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Merlin is frequently introduced in the tales of chivalry, but it is chiefly on great occasions, and at a period subsequent to his death, or magical disappearance. In the romantic poems of Italy, and in Spenser, Merlin is chiefly represented as a magical artist. Spenser represents him as the artificer of the impenetrable shield and other armor of Prince Arthur (Faery Queene, Book I., Canton vii.), and of a mirror, in which a damsel viewed her lover's shade. The Fountain of Love, in the Orlando Innamorato, is described as his work; and in the poem of Ariosto we are told of a hall adorned with prophetic paintings, which demons had executed in a single night, under the direction of Merlin.

The following legend is from Spenser's Faery Queene (Book III., Canto iii.):-

CAER-MERDIN, OR CAERMARTHEN (IN WALES), MERLIN'S TOWER, AND THE

IMPRISONED FIENDS.

     Forthwith themselves disguising both, in straunge

     And base attire, that none might them bewray,

     To Maridunum, that is now by chaunge

     Of name Caer-Merdin called, they took their way:

     There the wise Merlin, whylome wont (they say)

     To make his wonne, low underneath the ground

     In a deep delve, far from the view of day,

     That of no living wight he mote be found,

   Whenso he counselled with his sprights encompassed round.

     And if thou ever happen that same way

     To travel, go to see that dreadful place;

     It is a hideous hollow cave (they say)

     Under a rock that lies a little space,

     From the swift Barry, tombling down apace

     Amongst the woody hills of Dynevor;

     But dare not thou, I charge, in any case,

     To enter into that same baleful bower,

   For fear the cruel fiends should thee unwares devour.

     But standing high aloft, low lay thine ear,

     And there such ghastly noise of iron chains

     And brazen cauldrons thou shalt rumbling hear,

     Which thousand sprites with long enduring pains

     Do toss, that it will stun thy feeble brains;

     And oftentimes great groans, and grievous stounds,

     When too huge toil and labor them constrains;

     And oftentimes loud strokes and ringing sounds

   From under that deep rock most horribly rebounds.

     The cause some say is this. A little while

     Before that Merlin died, he did intend

     A brazen wall in compas to compile

     About Caermerdin, and did it commend

     Unto these sprites to bring to perfect end;

     During which work the Lady of the Lake,

     Whom long he loved, for him in haste did send;

     Who, thereby forced his workmen to forsake,

   Them bound till his return their labor not to slack.

     In the meantime, through that false lady's train,

     He was surprised, and buried under beare,*

     Ne ever to his work returned again;

     Natheless those fiends may not their work forbear,

     So greatly his commandement they fear;

     But there do toil and travail day and night,

     Until that brazen wall they up do rear.

     For Merlin had in magic more insight

   Than ever him before or after living wight.

Buried under beare. Buried under something which enclosed him like a coffin or bier.

GUENEVER.

         "Leodogran, the King of Cameliard,

          Had one fair daughter, and none other child,

          And she was fairest of all flesh on earth,

          Guenevere, and in her his one delight."

                                            TENNYSON.

Merlin had planned for Arthur a marriage with the daughter of King Laodegan* of Carmalide. By his advice Arthur paid a visit to the court of that sovereign, attended only by Merlin and by thirty-nine knights whom the magician had selected for that service. On their arrival they found Laodegan and his peers sitting in council, endeavoring, but with small prospect of success, to devise means for resisting the impending attack of Ryence, King of Ireland, who, with fifteen tributary kings and an almost innumerable army, had nearly surrounded the city. Merlin, who acted as leader of the band of British knights, announced them as strangers, who came to offer the king their services in his wars; but under the express condition that they should be at liberty to conceal their names and quality until they should think proper to divulge them. These terms were thought very strange, but were thankfully accepted, and the strangers, after taking the usual oath to the king, retired to the lodging which Merlin had prepared for them.

The spelling of these proper names is very often only a matter of taste. I think, however, Leodogran and Guenevere are less common than Laodegan and Guenever.

A few days after this, the enemy, regardless of a truce into which they had entered with King Laodegan, suddenly issued from their camp and made an attempt to surprise the city. Cleodalis, the king's general, assembled the royal forces with all possible despatch. Arthur and his companions also flew to arms, and Merlin appeared at their head, bearing a standard on which was emblazoned a terrific dragon. Merlin advanced to the gate, and commanded the porter to open it, which the porter refused to do, without the king's order. Merlin thereupon took up the gate, with all its appurtenances of locks, bars, and bolts, and directed his troop to pass through, after which he replaced it in perfect order. He then set spurs to his horse, and dashed, at the head of the little troop, into a body of two thousand Pagans. The disparity of numbers being so enormous, Merlin cast a spell upon the enemy, so as to prevent their seeing the small number of their assailants; notwithstanding which the British knights were hard pressed. But the people of the city, who saw from the walls this unequal contest, were ashamed of leaving the small body of strangers to their fate, so they opened the gate and sallied forth. The numbers were now more nearly equal, and Merlin revoked his spell, so that the two armies encountered on fair terms. Where Arthur, Ban, Bohort, and the rest fought, the king's army had the advantage; but in another part of the field the king himself was surrounded and carried off by the enemy. This sad sight was seen by Guenever, the fair daughter of the king, who stood on the city wall and looked at the battle. She was in dreadful distress, tore her hair, and swooned away.