He still intended to pay a visit to Mr. Butler but wasn't going to be able to work him into the schedule today. Tomorrow for sure.
"Want me to take the wheel for a while?" he said, knowing her answer.
Gia preferred to drive rather than be driven by him—all but insisted on it. Which was fine with Jack since Gia's license was the genuine article.
Gia shook her head. "Uh-uh."
"I thought you might want to enjoy the scenery."
"That's all right. I know you think you've got this perfect depth perception, but you drive too close to things. I'm always jumping, thinking you're going to hit something. Besides, this is an easy drive."
"This time tomorrow afternoon will be a completely different story. Bumper-to-bumper for miles and miles."
Jack rested his hand on Gia's thigh, leaned back, and closed his eyes, wishing every day could be like this—not just the weather, but the ambience, the togetherness, the peace.
"Where are we going, Jack?" Gia said.
"East Hampton."
"No, not this afternoon. I mean, in life. You. Me. Us. Where?"
Jack opened his eyes and studied her profile. What a nice little nose she had. "Is there something wrong with where we are?"
She smiled. "No. But sometimes, especially when it's good like this, I have to wonder how long before something goes wrong."
"Why does something have to go wrong?"
"Well, with you doing what you do, doesn't it seem like just a matter of time before a big load of you-know-what hits the fan?"
"Not necessarily. I'm being more careful, more choosy, sticking with fix-its I can handle from a distance."
"But where does it end? You can't be Repairman Jack forever."
How true.
"I know. This isn't carved in stone, but I'm thinking maybe four or five more years and I'm out. I'll be forty then. That's when the reflexes begin to slow and you start needing reading glasses. Might be a good time for my midlife crisis. You know, look around at my life and say, 'Is this it?' and go off and do something radically different and crazy like, I don't know, becoming an accountant or a stockbroker."
"CPA-man Jack," Gia said. "I can see you coming up with all sorts of unique ways to handle an IRS audit."
Jack didn't laugh. The future wasn't funny. Not having an official identity, being a nonentity to the IRS and all the other federal, state, and local arms of the bureausaurus was fine now, but what happened later if he got tired of the constant hiding and dodging and simply wanted to kick back and join Shmoodom? He hadn't thought of that when he'd erased himself from the societal map. Hadn't figured he'd ever get to that point.
And he still might never. Jack wondered if he could ever reconcile himself to the idea of paying income tax. He expended time—hours and days and weeks out of his life—earning his fees, sometimes at the risk of that life, and at its most basic what was life but a struggle against a ticking clock, doing the most with the time you were allotted. To allow then some government bureau to confiscate the product of his time… it was like handing over chunks of his life. The way he saw it, once you surrendered sovereignty over part of your life, even a tiny part, you've already lost the war. After that it becomes an issue not of whether you have a right to your own life but of how big a chunk of your life you're going to surrender. And no one asks the giver. The decision is made by the takers.
But still… what if the only way to secure a future with Gia and Vicky was to enter their world? He certainly couldn't see them entering his. If he needed to put himself back on the map, how did he do it? He couldn't appear out of nowhere without a damn good explanation of where he'd been all these years.
If it came down to that, he'd figure something out. After all, he still had time…
"Would you be offended if I retired and bought a farm? I mean, you being a vegetarian and all."
"Why would I be offended?"
"Well, I'd want to grow, you know, steaks."
She laughed. He loved that sound. "You can't grow steaks."
"OK, then I'll hunt them—wild filet mignon, free-range T-bones."
"You mean cattle," she said, playing along. "You raise cattle and then you slaughter them and slice up their dead bodies into steaks."
"You mean kill them? What if I get attached to them and can't?"
"Then you've got yourself a bunch of very large pets that go 'moo.'"
Vicky was suddenly hanging over the seat between them, pointing through the windshield as they cruised into another town.
"Look! Another windmill! That's the second one I've seen. Are we in Holland?"
"No," Jack said. "This is still New York. A town called East Hampton. And speaking of which…"
He unfolded a map and figured out where they were.
Immediately he realized he should have checked sooner.
"Hang a U-ie when you can. We overshot our turn. We have to get back to Ocean Avenue and then to Lily Pond Lane."
"Thanks, Chingachgook," Gia said as she got them going the other way. "Lily Pond Lane… wasn't that mentioned in a Dylan song?"
"Believe so."
"I read somewhere that Martha Stewart lives on Lily Pond Lane."
"Hope she fixed us something good for lunch."
As they wound their way south toward the ocean, the homes grew larger and larger, one more imposing than the next, and the walls and privet hedges and fences around them grew taller and taller, all posted with signs listing the security company that guarded the grounds behind them.
"Who owns these?" Gia said.
"The Calvin Kleins and Steven Spielbergs of the world."
"And the Milos Dragovics."
"Yep. Them too. He's supposed to be at the end of Faro Lane—there. Hang a left."
Faro Lane was short and straight; the three-story house at its end blocked any view of the ocean and a good part of the sky. A Mediterranean-style tile roof, but royal blue instead of red, capped light blue stucco walls.
"I think he likes blue," Jack said.
He scanned the perimeter as they passed. A high stucco wall with what looked like broken glass embedded along the top—more aesthetically pleasing than razor wire, he supposed; videocams jutted from the walls of the house, sweeping the grounds. No security service was listed on the wrought-iron gate—Dragovic probably used his own boys as guards—but Jack spotted a German shepherd through the opening.
And then Gia stopped the car.
"Hideous," she said, shaking her head and making a disgusted face as she stared through the windshield. "No other word for it. Of all the colors available, he had to pick those? Whatever look he was going for, he missed."
"No-no!" Jack said. "Don't stop!"
He glanced up, saw a security camera atop the gatepost pointed directly at him, and quickly turned away.
"What's wrong?" Gia said.
"Nothing." Damn! Was that cam used as needed or on continuous feed? Did they have him on tape? "Just keep moving and see if we can find a way to take a walk on the sand."
Should have come alone, he thought. Never guessed she'd stop. But what's done is done. And no point in making too much of it. Who'd be suspicious of an old Buick stopping to take a gander at the big blue house? Probably happens every day.
Gia drove farther west and found a public parking area for Georgica Beach. The three of them kicked off their shoes—Jack surreptitiously removed his ankle holster and jammed the little Semmerling into his pocket—and barefooted it up the dunes. Jack and Gia strolled hand in hand eastward along the higher dry sand while Vicky frolicked along the waterline, playing tag with the waves.
"The water's cold!" she cried.
"Don't get wet," Gia told her.
They trekked up a dune and stopped at its summit to gaze at the blue expanse of Milos Dragovic's twenty-room summer cottage. From this angle Jack could see that it was U-shaped, squatting on the sand like a wary blue crab stretching its claws toward the sea. An oblong free-form pool glistened between the arms, surrounded by a teak deck. A glass-roofed structure that was either a solarium or hothouse huddled in a corner. And all around the grounds men were setting up tables and umbrellas and scrubbing chairs and chaises.