The plane starts to move backward, and I’m surprised by how smooth it feels, like we’re already floating over the ground. Then it turns and glides over the pavement, which is painted with dozens of lines and symbols. My heart beats faster the farther we go away from the compound, and then Karen’s voice speaks through an intercom: “Prepare for takeoff.”
I clench the armrests as the plane lurches into motion. The momentum presses me back against the skeleton chair, and the view out the window turns into a smear of color. Then I feel it—the lift, the rising of the plane, and I see the ground stretching wide beneath us, everything getting smaller by the second. My mouth hangs open and I forget to breathe.
I see the compound, shaped like the picture of a neuron I once saw in my science textbook, and the fence that surrounds it. Around it is a web of concrete roads with buildings sandwiched between them.
And then suddenly, I can’t even see the roads or the buildings anymore, because there is just a sheet of gray and green and brown beneath us, and farther than I can see in any direction is land, land, land.
I don’t know what I expected. To see the place where the world ends, like a giant cliff hanging in the sky?
What I didn’t expect is to know that I have been a person standing in a house that I can’t even see from here. That I have walked a street among hundreds—thousands—of other streets.
What I didn’t expect is to feel so, so small.
“We can’t fly too high or too close to the city because we don’t want to draw attention, so we’ll observe from a great distance. Coming up on the left side of the plane is some of the destruction caused by the Purity War, before the rebels resorted to biological warfare instead of explosives,” Zoe says.
I have to blink tears from my eyes before I can see it, what looks at first to be a group of dark buildings. Upon further examination, I realize that the buildings aren’t supposed to be dark—they’re charred beyond recognition. Some of them are flattened. The pavement between them is broken in pieces like a cracked eggshell.
It resembles certain parts of the city, but at the same time, it doesn’t. The city’s destruction could have been caused by people. This had to have been caused by something else, something bigger.
“And now you’ll get a brief look at Chicago!” Zoe says. “You’ll see that some of the lake was drained so that we could build the fence, but we left as much of it intact as possible.”
At her words I see the two-pronged Hub as small as a toy in the distance, the jagged line of our city interrupting the sea of concrete. And beyond it, a brown expanse—the marsh—and just past that . . . blue.
Once I slid down a zip line from the Hancock building and imagined what the marsh looked like full of water, blue-gray and gleaming under the sun. And now that I can see farther than I have ever seen, I know that far beyond our city’s limits, it is just like what I imagined, the lake in the distance glinting with streaks of light, marked with the texture of waves.
The plane is silent around me except for the steady roar of the engine.
“Whoa,” says Uriah.
“Shh,” Christina replies.
“How big is it compared to the rest of the world?” Peter says from across the plane. He sounds like he’s choking on each word. “Our city, I mean. In terms of land area. What percentage?”
“Chicago takes up about two hundred twenty-seven square miles,” says Zoe. “The land area of the planet is a little less than two hundred million square miles. The percentage is . . . so small as to be negligible.”
She delivers the facts calmly, as if they mean nothing to her. But they hit me square in the stomach, and I feel squeezed, like something is crushing me into myself. So much space. I wonder what it’s like in the places beyond ours; I wonder how people live there.
I look out the window again, taking slow, deep breaths into a body too tense to move. And as I stare out at the land, I think that this, if nothing else, is compelling evidence for my parents’ God, that our world is so massive that it is completely out of our control, that we cannot possibly be as large as we feel.
So small as to be negligible.
It’s strange, but there’s something in that thought that makes me feel almost . . . free.
That evening, when everyone else is at dinner, I sit on the window ledge in the dormitory and turn on the screen David gave me. My hands tremble as I open the file labeled “Journal.”
The first entry reads:
David keeps asking me to write down what I experienced. I think he expects it to be horrifying, maybe even wants it to be. I guess parts of it were, but they were bad for everyone, so it’s not like I’m special.
I grew up in a single-family home in Milwaukee, Wisconsin. I never knew much about who was inside the territory outside the city (which everyone around here calls “the fringe”), just that I wasn’t supposed to go there. My mom was in law enforcement; she was explosive and impossible to please. My dad was a teacher; he was pliable and supportive and useless. One day they got into it in the living room and things got out of hand, and he grabbed her and she shot him. That night she was burying his body in the backyard while I assembled a good portion of my possessions and left through the front door. I never saw her again.
Where I grew up, tragedy is all over the place. Most of my friends’ parents drank themselves stupid or yelled too much or had stopped loving each other a long time ago, and that was just the way of things, no big deal. So when I left I’m sure I was just another item on a long list of awful things that had happened in our neighborhood in the past year.
I knew that if I went anyplace official, like to another city, the government types would just make me go home to my mom, and I didn’t think I would ever be able to look at her without seeing the streak of blood my dad’s head left on the living room carpet, so I didn’t go anyplace official. I went to the fringe, where a whole bunch of people are living in a little colony made of tarp and aluminum in some of the postwar wreckage, living on scraps and burning old papers for warmth because the government can’t provide, since they’re spending all their resources trying to put us back together again, and have been for over a century after the war ripped us apart. Or they won’t provide. I don’t know.
One day I saw a grown man beating up one of the kids in the fringe, and I hit him over the head with a plank to get him to stop and he died, right there in the street. I was only thirteen. I ran. I got snatched by some guy in a van, some guy who looked like police. But he didn’t take me to the side of the road to shoot me and he didn’t take me to jail; he just took me to this secure area and tested my genes and told me all about the city experiments and how my genes were cleaner than other people’s. He even showed me a map of my genes on a screen to prove it.
But I killed a man just like my mother did. David says it’s okay because I didn’t mean to, and because he was about to kill that little kid. But I’m pretty sure my mom didn’t mean to kill my dad, either, so what difference does that make, meaning or not meaning to do something? Accident or on purpose, the result is the same, and that’s one fewer life than there should be in the world.
That’s what I experienced, I guess. And to hear David talk about it, it’s like it all happened because a long, long time ago people tried to mess with human nature and ended up making it worse.
I guess that makes sense. Or I’d like it to.
My teeth dig into my lower lip. Here in the Bureau compound, people are sitting in the cafeteria right now, eating and drinking and laughing. In the city, they’re probably doing the same thing. Ordinary life surrounds me, and I am alone with these revelations.