– Don't fuck with me here, Lep. Is this solid?
– I'm not. Just meet me. Now.
He hangs up. I hand the phone back to Evie.
– Leprosy?
– Yeah. I got to go.
I stand up and realize I'm not packing. Not even a knife.
– You got that bat you keep behind the bar?
– Sure.
She reaches under the ice bin and comes up with a Frank Thomas edition Louisville Slugger. It's a big bat. She passes it to me.
– What's the matter?
– He didn't call me fuck face.
I walk away. She calls after me.
– I'm still coming over.
I stop and take a practice cut with the bat.
– Goddamn right you are.
And I walk out the door.
I'm pretty sure the guy who built the tower is crazy. At the very least he is amazingly skilled at being a pain in the ass. Used to be there were these little public gardens all over Alphabet City, a bunch of empty lots that people in the neighborhood split up into tiny plots for their flowers or vegetables or whatever. Nice if you're into that kind of thing. So these gardens were on land owned by the city, but Alphabet City was just a pit full of spies, niggers, junkies, queers, squatters, gangbangers and artists, so who gave a fuck. Then came the real estate boom. Pretty soon the city sells off all these lots and the gardens are paved over and another couple dozen yuppies have new condos. And once again, who really gives a fuck. But this garden on B is still there and so is the tower and the nut job who built it.
When they set up this garden they split it up into the tiny plots and everybody started growing geraniums and basil. Except this one guy was a sculptor and he didn't want to grow things on his plot, he wanted to build things. Pretty soon his little area is spilling tools and wood and mess all over the place and the gardeners are all getting pissed and want to kick him out. People are starting to threaten lawsuits and everything. Then they hit on a pretty reasonable compromise. They agreed that anyone who has a plot can do anything they want in that plot, as long as it doesn't reach anywhere outside of the plot. Everybody shakes on it. And then the crazy fucker builds the tower.
It's about six stories tall, made mostly out of wood, and looks kind of like the dilapidated skeleton of a very skinny pyramid. And wedged into every crack and hanging off of every plank and board, nailed to and dangling from every square foot of its surface, is a simply in-fucking-credible collection of crap. Old street signs, toilet seats, a jumbo model of an airliner, toys of every shape and size, a kitchen sink, several effigies, flags, and at least one huge stuffed giraffe. It sits there and looms over the entire garden, dominating the landscape. The one thing it most definitely does not do is reach a single inch outside the borders of its own tiny plot. You got to admire the pain in the ass that built this thing. As for me, I'm just hoping he built it well, because I'm already about ten feet up in the damn thing and if that dog jumps any higher I'm gonna have to go twenty.
It took me just a couple minutes to get over to that garden. No Leprosy. I walked around the fence for a minute, took the scent of the air and climbed on over. It's dark in there and the air is clogged with the rich, growing odors of midsummer, all that loam and sweet blossoms and bursting fruit and crap. Anyway, it wreaks havoc with my nose and as I try to sort it out I hear a little whimpering sound. I edge around a tiny stand of corn into the shadow of the creaking tower. Up against the wall of one of the tenements bordering the garden I see a dog snuffling at something and whining. I step around the corn.
– Hey, Gristle, hey there, boy.
His head whips around at the sound of my voice.
– Easy there, Gristle.
A growl starts up in the back of his throat.
– Let's not have any trouble here, boy. Easy. Where's Leprosy, huh? Where is he, boy?
Why am I asking the dog where Leprosy is? Fuck do I know. Seems like the thing to do. At the sound of Leprosy's name he starts to whine again and turns back to whatever it is he's interested in, and I know things are all fucked up.
– What ya got there, boy?
I take a step closer to get a look. Gristle's head snaps back around and the rest of his body follows. He doesn't growl or bark, just comes straight at me. I hold the bat out in front of me with both hands and his jaws clamp down on it instead of my throat. I hear his teeth crack the wood as he bites down, and his weight sends me flat on my back. He's on top of me, his teeth planted in the bat, jerking it back and forth, trying to tear it from me while he rips at my exposed stomach with his rear claws. I push out with the bat, forcing his body up into the air. He's got the skinny part in his mouth and the fucker might just chew right through it in another second or two. Up in the air, he's lost his leverage and can't get purchase to claw me. Any time now he'll let go of the bat so he can take another crack at my neck. I twist my body to the left and throw the bat, Gristle and all, to my right. He skips and slides in the dirt for a few feet. I follow through with my roll, scramble up to my feet, run three steps, the dog just behind me, and jump up into the tower with Gristle hanging from my ankle. I manage to kick him off before he can sever my Achilles.
And here I am, sitting up in the tower with that dog down below stalking back and forth, taking the occasional jump at me and not making a fucking sound at all.
Me, I'm not what you'd call an animal person. Dogs, cats, wildebeests, it don't really matter, I don't care for any of them. But I'll give animals this over people, they just do what comes natural. Eat when they're hungry, sleep when they're tired, fuck when they're horny, protect their friends and kill their enemies. So I don't really want to hurt this dog, which is why I didn't take batting practice on his head in the first place. But getting down out of this thing without being chewed on is gonna be some kind of trick. I take out a cigarette and give it a smoke.
Gristle hasn't forgotten about me by a long shot, but instead of pacing back and forth just below me he's started covering the ground between the base of the tower and the thing against the wall. I pitch the stub of my cigarette and squat on one of the sturdier-looking pieces of lumber up here. Gristle looks up at me. The refracted light from a streetlamp turns his eyes blazing red. It's a good look for him. He turns to walk back over to the wall. I jump, land on top of him and wrap him up so that his legs are pinned beneath our bodies. He twists and writhes and wrenches his head around and snaps at the side of my face and misses and latches onto my left shoulder. He digs in. I get my hand on his throat and squeeze. He jerks his head a couple times, his teeth tearing my skin. I squeeze tighter and he starts to shudder and shake and finally pops his mouth off my shoulder and keeps it open wide and tries to breathe. I don't let him. It takes a while to knock him out, but he's still alive when I get up, and so am I. Pretty good deal for both of us.
Bruises are starting to form around the holes he put in my shoulder, but the blood has coagulated. I lift my arm over my head and stretch it out. It'll do. I pick up the bat and walk over to the wall to see what Gristle was so interested in. It's an old T-shirt, used to be kind of gray-green, but now it's mostly red. I give it a good smell, and you don't have to be much smarter than dirt to know it's Leprosy's.
In the farthest, darkest corner of the garden, where the walls of the two buildings that border it to the south and west meet, I can see an old steel basement trap. It's open. I drop Leprosy's shirt.
I've been spending a little too much time in basements the last few nights, but hey, it goes with the territory. I choke up on the bat and head down the stairs.
I'm hit with that generic oily-dirt smell that permeates City basements. There's garbage down here and moldy cloth and waterlogged newsprint, and blood. Lots of blood, and it smells just like Leprosy. I follow the blood.
These East Village tenements have been torn down and rebuilt so many times that the floor plans of the original builders have become worthless abstracts. This basement has penetrated far beyond the property lines of the building above. Many of these buildings could have had a single owner in the past and for any of a number of reasons he might have connected the basements into a single maze. Could have helped to hide a sweatshop, escape routes from a drug lab or, in a more innocent time, a speakeasy. Anything. All it means to me is that I'm getting lost down here. But the smell of Leprosy's blood is getting stronger ahead of me.