered and dressed in the most gorgeous livery costume of the period. The last days of genuine dandyism were then rapidly approaching all over the civilized world; and Monsieur Justin was, in his own way, dressed to perfection, as a living illustration of the expiring glories of his epoch.
After the old servant had left him, he occupied himself for a few minutes in contemplating, superciliously enough, the back view of the little house before which he stood. Judging by the windows, it did not contain more than six or eight rooms in all. Instead of stables and outhouses, there was a conservatory attached to the building on one side, and a low, long room, built of wood, gayly painted, on the other. One of the windows of this room was left uncurtained and through it could be seen, on a sort of dresser inside, bottles filled with strangely-colored liquids oddly-shaped utensils of brass and copper, one end of a large furnace, and other objects, which plainly proclaimed that the apartment was used as a chemical laboratory.
"Think of our bride's brother amusing himself in such a place as that with cooking drugs in saucepans," muttered Monsieur Justin, peeping into the room. "I am the least particular man in the universe, but I must say I wish we were not going to be connected by marriage with an amateur apothecary. Pah! I can smell the place through the window."
With these words Monsieur Justin turned his back on the laboratory in disgust, and sauntered toward the cliffs overhanging the river.
Leaving the garden attached to the house, he ascended some gently rising ground by a winding path. Arrived at the summit, the whole view of the Seine, with its lovely green islands, its banks fringed with trees, its gliding boats, and little scattered water-side cottages, opened before him. Westward, where the level country appeared beyond the further bank of the river, the landscape was all aglow with the crimson of the setting sun. Eastward, the long shadows and mellow intervening lights, the red glory that quivered on the rippling water, the steady ruby fire glowing on cottage windows that reflected the level sunlight, led the eye onward and onward, along the windings of the Seine, until it rested upon the spires, towers, and broadly-massed houses of Rouen, with the wooded hills rising beyond them for background. Lovely to look on at any time, the view was almost supernaturally beautiful now under the gorgeous evening light that glowed up in it. All its attractions, however, were lost on the valet; he stood yawning with his hands in his pockets, looking neither to the right nor to the left, but staring straight before him at a little hollow, beyond which the ground sloped away smoothly to the brink of the cliff. A bench was placed here, and three persons—an old lady, a gentleman, and a young girl—were seated on it, watching the sunset, and by consequence turning their backs on Monsieur Justin. Near them stood two gentlemen, also looking toward the river and the distant view. These five figures attracted the valet's attention, to the exclusion of every other object around him.
"There they are still," he said to himself, discontentedly. "Madame Danville in the same place on the seat; my master, the bridegroom, dutifully next to her; Mademoiselle Rose, the bride, bashfully next to him; Monsieur Trudaine, the amateur apothecary brother, affectionately next to her; and Monsieur Lomaque, our queer land-steward, officially in waiting on the whole party. There they all are indeed, incomprehensibly wasting their time still in looking at nothing! Yes," continued Monsieur Justin, lifting his eyes wearily, and staring hard, first up the river at Rouen, then down the river at the setting sun; "yes, plague take them! looking at nothing, absolutely and positively at nothing, all this while."
Here Monsieur Justin yawned again, and, returning to the garden, sat himself down in an arbor and resignedly went to sleep.
If the valet had ventured near the five persons whom he had been apostrophizing from a distance, and if he had been possessed of some little refinement of observation, he could hardly have failed to remark that the bride and bridegroom of the morrow, and their companions on either side, were all, in a greater or less degree, under the influence of some secret restraint, which affected their conversation, their gestures, and even the expression of their faces. Madame Danville—a handsome, richly-dressed old lady, with very bright eyes, and a quick, suspicious manner—looked composedly and happily enough, as long as her attention was fixed on her son. But when she turned from him toward the bride, a hardly perceptible uneasiness passed over her face—an uneasiness which only deepened to positive distrust and dissatisfaction whenever she looked toward Mademoiselle Trudaine's brother. In the same way, her son, who was all smiles and happiness while he was speaking with his future wife, altered visibly in manner and look exactly as his mother altered, whenever the presence of Monsieur Trudaine specially impressed itself on his attention. Then, again, Lomaque, the land-steward—quiet, sharp, skinny Lomaque, with the submissive manner, and the red-rimmed eyes—never looked up at his master's future brother-in-law without looking away again rather uneasily, and thoughtfully drilling holes in the grass with his long sharp-pointed cane. Even the bride herself—the pretty, innocent girl, with her childish shyness of manner—seemed to be affected like the others. Doubt, if not distress, overshadowed her face from time to time, and the hand which her lover held trembled a little, and grew restless, when she accidentally caught her brother's eye.
Strangely enough there was nothing to repel, but, on the contrary, everything to attract in the look and manner of the person whose mere presence seemed to exercise such a curiously constraining influence over the wedding-party. Louis Trudaine was a remarkably handsome man. His expression was singularly kind and gentle; his manner irresistibly winning in its frank, manly firmness and composure. His words, when he occasionally spoke, seemed as unlikely to give offense as his looks; for he only opened his lips in courteous reply to questions directly addressed to him. Judging by a latent mournfulness in the tones of his voice, and by the sorrowful tenderness which clouded his kind, earnest eyes whenever they rested on his sister, his thoughts were certainly not of the happy or the hopeful kind. But he gave them no direct expression; he intruded his secret sadness, whatever it might be, on no one of his companions. Nevertheless, modest and self-restrained as he was, there was evidently some reproving or saddening influence in his presence which affected the spirits of every one near him, and darkened the eve of the wedding to bride and bridegroom alike.
As the sun slowly sank in the heavens, the conversation flagged more and more. After a long silence, the bridegroom was the first to start a new subject.
"Rose, love," he said, "that magnificent sunset is a good omen for our marriage; it promises another lovely day to-morrow."
The bride laughed and blushed.
"Do you really believe in omens, Charles?" she said.
"My dear," interposed the old lady, before her son could answer, "if Charles does believe in omens, it is nothing to laugh at. You will soon know better, when you are his wife, than to confound him, even in the slightest things, with the common herd of people. All his convictions are well founded—so well, that if I thought he really did believe in omens, I should most assuredly make up my mind to believe in them too."
"I beg your pardon, madame," Rose began, tremulously, "I only meant—"