Iain M. Banks
Against a Dark Background
© 1993
Prologue
She put her chin on the wood below the window. The wood was cold and shiny and smelled. She kneeled on the seat; it smelled too, but different. The seat was wide and red like the sunset and had little buttons that made deep lines in it and made it look like somebody’s tummy. It was dull outside and the lights were on in the cable car. There were people skiing on the steep slopes beneath. She could see her own face looking back at ‘her in the glass; she started to make faces at herself.
After a while the glass in front of her face went misty. She reached up and wiped it. Somebody in another car, going down the hill, waved at her. She ignored them. The hills and the white trees tipped slowly back and forward.
The cable car swung gently as it rose through the mountain air towards the cloudbase. The trees and runs on the slopes beneath were equally white; a fresh snowfall and freezing fog blowing up the valley overnight had coated the branches and needles of the trees with a crisp white wrap of crystals. Skiers cut and scythed through the new plumpness of the fall, engraving a carved text of blue-white lines onto the bulging fresh page of snow.
She watched the child for a moment. She was kneeling on the button-hide seat, looking out. Her ski-suit was garish pink, fur trimmed. Her gloves, hanging from her sleeves on lengths of cord, were a clashing mauve. Her little boots were orange. It was a foul-looking combination (especially so here in Frelle, Northern Caltasp’s supposedly most exclusive and certainly its most snobbish resort), but-she suspected-probably less psyche-damaging than the tantrum and sulk which would inevitably have resulted had her daughter not been allowed to choose her own skiing outfit. The girl wiped at the window, frowning.
She wondered what the child was frowning at, and turned to see another cable car passing them on the way down, twenty metres or so away. She put her hand out and moved it through the girl’s black hair, pulling some of the curls away from her face. She didn’t seem to notice; she just kept gazing out of the window. Such a serious face for a little girl.
She smiled, remembering when she had been that age. She could recall being five; she had memories from about as far back as three, but they were vague and inchoate; flashes of memory illuminating a dark landscape of forgotten past.
But she could remember being conscious of being five; even remember her fifth birthday party and the fireworks over the lake.
How she had wanted to be older then; to be grown up and stay up late and go to dances. She had hated being young, hated always being told what to do, hated the way adults didn’t tell you everything. And hated, too, some of the stupid things they did tell you, like, ‘These are the best days of your life’. You could never believe at the time that adults had any idea-beyond mischief-what they were talking about. You had to be an adult, with all the cares and responsibilities it brought, before you could appreciate the struggling ignorance adults termed innocence, and-usually forgetting the way they too had felt at the time-call the captivity of childhood, however caring, freedom.
It was a very ordinary tragedy, she supposed, but no less a cause for regret because it was so common. Like a hint, a foretaste of grief, it was an original, even unique experience for everyone it affected, no matter how often it had happened in the past to others.
And how did you avoid it? She had tried so hard not to make the same mistakes with her own daughter that she felt her parents had made with her, but sometimes she heard herself scolding the girl and thought, That’s what my mother said to me.
Her husband didn’t feel the same way, but then he had been brought up differently, and anyway didn’t really have that much to do with the child’s upbringing. These old families. Hers had been rich and influential and probably quite unbearable in its own power-deranged way, but it had never displayed quite the degree of almost wilful eccentricity Kryf’s had down the generations.
She looked at her wrist-screen and turned down the heating in her boots, which were quite cosy now. Midday. Kryf would probably just be getting up, ringing for breakfast and having his butler read him the news while a footman proffered a selection of clothes from which to choose that afternoon’s attire. She smiled, thinking of him, then realised that she was looking across the car at Xellpher. The bodyguard-the only other occupant of the car-was solid and dark as some old-fashioned stove, and smiling a little too.
She gave a small laugh and put her hand to her mouth.
‘M’lady?’ Xellpher said.
She shook her head. Outside, behind Xellpher, an outcrop of rocks ridged above the trees, caked in whiteness but streaked with naked black rock, a dark foreign body amongst the sheets and pillows of the snow. The cable car rose to meet the clouds and was enveloped by them.
A mast went past, grey and quick outside, and the cable car whirred and bumped on its wheels for a second or so, then continued its silent, burringly smooth ascent, seemingly nodding to itself as it was hauled on upwards past ranks of trees like the ghosts of some great descending army.
It went all grey. A grey post went by and the car rocked. The view stayed grey. There were some trees and she could see the other cable, but that was all. She looked round, annoyed. Xellpher smiled at her. She didn’t smile back. There was a cliff behind him, black bits in the white snow.
She turned back to the window and rubbed, hoping to see better. She watched a cable car appear out of the mists above, coming down to meet them on the other cable.
The cable car began to slow down.
The car slowed and stopped.
‘Oh dear,’ she said, looking up at the varnished ceiling of the car.
Xellpher stood up, frowning. He looked at the cable car on the descending cable, which had stopped almost level with them. She looked at it too. The car hung, swaying, just as theirs was. It appeared to be empty. Xellpher turned and looked at the cliff on the other side, visible through the mist thirty or forty metres away. She saw his eyes narrow and experienced the first faint twinge of fear as she followed his gaze to the cliff.
There was an impression-perhaps imagined-of movement amongst some trees at the top of the cliff. Xellpher glanced back at the cable car hanging across from them and took a pair of multi-sights from his skiing jacket. She was still watching the cliff, like him. Something did move amongst the trees, roughly level with them. Xellpher adjusted a control on the side of the sights.
She stuck her nose against the window. It was very cold. Mummy had told her once that a bad little girl had stuck her nose against a very cold window one day and it had stuck there; frozen! Stupid girl. The car on the other cable stopped rocking. She saw somebody in it. They peeked up, holding something long and dark, then they ducked down again so she couldn’t see them any more.
Xellpher crouched down, putting the sights away and reaching out to take both her hands and pull her towards him. He glanced at the child as he said, ‘I’m sure there’s nothing to worry about, my lady, but it might be best to sit down here on the floor, just for a moment.’
She squatted down on the scuffed boards of the car, her head below the level of the car windows. She reached up and gently pulled the child off the seat. She struggled for a second, said, ‘Mummy…’ in her demanding voice.
‘Ssh,’ she told her, cuddling her against her chest.
Still squatting, Xellpher waddled over towards the car’s doors, taking his communicator out of his pocket as he did so.
All the windows burst at once, spraying them with glass. The car shuddered.
She heard herself scream, clutching the child to her and falling down to the floor of the car. She bit the scream off. The car shook as more shots slammed into it. In the sudden silence, Xellpher muttered something; then there was a series of sharp concussions. She looked up to see Xellpher firing his hand gun out the shattered window towards the cliff. More shots cracked into the car, blasting splinters of wood into the air and puffing dust and little bits of foam from the hide seat coverings.