Hart slipped into an unoccupied booth and watched the Caphians celebrate. One of them, bigger and louder and rowdier than the rest, wore red trousers, and a bright green shirt. Looped necklaces of platinum and outlandish alien gems encircled his throat and glittered on his chest, and his hair had not been trimmed for months. He wore a beard that was faintly satanic, and, startlingly enough, his ears were slightly pointed. He looked like an ugly customer to get into a fracas with. -And so-, thought Hart, — he's just the boy I want.-
The proprietor finally lumbered over to the booth.
"Beer,"said Hart. "A big glass."
"Buster," said the man, "no one drinks beer here."
"Well, then, what have you got?"
"I got — bocca- and — igno- and — hzbut- and — greno- and —»
"— Bocca-," said Hart. He knew what — bocca- was and he didn't recognize any of the others. Lord knows what some of them might do to the human constitution. -Bocca-, at least, one could survive.
The man went away and in a little while came back with a mug of — bocca-. It was faintly greenish and it sizzled just a little. What was worse, it tasted like a very dilute solution of sulphuric acid.
Hart squeezed himself back into the corner of the booth and opened his camera case. He set the camera on the table, no farther forward than was necessary to catch Green Shirt in the lens. Sighting through the finder, he got the Caphian in focus, and then quickly pressed the button that set the instrument in motion.
Once that was done, he settled down to drinking — bocca-.
He sat there, gagging down the — bocca- and manipulating the camera. Fifteen minutes was all he needed. A the end of fifteen minutes Green Shirt would be on film. Probably not as good as if he had been using the new fangled spools that Angela was using, but at least he'd have him.
The camera ground on, recording the Caphian's physical characteristics, his personal mannerisms, his habits of speech, his thought processes (if any), his way of life, his background, his theoretic reaction in the face of any circumstance.
Not three-dimensional, thought Hart, not too concise, nor too distinctive, not digging deep into the character and analyzing him — but good enough for the kind of tripe he'd have to write for Irving.
Take this joker and surround him with a few other ruffians chosen haphazardly from the file. Use one of the films from the Deep Dark Villain reel, throw in an ingenious treasure situation and a glob of violence, dream up some God-awful background, and he'd have it, that is, if the yarner worked…
Ten minutes gone. Just five more to go. In five more minutes he'd stop the camera, put it back into its case, slip the case into his pocket and get out of the place as fast as he could. Without causing undue notice, of course.
It had been simple, he thought — much simpler than he could possibly have imagined.
• They're getting on to us-, Angela had said. -Even these crummy aliens.-
Only three more minutes to go.
A hand came down from nowhere, and picked up the camera. Hart swiveled around. The proprietor stood directly behind him, with the camera under his arm.
• Good Lord-, thought Hart, — I was watching the Caphians so closely I forgot about this guy!-
The proprietor roared at him: "So! You sneak in here under false pretences to get your film! Are you trying to give my place a bad name?"
Swiftly Hart flung himself out of the booth, one frantic eye on the door. There was just a chance that he might make it. But the proprietor stuck out an expert foot and tripped him. Hart landed on his shoulders and somersaulted. He skidded across the floor, smashed into a table and rolled half under it.
The Caphians had come to their feet and were looking at him. He could see that they were hoping he'd get his head bashed in.
The proprietor hurled the camera with great violence to the floor. It came apart with an ugly, splintering sound. The film rolled free and snaked across the floor. The lens wobbled crazily. A spring came unloose from somewhere and went — zing-. It stood out at an angle, quivering.
Hart gathered his feet beneath him, and leaped out from the table. The Caphians started moving in on him — not rushing him, not threatening him in any way. They just kept walking toward him and spreading out so that he couldn't make a dash for the door.
He backed away, step by careful step, and the Caphians still continued their steady advance.
Suddenly he leaped straight toward them in a direct assault on the center of the line. He yelled and lowered his head and caught Green Shirt squarely in the belly. He felt the Caphian stagger and lurch to one side, and for a split second he thought that he had broken free.
But a hairy, muscular hand reached out and grabbed him and flung him to the floor. Someone kicked him. Someone stepped on his fingers. Someone else picked him up and threw him — straight through the open door into the street outside.
He landed on his back and skidded, with the breath completely knocked out of him. He came to rest with a jolt against the curbing opposite the place from which he had been heaved.
The Caphians, the full dozen of them, were grouped around the doorway, aroar with booming laughter. They slapped their thighs, and pounded one another on the back. They doubled over, shrieking. They shouted pleasantries and insults at him. Half of the jests he did not understand, but the ones that registered were enough to make his blood run cold.
He got up cautiously, and tested himself, He was considerably bruised and battered and his clothes were torn. But seemingly he had escaped any broken bones. He tried a few steps, limping. He tried to run and was surprised to find that he could.
Behind him the Caphians were still laughing. But there was no telling at what moment they might cease to think that his predicament was funny and start after him in earnest — for blood.
He raced down the street and ducked into an alley that led to a tangled square. He crossed the square into another street without pausing for breath and went running on. Finally he became satisfied that he was safe and sat down on a doorstep in an alley to regain his breath and carefully review the situation.
The situation, he realized, was bad. He not only had failed to get the character he needed; he had lost the camera, suffered a severe humiliation and barely escaped with his life.
There wasn't a thing that he could do about it. Actually, he told himself, he had been extremely lucky. For he didn't have a legal leg to stand on. He'd been entirely in the wrong. To film a character without the permission of the character's original was against the law.
It wasn't that he was a lawbreaker, he thought. It wasn't as if he'd deliberately set out to break the law. He'd been forced into it. Anyone who might have consented to serve as a character would have demanded money — more money than he was in a position to shell out.
But he did desperately need a character! He simply had to have one, or face utter defeat.
He saw that the sun had set, and that twilight was drifting in. The day, he thought, had been utterly wasted, and he had only himself to blame.
A passing police officer stopped and looked into the alley.
"You," he said to Hart. "What are you sitting there for?"
"Resting," Hart told him.
"All right. You're rested. Now get a move on."
Hart got a move on.
He was nearing home when he heard the crying in the areaway between an apartment house and a bindery. It was a funny sort of crying, a not-quite-human crying — perhaps not so much a crying as a sound of grief and loneliness.
He halted abruptly and stared around him. The crying had cut off, but soon it began again. It was a low and empty crying, a hopeless crying, a crying to one's self.
For a moment he stood undecided, then started to go on. But he had not gone three paces before he turned back. He stepped into the areaway and at the second step his foot touched something lying on the ground.