He thought back, trying to pinpoint when things started to go wrong, when they’d started drifting apart. Clearly, his being away from home for extended periods of time put a strain on their relationship. Even so, they’d been able to keep it together for ten years, at least. Over the past twelve months he’d been drinking more and paying less attention to her. He could see she didn't know what to do, either, baffled by his surly belligerence. They couldn't have a conversation without getting into an argument. The job had stressed him out of his mind and he didn't realize it at the time. He'd felt that way for so long it was just normal. Looking back, now he understood, he got it, and wanted to tell Sharon he was messed up, and wanted to apologize.
Ray left the next evening at 7:05, flew coach, a seat on the aisle. He drank Cabernet, watched part of Slumdog Millionaire, fell asleep and woke up when the plane landed in Amsterdam. He had an hour-and-forty-five-minute layover and then a two- hour flight to Rome, arriving at Leonardo da Vinci airport at 1:05 pm. The last time he'd flown to Rome was on Air Force One, and he hadn't had two Dewar's on the rocks and three mini bottles of red wine. He was hung over and jet-lagged.
Ray took a taxi to the del Senato, a good-looking, six-story pink building with white accents on the southwest side of the Pantheon. It had a small elegant lobby with a chandelier, and a smaller bar that didn't appear to be open. It was a lot nicer than the write-up in the guidebook. He checked in, went to his room and dropped his bag on the floor and went to the window. He could see the east side of the Pantheon, and the muted white building on the opposite side of Piazza della Rotonda, and the obelisk in the center of the square.
He went to the bed and pulled down the gold-striped spread and stretched out on the mattress, his body heavy and tired, and looked at the clock on the bedside table. It was 3:30 in the afternoon.
When he woke up four hours later it was dark. He looked out the window, saw the Pantheon in the piazza below, the square crowded with cars and street vendors and tourists, the sounds coming through the open window. He showered and dressed and took the elevator down to the lobby and handed his key to a dapper old guy in a blue suit behind the desk, and went outside.
He stood in front of the Pantheon studying its pillared facade built in ad 125, looking as sturdy as a New York skyscraper. He studied the columns, wondering if they were Doric or Corinthian. Thinking about the last time he’d been here. He was on detail with the vice president and his wife, the two of them, and a priest from Rome, a papal attache named Father Grimaldi, their guide, plus three other members of the detail. They’d gotten a private tour of the Pantheon, and what had really impressed him was the opening in the ceiling, a circle called the Oculus, the Great Eye; it was the only source of light in the whole place.
It had rained earlier the day they were there and the marble floor was wet, the area roped off. Father Grimaldi told them the Pantheon had been designed with a drainage system below the floor, diverting the water that came in through the opening. Amazing.
Ray walked toward Piazza Navona, saw a taxi and got in and took it over the Tiber River to Trastevere and wound through the narrow streets to Piazza Sant’Egidio. He told the driver he was going to Museo di Roma. The man looked at him like he was crazy and said, museo non aperto, telling Ray what he already knew. It wasn't open. He paid the driver ten euros for the eight-euro fare, got out of the taxi and walked down a narrow cobblestone street that had huge stone urns sprouting green plants. He could see laundry hanging on a rope strung between the buildings that were a shade of magenta.
He approached the cafe, Ombre Rosse, and stood across the street, scanning the people sitting outside under canvas umbrellas, under tall leafy trees that seemed to grow out of the cobblestones. Ray didn't know who was meeting him. He went inside and moved past the small wood-topped bar where customers stood drinking espresso out of little white cups, and beer out of stemmed glasses. He walked into the main room that was small and crowded and loud. There was an open table in the corner. He sat and ordered a glass of red wine. He looked around but no one seemed to notice him. Looked at a framed sepia-tone photograph on the wall next to his table. Six men from another time, sitting in chairs, four of them looking at the camera and two more grinning and glancing to the their right.
The waiter brought his wine in a short-stemmed glass. He watched the door, studying everyone who came in. He sipped the wine that tasted bitter, watching a dark-haired girl, mid-twenties, get up from the bar and come into the room. She was petite, five two, shoulder-length dark hair, attractive, bag on a strap over her shoulder. She didn't look at him but walked to his table.
She said, "Signor Pope, my name is Paola. May I join you?"
Ray got up and pulled the chair next to him out and she sat down. She was better-looking up close, dark eyes and high cheekbones and flawless skin.
"Would you like a drink," Ray said, "glass of wine?"
"No, grazie," she said. "I have this for you."
She had a heavy accent. She slipped the bag off her shoulder and rested it in her lap. She unzipped it and took out a manila-colored package and handed it to him. It was padded, a few inches thick and must've weighed four pounds.
"What you order. Buona notte, Signor Pope."
She got up and moved to the door. Ray looked around to see if anyone was watching him. No one seemed to be. He signaled his waiter, asked for the check and paid for the wine. Now he tucked the manila envelope under his arm and walked out of the cafe and went around the corner down Via della Paglia to Santa Maria in Trastevere, the square quiet and deserted at 10:30 at night.
He took a cab back to his hotel and went up to his room. There was a lamp on the bedside table. He turned it on and sat on the side of the bed and pulled the tape off the envelope, opened it and slid a shrink-wrapped SIG Sauer SP 2022 on the bedspread, along with three twelve-shot magazines. Thirty-six rounds.
Ray unwrapped the SIG. It was 7.4 inches long and weighed 30.2 ounces fully loaded. He picked up a magazine and slid it in the grip. In his opinion it was the best handgun you could buy, balanced, accurate and dependable. He cradled the weapon with two hands and aimed across the room at a bust, the likeness of Julius Caesar.
His BlackBerry started buzzing in his pocket. He took it out and looked. It was a text message from Teegarden confirming that Sharon had arrived in Italy on October 12th. She had flown New York-Rome on KLM. Now finally, he had a line on her. He couldn't believe it. There were a lot of times in the past week he doubted he'd ever see her again, doubted she was alive, but had held out hope. A friend of Teeg's at the FBI had done him a favor, contacted Italian immigration. Nothing about Joey yet. He'd stay on it and follow up when he had something concrete.
Chapter Twenty-seven
They went inside and she stood next to him and watched him cut slices of bread and cheese on the tile countertop in the kitchen. "McCabe, you don't say much about yourself. Are you really from Detroit?"
"Nobody says they're from Detroit unless they are."
"After visiting, I can understand. You have brothers or sisters?"
"A sister," McCabe said. "Two years older. Married, two daughters, works for an ad agency."
Angela said, "What is her name?"
"Jane," McCabe said.
"What about your parents?"
"My mother died when I was a freshman in high school, lymphoma, cancer of the lymph nodes."
"So you know what it feels like," Angela said.
"I thought it was unfair, but I didn't feel sorry for myself. I didn't think poor me. What can you do? You force yourself to stop thinking about it, move on."
"What about your father?"