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For me, the front is as sinister as a whirlpool. Even when you are a long way away from its centre, out in calm waters, you can still feel its suction pulling you towards it, slowly, inexorably, meeting little resistance.

But the power to defend ourselves flows back into us out of the earth and out of the air – and most of all it flows out of the earth. The earth is more important to the soldier than to anybody else. When he presses himself to the earth, long and violently, when he urges himself deep into it with his face and with his limbs, under fire and with the fear of death upon him, then the earth is his only friend, his brother, his mother, he groans out his terror and screams into its silence and safety, the earth absorbs it all and gives him another ten seconds of life, ten seconds to run, then takes hold of him again – sometimes for ever.

Earth – earth – earth – !

Earth, with your ridges and holes and hollows into which a man can throw himself, where a man can hide! Earth – in the agony of terror, the explosion of annihilation, in the death-roar of the shell-bursts you gave us that massive resurgence of reconquered life. The madness, the tempest of an existence that had practically been torn to shreds flowed back from you into our hands, and so we burrowed deep into you for safety, and in the speechless fear and relief of having survived the moment, our mouths bit deeply into you!

With the first rumble of shellfire, one part of our being hurls itself back a thousand years. An animal instinct awakens in us, and it directs and protects us. It is not conscious, it is far quicker, far more accurate and far more reliable than conscious thought. You can’t explain it. You are moving up, not thinking of anything, then suddenly you are in a hollow in the ground with shrapnel flying over your head; but you can’t remember having heard the shell coming or having thought about taking cover. If you had relied on thought, you would have been so many pieces of meat by now. It was something else, some prescient, unconscious awareness inside us, that threw us down and saved us without our realizing. But for this, there would long since have been not a single man left alive between Flanders[92] and the Vosges[93].

We set out as soldiers, and we might be grumbling or we might be cheerful – we reach the zone where the front line begins, and we have turned into human animals.

We move into a rather scrappy wood. We pass the field kitchens. Just beyond the wood we climb down from the trucks and they go back. They will be picking us up again before first light tomorrow.

Mist and smoke from the artillery is chest-high over the meadows. The moon is shining on it. Troops are moving on the roadway. The steel helmets give a dull reflection in the moonlight. Heads and rifles stick out from the white mists, nodding heads and swaying rifle barrels.

Further on, the mist clears. The heads turn into whole figures – tunics, trousers and boots come out of the mist as if from a pool of milk. They form into a column. The column marches, straight ahead, the figures become a wedge, and you can no longer make out individual men, just this dark wedge, pushing forwards, made even more strange by the heads and rifles bobbing along on the misty lake. A column – not men.

Light artillery and munition wagons move in from a side road. The backs of the horses shine in the moonlight and their movements are good to see – they toss their heads and their eyes flash. The guns and the wagons glide past against an indistinct background like a lunar landscape, while the steel-helmeted cavalrymen look like knights in armour from a bygone age[94] – somehow it is moving and beautiful.

We make for the equipment dump. Some of our men load the angled, sharpened iron uprights on to their shoulders, the rest stick straight iron bars through rolls of barbed-wire and carry them away. They are awkward and heavy loads.

The terrain gets more pitted. Reports come back to us from up ahead: ‘Watch where you’re going, there’s a deep shell hole on the left’ – ‘Mind the trench’ —

We keep our eyes wide open, and test the ground with our feet and with the bars before we put our weight down. The column stops suddenly; you bang your face into the barbed-wire roll that the man in front is carrying, and you swear.

A couple of shot-up trucks[95] are in the way. A new order comes: ‘Pipes and cigarettes out!’ We are close to the frontline trenches.

In the meantime it has gone completely dark. We skirt around a little copse and our sector is there before us.

There is an indistinct reddish glow from one end of the horizon to the other. It changes constantly, punctuated by flashes from the gun batteries. Verey lights[96] go up high above it, silver and red balls which burst with a shower of white, red and green stars. French rockets shoot up, the ones with silk parachutes that open in the air and let them drift down really slowly. They light up everything as clear as day, and their brightness even reaches across to us, so that we can see our shadows stark against the ground. The lights hang in the sky for minutes at a time before they burn out. New ones shoot up at once, everywhere, and there are still the green, red and blue stars.

‘Going to be a bad do[97],’ says Kat.

The thunder of the guns gets stronger until it becomes a single dull roar, and then it breaks down again into individual bursts. The dry voiced machine-guns rattle. Above our heads the air is full of invisible menace, howling, whistling and hissing. This is from the smaller guns; but every so often comes the deep sound of the big crump shells, the really heavy stuff, moving through the dark and landing far behind us. They make a bellowing, throaty, distant noise, like a rutting stag, and they go far above the howl and the whistle of the small shells.

Searchlights begin to sweep the black sky. They skim across it like huge blackboard pointers[98], tapering down at the bottom. One of them pauses, shaking a little. At once another is beside it, they cross and there is a black, winged insect trapped and trying to escape: an airman. He wavers, is dazzled and falls.

We ram the iron posts in firmly at set intervals. There are always two men holding the roll while the others pay out the barbed-wire. It is that horrible wire with a lot of long spikes, close together. I am out of practice at paying it out, and rip my hand open.

After a few hours we have finished. But there is still some time before the trucks are due. Most of us lie down and sleep. I try to as well, but it is too cold. You can tell that we are not far from the sea, because you are always waking up from the cold.

At one point I do fall into a deep sleep. When I wake up suddenly with a jolt, I have no idea where I am. I see the stars and I see the rockets, and just for a moment I imagine that I have fallen asleep in the garden at home, during a fireworks party of some sort. I don’t know whether it is morning or evening, and I lie there in the pale cradle of dawn waiting for the gentle words which must surely come, gentle and comforting – am I crying? I put my hand to my face; it is baffling, am I a child? Smooth skin – it only lasts for a second and then I recognize the silhouette of Katczinsky. He is sitting there quite calmly, old soldier that he is, smoking his pipe – one of those with a fid over the bowl, of course. When he sees that I am awake he says, ‘That made you jump. It was only a detonator, it whizzed off into the bushes over there.’

I sit up; I feel terribly alone. It is good that Kat is there. He looks thoughtfully at the front and says, ‘Lovely fireworks. If only they weren’t so dangerous.’

A shell lands behind us. A couple of the new recruits jump up in fright. A few minutes later another shell comes over, closer than before. Kat knocks out his pipe. ‘Here we go.’

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92

Flanders – Фландрия или Фламандский регион Бельгии

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93

Vosges – Вогезы (горный массив на северо-востоке Франции)

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94

bygone age – ушедшая эпоха

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95

shot-up trucks – подбитые повозки

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96

Verey lights – сигнальные ракеты

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97

Going to be a bad do (разг.) – Вот влипли

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98

blackboard pointers – указка для школьной доски