When Joan had almost reached her army, she turned to face the king. Tearing off her surcoat, she revealed the bare crumpled armor over her heart. Then she raised her open hand, apparently indifferent to the flail caught in the joint of her gauntlet. The whole of the Listener army strained against its leash.
But one by one the gold-crossed flags in Charles's army fell to the ground. Soon only the king's personal banner remained upright on the other side of the field.
Joan lowered her own hand slowly and turned to face the troops. "Save your strength. We will not fight the king."
Dulice scribbled the words in the margin of a picture as the army gentled.
"We're going to win," Hermeland said softly. "Charles will ride with us."
"With God," Joan said.
A smile twitched at the corner of his mouth. "And in Latin, too."
She nodded, looking at the crushed, blood-weeping gauntlet. "I don't think I can get this off. The flail's stuck and it's all bent."
"We'll see to it." Hermeland slid to the ground, holding out the reins of her horse and offering to help her mount.
"Thank you," Joan said, passing the staff and flag to her herald as she mounted. She reined the horse awkwardly with her good hand, her path taking her right past Dulice. Her shadow fell on the hodgepodge of ink on that last page.
"You've made me too brave again," she said, but she smiled, and Dulice felt her whole soul open up. Had she once had reservations? Not she: she would be here with the Maid and Hermeland forever. She would blaze the truth of their fight: its small wonders and the miracles that weren't, that were just good fortune and life's merciful accidents. Her drawing was God's work indeed, not false pride. Could she ever have doubted?
But…
"What of that?" she said, pointing to the Lark banner. "How will I show that so nobody says it was a miracle? It stood when you fell. It stood when you walked away."
An impish, youthful smile crossed the Maid's face. "What was it you said? 'If it's truth… »
"Then it should be made known," Dulice said. She fought back a tremble in her voice.
"Good, sensible advice," Hermeland said, and his tone was warm.
"Just give us whatever you see, Dulice." Spurring her horse, Joan rode, bleeding, in the direction of Autun.
Wet-eyed but with a steady hand, Dulice scratched out the Maid's instructions, word by word, in Latin, filling up the last clear space remaining on her page with bold letters and certain words.
Three Miracles at Autun. Gauntlet raised, Joan stands between the supine figure of an armored girl and the corpse of a knight. A stylized puddle of water surrounds the girl, who takes up the largest part of the center of the page. Blood seeps from the knight's armor and the two fluids mix at Joan's feet.
One of the most confusing and controversial images of the Jehanniste holy war, Three Miracles is said to depict holy works by Joan that convinced the famously indecisive Charles to throw his favor to the Maid's cause. The first miracle was defeating Georges de la Trйmoпlle in single unarmed combat; the second was the resurrection of the girl, who had been drowned by de la Trйmoпlle earlier that day.
As usual, attempts have been made to identify the girl as Joan's favorite, Dulice Aulon. It is far more probable that the figure is her standard bearer, for Aulon was neither a combatant nor given to self-portraiture. Further, the woman holds the Lark banner.
Despite the title of the image, the nature of any third miracle to take place at Autun in the spring campaign of 1456 has been lost to history.
The Road to Endless Sleep
Jim Fiscus
Caesar's ghost stalked the Forum Romanum, but it was only the dictator's stern face staring down from his statue. Marble columns and facades glowed white under the sun beating against the broad stones of the Forum and the crowd filling the great plaza. The temples and basilica, hung with red and gold banners and garlands, enclosed the civic center of Rome. Fourteen years before, Marcus Antonius stood on the wide marble platform of the Rostra and rallied the people against the murderers of Caesar. Now, he would pass in triumph before the great speaker's platform. But even in victory, Antony knew that the people of Rome did not love him as they had loved Caesar. My troops lined the Via Sacra as it passed through the Forum before the Basilica of the Aemilii and Caesar's senate house, guarding against a surge from the crowd.
I am Quintus Petillus Celsus. My father was a centurion with Caesar in Spain, where I later joined the legions and fought with Sextus Pompey, the son of Pompey the Great. When Octavian's admiral Agrippa defeated Pompey, I was called a pirate. Facing slavery, I fled to the East and joined Antony's legions. Standing on the edge of the Rostra, I watched the crowd that packed the Forum, jostling to move closer to the route of the triumphal parade. I glanced behind me, where Cleopatra sat surrounded by courtiers and attendants. My quick glance turned into a stare as I noticed a woman of the court, whose dark hair and striking beauty held my attention. Our eyes met and she smiled. I turned from the unattainable back to the crowd.
Legion had fought legion in civil war and no triumph is awarded when Romans slaughter each other, so Antony claimed his Triumph was for victory over foreign princes allied with Octavian. Everyone knew it was Octavian's defeat he celebrated. Most citizens said Antony's victory meant the final death of the Republic. Half the Senate fled as his army neared Rome while others cowered in their country villas waiting for the political winds to calm.
Hundreds of carts laden with the arms and treasure captured by Antony had rolled over the broad stones of the Sacred Way on the first day. Hundreds more, filled with treasure donated by Cleopatra as proof of her friendship with Rome, followed on the second day. On this, the third day, wagons carried the broken remains of Octavian's fleet captured at Actium. Dancers and musicians clanging cymbals and blowing small horns pranced beside Octavian's shattered glory.
The triumphal parade had started from the Field of Mars as the first hour of the day began with the rising sun and wound through the city, through the Circus Maximus and on to the Forum. From the Forum, it would climb to the Temple of Jupiter on the Capitoline Hill. Crowds lined the route. The long hours of late spring had passed slowly. I stared across the crowd to the newly enlarged Basilica Aemilia, two stories of grand marble columns and arches, its bronze roof gleaming under the afternoon sun. The crowd filled the space between the street and the columns of the basilica, pushing back against the booths of the merchants. The arches of the upper floor were crowded with more people watching the Triumph. Except, I realized, for the third archway which stood empty but for vague figures in the shadows. It might have just been a rich man and his sycophants wishing to avoid the crowd, but I could not tell.
I jumped to the paving stones. The scales of my armor clanked as I landed and the hobnails of my heavy sandals clicked on the stones as I pushed through the crowd to the Via Sacra. A legionnaire snapped to attention.
"Centurion!"
"Getting a closer look," I said, not ready to sound the alarm till I knew something was wrong.
Trumpets called for the attack and drummers beat the rhythm of the oars. A low wagon, so wide that it barely passed along the route, was pulled into the Forum. Atop the wagon, a model of Agrippa's flagship sailed to meet Antony's fleet. Dwarves in the tiny ship rowed at the air. A second wagon entered, also with a model of Agrippa's ship, its dwarf rowers moving their oars desperately as the beak of Antony's flagship appeared to crush its side. Dwarf legionnaires hurled golden-tipped javelins at their attackers and fired miniature catapults, but the weapons bounced off the armored shell of the testudo navalis and fell to the street. Members of the crowd darted out to claim the gold spear points. Scores of prisoners followed the wagons. Antony would arrive next.