“Yes.”
“And is your father good to her, Robert?”
The story being that the father beat them, had beaten all his children and beaten his wife as well, beat Becky more now because of her deformity, which some people believed he had caused (they did not understand about polio). The stories persisted and got added to. The reason that Becky was kept out of sight was now supposed to be her pregnancy, and the father of the child was supposed to be her own father. Then people said it had been born, and disposed of.
“What?”
“Disposed of,” Flo said. “They used to say go and get your lamb chops at Tyde’s, get them nice and tender! It was all lies in all probability,” she said regretfully.
Rose could be drawn back — from watching the wind shiver along the old torn awning, catch in the tear — by this tone of regret, caution, in Flo’s voice. Flo telling a story — and this was not the only one, or even the most lurid one, she knew — would incline her head and let her face go soft and thoughtful, tantalizing, warning.
“I shouldn’t even be telling you this stuff.”
More was to follow.
Three useless young men, who hung around the livery stable, got together — or were got together, by more influential and respectable men in town — and prepared to give old man Tyde a horsewhipping, in the interests of public morality. They blacked their faces. They were provided with whips and a quart of whisky apiece, for courage. They were: Jelly Smith, a horse-racer and a drinker; Bob Temple, a ballplayer and strongman; and Hat Nettleton, who worked on the town dray, and had his nickname from a bowler hat he wore, out of vanity as much as for the comic effect. He still worked on the dray, in fact; he had kept the name if not the hat, and could often be seen in public — almost as often as Becky Tyde — delivering sacks of coal, which blackened his face and arms. That should have brought to mind his story, but didn’t. Present time and past, the shady melodramatic past of Flo’s stories, were quite separate, at least for Rose. Present people could not be fitted into the past. Becky herself, town oddity and public pet, harmless and malicious, could never match the butcher’s prisoner, the cripple daughter, a white streak at the window: mute, beaten, impregnated. As with the house, only a formal connection could be made.
The young men primed to do the horsewhipping showed up late, out side Tyde’s house, after everybody had gone to bed. They had a gun, but they used up their ammunition firing it off in the yard. They yelled for the butcher and beat on the door; finally they broke it down. Tyde concluded they were after his money, so he put some bills in a handkerchief and sent Becky down with them, maybe thinking those men would be touched or scared by the sight of a little wry-necked girl, a dwarf. But that didn’t content them. They came upstairs and dragged the butcher out from under his bed, in his nightgown. They dragged him outside and stood him in the snow. The temperature was four below zero, a fact noted later in court. They meant to hold a mock trial but they could not remember how it was done. So they began to beat him and kept beating him until he fell. They yelled at him, Butcher’s meat! and continued beating him while his nightgown and the snow he was lying in turned red. His son Robert said in court that he had not watched the beating. Becky said that Robert had watched at first but had run away and hid. She herself had watched all the way through. She watched the men leave at last and her father make his delayed bloody progress through the snow and up the steps of the veranda. She did not go out to help him, or open the door until he got to it. Why not? she was asked in court, and she said she did not go out because she just had her nightgown on, and she did not open the door because she did not want to let the cold into the house.
Old man Tyde then appeared to have recovered his strength. He sent Robert to harness the horse, and made Becky heat water so that he could wash. He dressed and took all the money and with no explanation to his children got into the cutter and drove to Belgrave where he left the horse tied in the cold and took the early-morning train to Toronto. On the train he behaved oddly, groaning and cursing as if he was drunk. He was picked up on the streets of Toronto a day later, out of his mind with fever, and was taken to a hospital, where he died. He still had all the money. The cause of death was given as pneumonia.
But the authorities got wind, Flo said. The case came to trial. The three men who did it all received long prison sentences. A farce, said Flo. Within a year they were all free, had all been pardoned, had jobs waiting for them. And why was that? It was because too many higher-ups were in on it. And it seemed as if Becky and Robert had no interest in seeing justice done. They were left well-off. They bought a house in Hanratty. Robert went into the store. Becky after her long seclusion started on a career of public sociability and display.
That was all. Flo put the lid down on the story as if she was sick of it. It reflected no good on anybody.
“Imagine,” Flo said.
Flo at this time must have been in her early thirties. A young woman. She wore exactly the same clothes that a woman of fifty, or sixty, or seventy, might wear: print housedresses loose at the neck and sleeves as well as the waist; bib aprons, also of print, which she took off when she came from the kitchen into the store. This was a common costume, at the time, for a poor though not absolutely poverty-stricken woman; it was also, in a way, a scornful deliberate choice. Flo scorned slacks, she scorned the outfits of people trying to be in style, she scorned lipstick and permanents. She wore her own black hair cut straight across, just long enough to push behind her ears. She was tall but fine-boned, with narrow wrists and shoulders, a small head, a pale, freckled, mobile, monkeyish face. If she had thought it worthwhile, and had the resources, she might have had a black-and-pale, fragile, nurtured sort of prettiness; Rose realized that later. But she would have to have been a different person altogether; she would have to have learned to resist making faces, at herself and others.
Rose’s earliest memories of Flo were of extraordinary softness and hardness. The soft hair, the long, soft, pale cheeks, soft almost invisible fuzz in front of her ears and above her mouth. The sharpness of her knees, hardness of her lap, flatness of her front.
When Flo sang:
Rose thought of Flo’s old life before she married her father, when she worked as a waitress in the coffee shop in Union Station, and went with her girlfriends Mavis and Irene to Centre Island, and was followed by men on dark streets and knew how pay phones and elevators worked. Rose heard in her voice the reckless dangerous life of cities, the gum-chewing sharp answers.
And when she sang:
Rose thought of a life Flo seemed to have had beyond that, earlier than that, crowded and legendary, with Barbara Allan and Becky Tyde’s father and all kinds of outrages and sorrows jumbled up together in it.
THE ROYAL BEATINGS. What got them started?
Suppose a Saturday, in spring. Leaves not out yet but the doors open to the sunlight. Crows. Ditches full of running water. Hopeful weather. Often on Saturdays Flo left Rose in charge of the store — it’s a few years now, these are the years when Rose was nine, ten, eleven, twelve — while she herself went across the bridge to Hanratty (going uptown they called it) to shop and see people, and listen to them. Among the people she listened to were Mrs. Lawyer Davies, Mrs. Anglican Rector Henley-Smith, and Mrs. Horse-Doctor McKay. She came home and imitated their flibberty voices. Monsters, she made them seem, of foolishness, and showiness, and self-approbation.