Quién está contigo? the man called.
John Grady took the handcuffs from his pocket and told the captain to turn around and put his hands behind him. The captain hesitated and looked toward the door. John Grady raised the pistol and cocked it.
Bien, bien, the captain said. John Grady snapped the cuffs onto his wrists and pushed him forward and motioned to the charro to bring the horse. Rawlins' horse had appeared in the stable door and stood nuzzling Redbo. He raised his head and he and Redbo looked at them as they came up the bay leading the other horse.
At the edge of the shadowline where the light fell into the stable John Grady took the lead rope from the charro.
Espera aquí, he said.
Sí.
He pushed the captain forward.
Quiero mis caballos, he called. Nada más,
No one answered.
He dropped the lead rope and slapped the horse on the rump and it went trotting out of the stable holding its head to one side so as not to step on the trailing rope. Outside it turned and nudged Rawlins' horse with its forehead and then stood looking at the man crouching against the wall. The man must have made a hazing motion at it because it jerked its head and blinked but it did not move. John Grady picked up the end of the rope the horse was trailing and passed it between the captain's handcuffed arms and stepped forward and halfhitched it to the stanchion the stable door was hung from. Then he stepped out through the door and put the barrel of the revolver between the eves of the man crouched there.
The man had been holding the rifle at his waist and he dropped it in the dirt and held his hands up. Almost instantly John Grady's legs were slammed from under him and he went down. He never even heard the crack of the rifle but Blevins' horse did and it reared onto its hind legs above him and sprang and hit the end of the rope and was snatched sideways and fell with a great whump in the dust. A flock of pigeons burst flapping out of the gable end of the loft overhead into the morning sun. The other two horses went trotting and the grullo started to run along the fence. He held onto the pistol and tried to rise. He knew he'd been shot and he was trying to see where the man was hidden. The other man reached to retrieve the rifle lying on the ground but John Grady turned and threw down on him with the pistol and then reached and got hold of the rifle and rolled over and covered the head of the horse that was down and struggling so that it would not rise. Then he raised up cautiously to look.
No tire el caballo, called the man behind him. He saw the man who'd shot him standing in the bed of a truck a hundred feet away across the lot with the barrel of the rifle resting on top of the cab. He pointed the pistol at him and the man crouched down and watched him through the rear window of the cab and out through the windshield. He cocked and leveled the pistol and shot a hole in the windshield and cocked the pistol again and spun and pointed it at the man kneeling behind him. The horse moaned under him. He could feel it breathing slow and steady in the pit of his stomach. The man held out his hands. No me mate, he said. John Grady looked toward the truck. He could see the man's boots below the axle carrier where he stood at the rear of the vehicle and he spread himself over the horse and cocked the pistol and fired at them. The man stepped behind the rear wheel and he fired again and hit a tire. The man ran from behind the truck across the open ground toward a shed. The tire was whistling with a single long steady note in the morning silence and the truck had begun to settle at one corner.
Redbo and junior stood trembling in the shadow of the stable wall with their legs slightly spread and their eyes rolling. John Grady lay covering the horse and held the pistol on the man behind him and called to the charro. The charro didnt answer and he called to him again and told him to bring a saddle and bridle for the other horse and to bring a rope or he would kill the patrón. Then they all waited. In a few minutes the charro came to the door. He called out his own name before him like a talisman against harm.
Pásale, called John Grady. Nadie le va a molestar.
He talked to Redbo while the charro saddled and bridled him. Blevins' horse was breathing with slow regularity and his stomach was warm and his shirt damp from the horse's breath. He found he was breathing in rhythm with the horse as if some part of the horse were within him breathing and then he descended into some deeper collusion for which he had not even a name. He looked down at his leg. His trousers were dark with blood and there was blood on the ground. He felt numb and strange but he felt no pain. The charro brought Redbo to him saddled and he eased himself up from the horse and looked down at it. Its eye rolled up at him, at the endless and eternal blue beyond. He stood the rifle on the ground and tried to get up. When he put his weight on the gunshot leg a white pain went up his right side and he sucked in all the air he could get. Blevins' horse lurched and scrambled to its feet and snatched the rope taut and there was a cry from the barn and the captain tottered forth bent double with his arms up behind him along the quivering length of rope like something smoked out of a hole. He'd lost his hat and his lank black hair hung down and his face was a gray color and he called out to them to help him. The horse hitting the end of the rope at the first gunfire had snatched him up and had already dislocated his shoulder and he was in great pain. John Grady stood and unfastened the rope from the throatlatch of the bay horse and tied on the rope the charro had brought and handed the rope end off to the charro and told him to dally it to Redbo's saddlehorn and bring him the other two horses. He looked at the captain. He was sitting on the ground bent over slightly sideways with his hands cuffed behind him. The second man was still kneeling a few feet away with his hands up. When John Grady looked down at him he shook his head.
Está loco, he said.
Tiene razón, said John Grady.
He told him to call the carabinero out from the shed and he called to him twice but the man would not come out. He knew he would not ride out of the compound without the man trying to stop him and he knew he had to do something about Blevins' thundercrazed horse. The charro stood holding the horses and he took the rope and handed him back the reins and told him to go get the captain and to mount him on the grullo and he leaned against the side of Blevins' horse and got his breath and looked down at his leg. When he looked at the charro he was standing over the captain holding the horse behind him but the captain wasnt going anywhere. He raised the pistol and was about to shoot into the ground in front of the captain when he remembered about Blevins' horse. He looked at the kneeling man again and then using the rifle for a crutch he swung under the horse's neck and picked up Redbo's bridlereins from the ground and jammed the pistol into his belt and put his foot in the stirrup and stood and swung his bloodied leg over into the saddle. He swung it harder than he needed because he knew that if he failed the first time he wouldnt be able to do it again and he almost cried out with the pain. He unhitched the rope from the saddlehorn and backed the horse to where the captain was sitting. He had the rifle under his arm and he was watching the shed where the rifleman was holed up. He almost backed over the captain with the horse and he didnt care if he had. He told the charro to unhitch the rope from the stabledoor stanchion and bring it to him. He'd already figured out that there was bad blood between the two men. when the charro brought the rope end he told him to tie it to the captain's handcuffs and he did so and stepped back.
Gracias, said John Grady. He had coiled the rope and now he dallied it midrope to the horn and put the horse forward. When the captain saw his situation he stood up.