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The furniture was in great part an accumulation begun with the wedding gifts; though some of it was older, two large patent rocking-chairs and a footstool having belonged to Mrs. Adams’s mother in the days of hard brown plush and veneer. For decoration there were pictures and vases. Mrs. Adams had always been fond of vases, she said, and every year her husband’s Christmas present to her was a vase of one sort or another—whatever the clerk showed him, marked at about twelve or fourteen dollars. The pictures were some of them etchings framed in gilt: Rheims, Canterbury, schooners grouped against a wharf; and Alice could remember how, in her childhood, her father sometimes pointed out the watery reflections in this last as very fine. But it was a long time since he had shown interest in such things—“or in anything much,” as she thought.

Other pictures were two water-colours in baroque frames; one being the Amalfi monk on a pergola wall, while the second was a yard-wide display of iris blossoms, painted by Alice herself at fourteen, as a birthday gift to her mother. Alice’s glance paused upon it now with no great pride, but showed more approval of an enormous photograph of the Colosseum. This she thought of as “the only good thing in the room”; it possessed and bestowed distinction, she felt; and she did not regret having won her struggle to get it hung in its conspicuous place of honour over the mantelpiece. Formerly that place had been held for years by a steel-engraving, an accurate representation of the Suspension Bridge at Niagara Falls. It was almost as large as its successor, the “Colosseum,” and it had been presented to Mr. Adams by colleagues in his department at Lamb and Company’s. Adams had shown some feeling when Alice began to urge its removal to obscurity in the “upstairs hall”; he even resisted for several days after she had the “Colosseum” charged to him, framed in oak, and sent to the house. She cheered him up, of course, when he gave way; and her heart never misgave her that there might be a doubt which of the two pictures was the more dismaying.

Over the pictures, the vases, the old brown plush rocking-chairs and the stool, over the three gilt chairs, over the new chintz-covered easy chair and the gray velure sofa—over everything everywhere, was the familiar coating of smoke grime. It had worked into every fibre of the lace curtains, dingying them to an unpleasant gray; it lay on the window-sills and it dimmed the glass panes; it covered the walls, covered the ceiling, and was smeared darker and thicker in all corners. Yet here was no fault of housewifery; the curse could not be lifted, as the ingrained smudges permanent on the once white woodwork proved. The grime was perpetually renewed; scrubbing only ground it in.

This particular ugliness was small part of Alice’s discontent, for though the coating grew a little deeper each year she was used to it. Moreover, she knew that she was not likely to find anything better in a thousand miles, so long as she kept to cities, and that none of her friends, however opulent, had any advantage of her here. Indeed, throughout all the great soft-coal country, people who consider themselves comparatively poor may find this consolation: cleanliness has been added to the virtues and beatitudes that money can not buy.

Alice brightened a little as she went forward to the front door, and she brightened more when the spring breeze met her there. Then all depression left her as she walked down the short brick path to the sidewalk, looked up and down the street, and saw how bravely the maple shade-trees, in spite of the black powder they breathed, were flinging out their thousands of young green particles overhead.

She turned north, treading the new little shadows on the pavement briskly, and, having finished buttoning her gloves, swung down her Malacca stick from under her arm to let it tap a more leisurely accompaniment to her quick, short step. She had to step quickly if she was to get anywhere; for the closeness of her skirt, in spite of its little length, permitted no natural stride; but she was pleased to be impeded, these brevities forming part of her show of fashion.

Other pedestrians found them not without charm, though approval may have been lacking here and there, and at the first crossing Alice suffered what she might have accounted an actual injury, had she allowed herself to be so sensitive. An elderly woman in fussy black silk stood there, waiting for a streetcar; she was all of a globular modelling, with a face patterned like a frost-bitten peach; and that the approaching gracefulness was uncongenial she naively made too evident. Her round, wan eyes seemed roused to bitter life as they rose from the curved high heels of the buckled slippers to the tight little skirt, and thence with startled ferocity to the Malacca cane, which plainly appeared to her as a decoration not more astounding than it was insulting.

Perceiving that the girl was bowing to her, the globular lady hurriedly made shift to alter her injurious expression. “Good morning, Mrs. Dowling,” Alice said, gravely. Mrs. Dowling returned the salutation with a smile as convincingly benevolent as the ghastly smile upon a Santa Claus face; and then, while Alice passed on, exploded toward her a single compacted breath through tightened lips.

The sound was eloquently audible, though Mrs. Dowling remained unaware that in this or any manner whatever she had shed a light upon her thoughts; for it was her lifelong innocent conviction that other people saw her only as she wished to be seen, and heard from her only what she intended to be heard. At home it was always her husband who pulled down the shades of their bedroom window.

Alice looked serious for a few moments after the little encounter, then found some consolation in the behaviour of a gentleman of forty or so who was coming toward her. Like Mrs. Dowling, he had begun to show consciousness of Alice’s approach while she was yet afar off; but his tokens were of a kind pleasanter to her. He was like Mrs. Dowling again, however, in his conception that Alice would not realize the significance of what he did. He passed his hand over his neck-scarf to see that it lay neatly to his collar, smoothed a lapel of his coat, and adjusted his hat, seeming to be preoccupied the while with problems that kept his eyes to the pavement; then, as he came within a few feet of her, he looked up, as in a surprised recognition almost dramatic, smiled winningly, lifted his hat decisively, and carried it to the full arm’s length.

Alice’s response was all he could have asked. The cane in her right hand stopped short in its swing, while her left hand moved in a pretty gesture as if an impulse carried it toward the heart; and she smiled, with her under lip caught suddenly between her teeth. Months ago she had seen an actress use this smile in a play, and it came perfectly to Alice now, without conscious direction, it had been so well acquired; but the pretty hand’s little impulse toward the heart was an original bit all her own, on the spur of the moment.

The gentleman went on, passing from her forward vision as he replaced his hat. Of himself he was nothing to Alice, except for the gracious circumstance that he had shown strong consciousness of a pretty girl. He was middle-aged, substantial, a family man, securely married; and Alice had with him one of those long acquaintances that never become emphasized by so much as five minutes of talk; yet for this inconsequent meeting she had enacted a little part like a fragment in a pantomime of Spanish wooing.

It was not for him—not even to impress him, except as a messenger. Alice was herself almost unaware of her thought, which was one of the running thousands of her thoughts that took no deliberate form in words. Nevertheless, she had it, and it was the impulse of all her pretty bits of pantomime when she met other acquaintances who made their appreciation visible, as this substantial gentleman did. In Alice’s unworded thought, he was to be thus encouraged as in some measure a champion to speak well of her to the world; but more than this: he was to tell some magnificent unknown bachelor how wonderful, how mysterious, she was.