“He rides freight trains — or hops them, isn’t that the terminology?” she said, peering over the cover of the book. “He hops freight trains, Sean, and that means he could be anywhere in twenty-four hours — or forty-eight. How long does it take to drive from Kansas to Isla Vista? Two days? Three?” She wanted to tell him about the doctor, and what the doctor had said, and what it was going to mean for them, but she didn’t want to see the look on his face, didn’t want to have to fight him, not now, not yet. He’d go pale and tug involuntarily at the grown-over hole in his left earlobe where the big gold hoop used to reside before he got serious about his life, and then he’d tell her she couldn’t have her baby for the same reason she couldn’t have a dog or even a cat — at least until he’d done his dissertation, at least until then.
“I don’t know, Mel,” he said, all the tiredness and resignation in the world crept into his voice, as if a simple discussion could martyr him, “what do you want me to say? He’s coming through the window tonight? Of the two hundred seventy million potential victims in the country, he’s singled us out, zeroed right in on us like a homing pigeon—?”
“Statistics,” she said, and she was surprised at her own vehemence. “That’s like saying you have about the same chance of getting attacked by a shark as you do of getting hit by lightning, and yeah, sure, but anybody anywhere can get hit by lightning, but how many people live by the ocean, how many actually go in it, and of them, how many are crazy enough — or foolhardy, that’s the word I want here — how many are foolhardy enough to go out where the sharks are? Probably a hundred percent of them get eaten, and we live right by the tracks, don’t we?”
As if in answer, there was the sudden sharp blast of the north-bound’s whistle as it neared the intersection two blocks away, and then the building thunder of the train itself, the fierce clatter of the churning wheels and everything in the room trembling with the rush of it. Sean rolled his eyes and disappeared into the bathroom. When the thunder subsided and he could be heard again, he poked his head round the doorframe. “It’s the Indians,” he said.
“It has nothing to do with the Indians.” She wouldn’t give him this, though he was right, of course — or partially, anyway. “It’s Brinsley-Schneider, who you seem to think is so great. Brinsley-Schneider and eugenics and euthanasia and all the rest of the deadly u’s.”
He was smiling the smile of the literary theorist in a room full of them, the smile that made him look like a toad with an oversized insect clamped in its jaws. “The deadly u’s?” he repeated. And then, softening, he said, “All right, if it’ll make you feel any better I’ll check the doors and windows, okay?”
Her eyes were on the book. Way off in the night she could hear the dying rattle of the last car at the end of the train. Her life was changing, and why couldn’t she feel good about it — why shouldn’t she?
He was in the doorway still, his face settling into the lines and grooves he’d dug for it over the past two and a half years of high seriousness. He looked exactly like himself. “Okay?” he said.
She didn’t have to be in at work till twelve the next day — she was an assistant to the reference librarian at the university library, and her schedule was so flexible it was all but bent over double — and after Sean left for class she sat in front of the TV with the sound off and read the account of Lavina Eastlick, who was twenty-nine and the mother of five when the Sioux went on a rampage near Acton, Minnesota, in the long-forgotten year of 1862. There was a moment’s warning, no more than that. A frightened neighbor shouting in the yard, first light, and suddenly Lavina Eastlick — a housewife, a hopeful young woman her own age rudely jolted from sleep — was running barefooted through the wet grass, in her nightgown, herding her children before her. The Indians soon overtook them and cut down her husband, her children, her neighbors and her neighbors’ children, taking the women captive. She’d been shot twice and could barely stand, let alone walk. When she stumbled and fell, a Sioux brave beat her about the head and shoulders with the stock of his rifle and left her for dead. Later, when they’d gone, she was able to crawl off and hide herself in the brush through the long afternoon and interminable night that followed. The wounded children — hers and her neighbors’—lay sprawled in the grass behind her, crying out for water, but she couldn’t move to help them. On the second afternoon the Indians returned to dig at the children’s wounds with sharpened sticks till the terrible gargling cries choked off and the locusts in the trees filled the void with their mindless chant.
And what would Dr. Toni Brinsley-Schneider have thought of that? She’d probably applaud the Indians for eliminating the useless and weak, who would only have grown up crippled around their shattered limbs in any case. That was what Melanie was thinking as she closed the book and glanced up at the casual violence scrolling across the TV screen, but once she was on her feet she realized she was hungry and headed off in the direction of the kitchen, thinking tuna fish on rye with roasted sunflower seeds and red bell pepper. She supposed she’d be putting on weight now, eating for two, and wouldn’t that be the way to announce the baby to Sean six months down the road, like the prom mom who hid it till the last fatal minute: And you thought I was just going to fat, didn’t you, honey?
Outside, beyond the windows, the sun washed over the flowers in the garden, all trace of the night’s mist burned off. There were juncos and finches at the feeder she shared with the upstairs neighbor, a dog asleep at the curb across the street, pure white fortresses of cloud building over the mountains. It was still, peaceful, an ordinary day, no Indians in sight, no bioethicists, no railroad killers hopping off freight trains and selecting victims at random, and she chopped onions and diced celery with a steady hand while something inexpressibly sad came over the radio, a cello playing in minor key, all alone, until it was joined by a single violin that sounded as if a dead man were playing it, playing his own dirge — and maybe he was dead, maybe the recording was fifty years old, she was thinking, and she had a sudden image of a man with a long nose and a Gypsy face, serenading the prisoners at Auschwitz.
Stop it, she told herself, just stop it. She should be filled with light, shouldn’t she? She should be knitting, baking, watching the children at the playground with the greedy intensity of a connoisseur.
The sunflower seeds were in the pan, the one with the loose handle and the black non-stick surface, heat turned up high, when the doorbell rang. The violin died at that moment — literally — and the unctuous, breathless voice of the announcer she hated (the one who always sounded as if he were straining over a bowel movement) filled the apartment as she crossed the front room and stepped into the hall. She was about to pull open the door — it would be the mailman at this hour, offering up a clutch of bills and junk mail and one of Sean’s articles on literary theory (or Theory, as he called it, “Just Theory, with a capital T, like Philosophy or Physics”), returned from an obscure journal with postage due — but something stopped her. “Who is it?” she called from behind the door, and she could smell the sunflower seeds roasting in the pan.