“You got a good noggin.” He knocks on my head with his fist. “I’m not worried about you.”
“And Natalie?” I whisper. “You worried about her?”
He looks out across the bay to San Francisco. The streets are so straight and orderly over there. Everything makes sense in the city.
“Her life isn’t gonna go the expected way. But just because she doesn’t see the world like you and me doesn’t mean she isn’t getting just as much out of her days as we do. Who are we to say what life’s supposed to be about, Moose? Who are we to say that?”
24. A DEAL WITH THE WARDEN’S DAUGHTER
Same day-Saturday, September 7, 1935
First things first. I have to get my dad and Mr. Mattaman off probation. Then if something happens, they won’t automatically be fired. This means I need to talk to Piper. I still don’t think she’s the culprit, but everybody else is sure she is.
I consider taking Jimmy to Piper’s, but I decide against it. It will be better if she doesn’t feel we’re ganging up on her.
Okay, there’s another reason too. It has to do with how her ears poke out of her hair and the softness of her skin-like a brand-new baseball, only better.
I’m on my way up to the warden’s house, a warm wind battering me backwards, making it twice as hard to walk uphill, when my mom waves me down. She has her hat and her gloves on, and her music satchel is tucked under her arm. “We’ve been looking all over for you, Moose,” she says. “Could you keep an eye on Natalie for a few hours? I just got a call from a family in the city. They want me to interview this afternoon… four private lessons at full freight… now that’s good money.”
“Now? I was just headed for Piper’s house.”
My mom’s face clouds. “I need to get a move on,” she says. “I have to give myself time to find the place.”
“Could I take Natalie along?” I don’t look directly at my mom when I ask this. I’m afraid of what she’ll say.
“To the warden’s house?” My mother’s voice is incredulous.
“She’s been there before with me,” I wheedle.
“Yeah, but with Mrs. Williams feeling so poorly, I don’t think it’s a good time. And you know Daddy’s still on probation, Moose.”
I’m itching to tell her that’s exactly why I need to go up there. I want her to know this isn’t kid stuff, but I’m afraid she’ll say this is Daddy’s business, not mine. “Mom, it’s important.”
She takes a deep breath and asks, “Why?”
“What if Dad says it’s okay?” This is a gamble. Sometimes it makes my mom mad when I suggest consulting with my dad, as if her opinion isn’t enough.
“Let’s see what he has to say,” she answers, hurrying on her high heels to the electric shop.
So far so good, I think as she pokes her head in the electric shop door. “ Cam!” she says. “I have a chance at four new privates but I need to go in and interview this afternoon. What do you think about Moose taking Natalie up to the warden’s house?”
My father is up on a stepladder, pulling down a wooden soda pop crate where he keeps nails and screws and bolts organized by size. He fishes his hand in one of the squares. “What business do you have up there? And how long will it take?”
“I have to talk to Piper and it won’t take long. An hour maybe.”
“You’ll keep a close eye on your sister?”
“Of course.”
“You can handle this, right, Moose?” He jingles wing nuts in his hand.
“I can handle it,” I tell him.
My father nods to my mother but doesn’t meet her eyes. “We can’t keep her locked up in the house all week, Helen.”
My mom’s bottom lip puckers out.
“Sadie will read us the riot act if we don’t let her go with the other kids,” my dad continues. “You know that as well as I do.”
My mother nods a small unwilling okay to me. She watches me and Nat walk up the switchback. I know she’s worried about Natalie, like always, but there’s something else in her eyes-something I’m not used to seeing She’s worried about me too.
In the distance, the boarding whistle blows and the buck sergeant hollers last call. I hear the clickety-click of her high heels as she runs down to the dock, clutching her music bag in one hand and keeping her hat on her head with the other.
Natalie walks along at her own pace oblivious to the gusty wind that picks up a leaf and blows it against her cheek. She operates out of her own cocoon, which she takes with her wherever she goes. She doesn’t follow me, lead me, or walk by my side but seems to drift along like we are caught in the same gust of wind. I explain we’ll be visiting Piper. I tell her if she’s good, I will bake her a lemon cake.
She appears to be ignoring me, but then I hear her say almost to herself, “No bake.”
I laugh. Natalie knows I can’t cook. I once tried to bake her alphabet cookies and they were so hard you could shoe horses with them.
When we get to the warden’s mansion I ring the bell several times before Willy One Arm opens the door with Molly on his shoulder. “It’s Moose,” he calls out.
Nat looks up from her shoes, directly at the mouse. “Mouse,” she whispers, her voice loaded with excitement.
“Let him in.” I hear Buddy’s voice in the background. Willy One Arm scoots out of the way. Buddy and Piper are playing checkers in the living room. From the number of glasses, empty plates, and crumpled napkins on the table, it looks like a marathon tournament. Piper is studying the board. So many wisps of hair have come free from her ponytail that there can’t be much back there anymore. It looks as if she slept in her clothes.
Right now, the island is being scrubbed and shined from one end to the other in preparation for the visit of the head of the FBI. Just this morning I heard the warden chewing out Associate Warden Chudley because the whitewall tires on the Black Mariah weren’t brand-spanking clean and there were dead plants in the flower beds. So why would the warden’s own house be in such disarray?
Willy One Arm walks back to his seat at the dining room table, where he has a long list of numbers in front of him. His hands are busy shining a pair of shoes-probably the warden’s-while his eyes scan the list of numbers.
“Mouse,” Natalie says.
“Molly,” Willy One Arm mumbles.
Nat’s eyes are glued to Molly, who sits on One Arm’s shoulder as if she’s supervising his work.
I position myself between the two rooms so that I can see both Natalie and Piper.
I know Piper sees me here, but she ignores me.
“Could we talk?” I ask her as the sound of a bell tinkles from the kitchen.
Buddy Boy shoves his feet in his shoes. He fishes his tie out of his shirt pocket and tosses it over his head, shimmying the knot up beneath his Adam’s apple as he heads for the kitchen.
Piper watches him, a hollow look in her eyes. “Go away,” she says.
“Really, Piper. We have to talk,” I tell her.
She glares at me. “No, we don’t.”
I walk over and sit down on a nearby chair, then scoot it over so I can still see Natalie. She and the mouse are transfixed as if they have just discovered something significant in common.
Piper pushes the wisps of hair out of her face with the heel of her hand. Her foot fidgets, and she glances up in the direction of the bell.
“Come on, Piper. Please. This is important,” I tell her as Natalie reaches her hand out to Molly, who scampers onto her palm. Willy One Arm looks up from his page. His hand hovers over the mouse, as if he’s ready for her back, but Natalie has her face right up close to Molly, whispering urgently to her.
“Give the mouse to Willy,” I tell Natalie.
“Her name is Molly,” Nat mutters.
“Give Molly back,” I say, turning my attention toward Piper.
Piper continues to study the checkerboard as if it is endlessly interesting. “Please, can we talk outside?” I ask.