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Although Kalashnikov had great natural instincts about weaponry, his lack of formal education put him at a disadvantage, so authorities teamed him with a small “collective” to help refine his ideas. In addition, he believed in what we would call today a “focus” group, listening to soldiers who actually fired the weapons and then offered their opinions. Using soldiers’ feedback, the weapon was changed and refined.

The young man’s success also lay in his ability to take the best ideas available from other gun makers, then combine and refine them. For example, submachine guns of the day relied on a “blow-back” system that used the power of gases shooting backward from the bullet to push back a bolt that ejected the spent cartridge and allowed a fresh one from the magazine to emerge into the chamber for firing. This system worked fine for pistol-sized bullets but not for the intermediate bullet. These new rounds were too powerful, requiring a massive bolt to control them, making for a much heavier gun. Kalashnikov realized this and opted for a gas-activated automatic weapon that used a “short stroke” piston to push back the bolt and eject and load another round. The piston offered the extra power necessary to move the heavier bolt. Although it may sound complicated, the system was actually simple in the world of arms makers.

When a cartridge’s primer is struck with a firing pin, the exploding powder creates gases that propel the bullet out at speeds greater than twenty-three hundred feet per second. As the bullet travels through the barrel, gases build up behind it but cannot escape because the spent cartridge is sealing one end and the bullet, traveling tight against the barrel walls, is blocking the other end.

The M1, or Garand, as it was known for its designer, John Garand, performed flawlessly during World War II, prompting General George Patton to call it “the greatest battle implement ever devised.” It was simple and reliable and the first self-loading rifle to be adopted by any army as standard issue. Unfortunately, the rifle was heavy, clunky, and only held eight rounds in its magazine. While Germany and the Soviet Union were moving toward automatic weapons, U.S. military planners clung to old ideas that put GIs in greater jeopardy with their outmoded rifles. U.S. Department of Defense

As the bullet nears the mouth of the barrel, a vent in the barrel diverts some of these gases into a tube that sits parallel above or below it. The gases hit a piston inside the tube, which pushes a connecting rod into the bolt carrier, forcing it backward. The bolt carrier extracts the spent cartridge from the breech and ejects it, allowing the next round to enter the chamber from the magazine, where ammunition is pushed upward by constant pressure from a spring. The signature banana-shaped magazine is a function of how the cartridges lie when placed side by side. Because they are narrower at one end, the natural and most economical shape of a thirty-round stack of 7.92mm rounds is a curve.

Every time the trigger is pulled, the firing pin strikes the primer in the center of a cartridge, firing a bullet, and the cycle continues. This happens at a rate of more than 600 rounds per minute when the selector lever is in the automatic position.

Because their fast-moving parts are confined in such a small space, automatic rifles have a tendency to jam. All it takes is a speck of dirt to clog the various movements or keep a round from being positioned properly in the firing chamber. This is where Kalashnikov shined. The bolt rotated widely, making it easy for the round to find its proper place in the chamber. Think of trying to poke a pencil into a hole drilled in a piece of wood. It would be much easier if, when you got the pencil tip near the hole, even slightly askew, you rotated it. This turning action would slide the pencil in much easier than if you just poked it straight. This is one of the best parts of Kalashnikov’s design.

In addition, rather than build components that fit tightly into each other, often a signature of professional gun makers, Kalashnikov went the other way, designing components with looser tolerances, more space between parts. Instead of dirt or sand clogging the gun, debris was thrown off in the firing process. During one test, soldiers dragged the gun through what was called the “sand baths.” Each rifle groove and slot was clogged with sand. “I began to doubt that further shooting would proceed without failures,” Kalashnikov recalled. An engineer watching the test voiced similar concerns. But the gun fired flawlessly. “The sand is flying in all directions, like a dog shaking off water,” a team member shouted.

AK PROTOTYPES WERE constantly honed and field-tested, each part altered based on soldier feedback. Unlike with many inventions, there were no Aha! moments in Kalashnikov’s work, only constant incremental improvement until it was soldier-proof. For example, the safety switch, which prevented the gun from accidentally firing, was combined into a single lever that also acts as a dust cover for the ejection port. In other words, a soldier who put his weapon on “safe” to slog through mud without inadvertently firing the weapon, did not also have to remember to close an additional latch to keep dirt out. Again, this was not a new idea—it existed on the Remington Model 8, one of the earliest American semiautomatic rifles, first produced in 1906—but it was Kalashnikov’s cleverness and humbleness that allowed it to be employed in a Soviet weapon. Kalashnikov did not subscribe to the “it wasn’t invented here” syndrome that plagued many other gun makers, and he wasn’t interested in producing a unique or profound piece of machinery. His only goal was to build a weapon that would work every time. He cared even less how it looked. While other designers sought to make their guns sleek and contemporary-looking, Kalashnikov dismissed this as window dressing and very anti-Soviet, which promoted utility over style.

During these testing years, Kalashnikov often found himself guided by the words of arms designer Georgy Shpagin, who developed the successful PPSh41 submachine gun: “Complexity is easy; simplicity is difficult.”

Kalashnikov’s gun also had to be easy and inexpensive to manufacture with current technology and capabilities. Again, he learned from the mistakes of Federov’s Avtomat, which could not be built rapidly or easily, drawbacks that sank it. Although milled or forged components were generally stronger, they were also more time-consuming and expensive to make. Kalashnikov’s prototype weapon would have a stamped receiver, the gun’s main frame.

After scores of modifications and adjustments, the new weapon was approved for production in 1947 with the name AK-47 (Avtomat Kalashnikova 1947), but work continued for several more years to improve the weapon before it would be officially issued to the Soviet army.

The AK-47 underwent more than a hundred modifications between 1947 and 1949. During that time, Kalashnikov had moved to Izhevsk Motor Plant 524, partially to get out of the shadow of more prominent designers who looked down upon the lowly sergeant who had moved up too fast and had not paid his dues with the obligatory decades of work. Izhevsk Motor Plant 524 was not an automotive plant but a front for an arms factory, the name designed to keep away Western spies now that the Communist satellite countries were established. Stalin’s blockade of Berlin had begun and the cold war was in full swing.