There was no answer, so she moved to the window beside the door and parted the curtains. A man stood on the concrete doorstep, staring at the flat plane of the door as if he could see through it. He was small and thin, no more than five-five or — six, tanned to the color of the copper teakettle on the stove and dressed in the oily jeans and all-purpose long-sleeved shirt of the bums who lined Cabrillo Boulevard with their styrofoam cups and pint bottles — or should she call them panhandlers or the homeless or the apartmentally challenged? Sean called them bums, and she guessed she’d fallen into the habit herself. They said crude things to you when you walked down the street, gesturing with fingers that were as black as the stubs of cigars. They were bums, that was all, and who needed them?
But then the man turned to her, saw her there at the window and turned to her, and she had a shock: he was Hispanic, a Latino just like the man on TV, the killer, with the same dead cinders for eyes. He put three fingers together and pushed them at his open mouth, and she saw then that he had no mustache — no, no mustache, but what did that mean? Anybody could shave, even a bum. “What do you want?” she called, feeling trapped in her own apartment, caught behind the wall of glass like a fish in an aquarium.
He looked surprised by the question. What did he want? He wanted food, money, sex, booze, drugs, her car, her baby, her life, her apartment. “Hungry,” he said. And then, when she didn’t respond: “You got work?”
She just shook her head — No, she didn’t have any work — and all the time she had to give this man, this stranger, this bum, had already been used up, because there was smoke in the kitchen and the seeds were burning in the pan.
It was past eight when she drove home from work, feeling exhausted, as if she were in her eighth month instead of the second. The day was softening into night, birds dive-bombing the palms along the boulevard, joggers and in-line skaters reduced to shadows on the periphery of her vision. All through the afternoon the mist had been rolled up like a carpet on the horizon, but it was moving closer now and she could smell it on the air — it was going to be another dense, compacted night. She parked and came up the walk and saw that the upstairs neighbor — Jessica, Jessica-something, who’d been there only a month and was so pathologically shy she cupped both hands to her face when she talked to you as if a real live moving mouth were somehow offensive — had been doing something in the flower garden. The earth was raw in several spots, as if it had been turned over, and there was a spade leaning against the side of the house. Not that it mattered to Melanie — she’d never had a green thumb and plants were just plants to her. If Jessica wanted to plant flowers, that was fine; if she wanted to dig them up, that was fine too.
Sean was in the kitchen, banging things around and singing — bellowing — along with one of Wagner’s operas, the only music he ever listened to. And which one was it? — she’d heard them all a thousand times. There it was, yes, Siegfried going down for the count: Götterdämmerung. Sean was making his famous shrimp and avocado salad, and he was in the throes of something — Wagner, Theory, some sort of testosterone rush — and he barely glanced up at her as she trudged into the bedroom. Her mistake was in taking off her shoes, the flats she wore for the sake of her feet while propping up an automatic smile behind the reference desk, because once her shoes were off she felt out of balance and had to rest her head on the pillow, just for a minute.
The gods of Valhalla had been laid to rest and the house was silent when she awoke to the soft click of the bedroom door. Sean was standing there framed in the doorway, the tacky yellow globe of the hallway light hanging over his shoulder like a captive moon. It was dark beyond the windows. “What,” he said, “are you sick or something?”
Was she? Now was her chance, now was the time to tell him, to share the news, the joyous news, pop the cork on the bottle of champagne and let’s go out to a nice place, a really nice place, and save the famous shrimp and avocado salad for tomorrow. “No,” she said. “No. Just tired, that’s all.”
At dinner — Sean and Lacan and a scatter of papers, the shrimp salad, lemonade from the can and an incongruous side dish of Ranch Style barbecue beans, also from the can — she did tell him about the man at the door that morning. “He said he wanted work,” she said, waving a forkful of shrimp and beans in an attempt to delineate the scene for the third time, “and I told him I didn’t have any work for him. That was it. The whole thing.”
Sean had begun to develop a groove just over the bridge of his nose, a V-shaped gouge that might have been a scar or the mark of a hot branding iron. It vanished when he was asleep or sunk into the couch with a beer and the New York Times, but it was there now, deeper than ever. “You mean he was Mexican?”
“I don’t know,” she said, “he was a Latino. I was scared. He really scared me.”
There was a long silence, the clock her mother had given her ticking dramatically from atop the brick-and-board bookcase in the hall, someone’s sprinklers going on outside, the muted rumble of Jessica-something’s TV seeping down through the ceiling — Melanie half-expected to hear the blast of the train’s whistle, but it was too early yet. “It could be,” Sean said finally, “—I mean, why not? You’re right. The guy takes a train, he could be anywhere. And then there’s the aleatory factor—”
She just stared at him.
“Chance. Luck. Fate. You can’t buck fate.” And then a look came over his face: two parts high seriousness, one part vigilante. “But you can be ready for it when it comes — you can be prepared.” Suddenly he was on his feet. “You just wait here, just sit tight”—and his voice had an edge to it, as if she’d been arguing with him, as if she had to be restrained from running off into the night like one of the screaming teenagers in a cheap horror film—“I’ll be right back.”
She wanted a glass of wine, but she knew she couldn’t drink anymore, not if she was going to keep the baby, and if she hadn’t known, the doctor had taken her down a smiling anfractuous road full of caveats and prohibitions, the sort of thing she — the doctor — must go through ten times a day, albeit tailoring her tone to the educational level of the patient. Outside, the sprinklers switched off with an expiring wheeze. She could hear Sean in the bedroom, rummaging around for something. Tonight, she would tell him tonight.
Because the knowledge was too big for her to contain, and she wanted to call her mother and have a long, confidential chat, and call her sisters too — but before that, before there could be any possibility of that, she had to tell Sean, and Sean had to say the things she needed to hear. During her five o’clock break, she’d confided in one of the girls she worked with, Gretchen Mohr, but it did nothing to reassure her. Gretchen was only twenty-three, in no way serious about the guy she was dating, and Melanie could tell from the way she squeezed her eyes shut over the news that the idea of a baby was about as welcome to her as paraplegia or epilepsy. Oh, she tried to cover herself with a flurry of congratulations and a nonstop barrage of platitudes and one-liners, but the final thing she said, her last and deepest thought, gave her away. “I don’t know,” she sighed, staring down into the keyhole of her Diet Coke can as if she were reading tea leaves, “but I just don’t think I’d be comfortable bringing a baby into a world like this.”
When Melanie looked up, Sean was standing over her. He was wearing a T-shirt with a picture of Freud on it, over a legend that read “Dr. Who?” His hair was slicked down, and the left side of his face, up to and encircling the ear, was inflamed with the skin condition he was forever fighting. But that was ordinary, that was the way he always looked. What was different were his eyes — proud, incandescent, lit up like fireworks — and his hands, or what was in his hands. Swaddled in coarse white cloth that was stained with what might have been olive oil lay an object she recognized from the movies, from TV and pawnshop display cases: a gun.