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’Twas in the poem “José I” We told you what José had done. He’d killed his brother, young Prince Fred. He’d killed his cousins; all were dead. He’d caused the royal guests to bite The dust at every funeral rite. How were those evil murders done? Not with a sword. Not with a gun. Not with a bludgeon or a rope. Not with a piece of slippery soap. No, José killed them, every one, With oyster stew ineptly done. And when his subjects, struck with fear, Unto his palace clustered near, He offered them a barbecue And started off with oyster stew.
“Oh no!” he cried. “What shall I do? My subjects have all died of flu.” (For José never ever knew He’d killed them with his oyster stew.) “Although I’m king of all I see, Sans subjects, there’s no need for me.”
So King José packed up his things, His fancy hats, his ruby rings, His medals and his handsome suits, His underwear, his shiny boots, And right on top his cooking pot. He said, “If now a king I’m not, A chef I’ll be from this day hence.” He set him off across the fence, And down the path, and down the road, To an inn called Frog and Toad Where he became the chef du jour, Attracting folks both rich and poor, Who came for miles to meet José And taste his special of the day.
It’s sad to say his clientele Were taken with a deadly spell Of flu or dropsy, no one knew. (Of course they’d eaten oyster stew.)
So on and on King José went From village inn to nomad’s tent, To palaces of dukes and earls, To harems full of dancing girls. He traveled all around the world, His royal ensign hung unfurled, His cooking pot forever filled With oyster stew... now hot... now chilled. And all around him people died. Beside their gravesites José cried. But still he never ever knew They’d died from eating oyster stew.
Until one day in Timbuktu A fellow ordered oyster stew. Instead of noshing it right up, He stopped a second. Sniffed the cup. “This stew is smelling slightly off. The smell’s enough to make me cough. You don’t suppose the stew’s gone bad?” (It was the first clue José had.) He took the cup. He sniffed the stew. It made one think of witches’ brew. And all at once King José knew... THERE’D NEVER EVER BEEN A FLU!
He thought of how his brother died. He’d put it down to suicide. Remembered royals by the dozens Dead beside their royal cousins. Remembered subjects — loving, loyal— Supping on his “oysters royal.” Remembered townsfolk rich and poor Who’d flocked to try the “feast du jour.” Remembered nomads, dukes, and earls. Remembered pretty dancing girls. Without a doubt (King José knew), THEY’D ALL BEEN KILLED BY OYSTER STEW!
All day, all night, he sat and worried, Stirring oysters (slightly curried), And when at last his wits he found, He cast the stew out on the ground And said (his cheeks a crimson hue), “Thank God I don’t eat oyster stew!”
But possibly the cops were coming? Behind him, José heard a humming. Silhouetted ’gainst the dawn A horde of sheriffs, pistols drawn, Approached; they were from every land— Some well-aged oysters were at hand. King José quickly filled his pot, Added water (not too hot), Spread tables wide across the plain, Drew up a sign: “José’s Mortmain,” Tossed in peppers, capers, cloves, And welcomed the judicial droves: “He’s gone,” he said. “I’m Carlos. Hi. You’ve come so far you must be dry. I’ve wine and ale and special beer To drink, and bread — just sit down here. José — that villain’s flown the coop, But let me serve you... mussel soup!”

Ivy and the Grass

by Jeffry Scott

Much as I value his company and expertise, count yourself fortunate if none of your friends is like McKell.

I’m thinking of outspoken cronies with a taste for puncturing self-esteem and demolishing confidence. It’s the paradox of amity: enemies’ jibes may be dismissed as sheer malice, but a friend knows what he is talking about...

Tom McKell wrings boundless and tireless pleasure from teasing me about crime fiction. He loves a good whodunit, he assures me. Whether on the TV screen or in print, they raise his spirits —“However blue I’m feeling, never takes long for me to start chuckling.”

Crime writers are funnier than sitcom scribes, Inspector McKell maintains, cruelly. Less through getting police procedure wrong (though we do, constantly) than by doing grievous bodily harm to way-things-are likelihood, while recycling and perpetuating stereotypes.

Take informers, grasses. Never mind that few criminals talk about grasses and grassing unless their hobby happens to be botany or lawn care. Policemen, too, are less than keen on the slang, finding it passe. That is not the point, however: McKell is tickled by the fact that informers are generally presented as male and unprepossessing. Their shifty eyes have a treacherous gleam, they twitch a lot, they are apt to neglect personal hygiene, and the best-scrubbed grass lives in fear.

All of which is a caricature wrapped up in a cliche, according to the expert. Police informers are as unisex-diverse as the rest of society. They are in it for the money more often than not, but then which of us isn’t? All but a lucky few, the inspector points out dryly.

“That’s all very well,” I objected the last time he was mocking me, “but readers just aren’t going to believe in a gra — an informer who is respectable, attractive, and wears a dress. It’s unexpected and downright unconvincing.”

“A pity, then,” Inspector McKell observed, dryer yet, “because Tania Wark convinced me. And I’ve been accused of any amount of stuff in my time, but seldom gullibility.”

Having gone that far, he agreed to tell me the rest. In confidence, naturally, so I haven’t the slightest hesitation in sharing it, give or take changed names and altered biographies. Since I’ve dreamed up so many villains, they don’t scare me — whereas libel lawyers make my blood run cold.

Tom McKell used to be senior C.I.D. officer at Longdown, effectively the boss, since his supervisor, a detective-superintendent, was based elsewhere.

McKell, no sentimentalist, claims that Longdown had all the shortcomings of a country town (no live theater to speak of, bar Christmas pantomimes; positively no opera or ballet) plus many disadvantages of London. Before the Cold War thawed and peace of a kind broke out, Longdown was awash with money from three different defense factories on its outskirts, and affluence encouraged predators. The place even sheltered a few professional and quite formidable criminals.