When they found an appropriate ship bound for Canada, Calvin showed the captain the letter Napoleon had given him. Contrary to his worst fears, after seeing a production of a newly revised and prettied-up script of Hamlet in London, the letter did not instruct the captain to kill Calvin and Honor‚ at once– though there was no guarantee that the fellow didn't have orders to strangle them and pitch them into the sea when they were out of sight of land.
Why am I so afraid?
“So the Emperor's treasurer will reimburse me for all expenses out of the treasury when I come back?”
«That's the plan,» said Honor‚. «But here, my friend, I know how ungenerous these imperial officials can be. Take this.»
He handed the captain a sheaf of franc notes. Calvin was astonished. “All these weeks you've pretended to be poor and up to your ears in debt.”
“I am poor! I am in debt. If I didn't owe money, why would ever steel myself to write? No, I simply borrowed the price of my passage from my mother and my father– they never talk, so they'll never find out– and from two of my publishers, promising each of them a completely exclusive book about my travels in America.”
“You borrowed to pay our passage, knowing all along that the Emperor would pay it?”
«A man has to have spending money, or he's not a man,» said Honor‚. «I have a wad of it, with which I have every intention of being generous with you, so I hope you won't condemn my methods.»
“You're not terribly honest, are you?” said Calvin, half appalled, half admiring.
“You shock me, you hurt me, you offend me, I challenge you to a duel and then take sick with pneumonia so that I can't meet you, but I urge you to go ahead without me. Keep in mind that because I had that money, the captain will now invite us into his cabin for dinner every night of the voyage. And in answer to your question, I am perfectly honest when I am creating something, but otherwise words are mere tools designed to extract what I need from the pockets or bank accounts of those who currently but temporarily possess it. Calvin, you've been too long among the Puritans. And I have been too long among the Hypocrites.”
It was Peggy who found the turnoff to Chapman Valley, found it easily though there was no sign and she was coming this time from the other direction. She and Alvin left the others with the carriage under the now-leafless oak out in front of the weavers' house. For Peggy, coming to this place now was both thrilling and embarrassing. What would they think of the way things had turned out since they set her on this present road?
Then, just as she raised her hand to knock on the door, she remembered something.
“Alvin,” she said. “It slipped my mind, but something Becca said when I was here a few months ago.”
“If it slipped your mind, then it was supposed to slip your mind.”
“You and Calvin. You need to reclaim Calvin, find him and reclaim him before he turns completely against the work you're doing.”
Alvin shook his head. “Becca doesn't know everything.”
“And what does that mean?”
“What makes you think Calvin wasn't already the enemy of our work before he was born?”
“That's not possible,” said Peggy. “Babies are born innocent and pure.”
“Or steeped in original sin? Those are the choices? I can't believe that you of all people believe either idea, you who put your hands on the womb and see the futures in the baby's heartfire. The child is already himself then, the good and bad, ready to step into the world and make of himself whatever he wants most to be.”
She squinted at ffim. “Why is it that when we're alone, talking of something serious, you don't sound so much the country bumpkin?”
“Because maybe I learned everything you taught me, only I also learned that I don't want to lose touch with the common people,” said Alvin. “They're the ones who are going to build the city with me. Their language is my native language– why should I forget it, just because I learned another? How many educated folks do you think are going to come away from their fine homes and educated friends and roll up their sleeves to make something with their own hands?”
“I don't want to knock on this door,” said Peggy. “My life changes when I come into this place.”
“You don't have to knock,” said Alvin. He reached out and turned the knob. The door opened.
When he made as if to step inside, Peggy took his arm. “Alvin, you can't just walk in here!”
“If the door wasn't locked, then I can walk in,” said Alvin. “Don't you understand what this place is? This is the place where things are as they must be. Not like the world out there, the world you see in the heartfires, the world of things that can be. And not like the world inside my head, the world as it might be. And not like the world as it was first conceived in the mind of God, which is the world as it should be.”
She watched him step over the threshold. There was no alarm in the house, nor even a sound of life. She followed him. Young as he was, this man she had watched over from his infancy, this man whose heart she knew more intimately than her own, he could still surprise her by what he did of a sudden without thought, because he simply knew it was right and had to be this way.
The endless cloth still lay folded in piles, linked each to each, winding over furniture, through halls, up and down stairs. They stepped over the spans and reaches of it. “No dust,” said Peggy. “I didn't notice that the first time. There's no dust on the cloth.”
“Good housekeepers here?” asked Alvin.
“They dust all this cloth?”
“Or maybe there's simply no passage of time within the cloth. Always and forever it exists in that one present moment in which the shuttlecock flew from side to side.”
As he said these words, they began to hear the shuttlecock. Someone must have opened a door.
“Becca?” called Peggy.
They followed the sound through the house to the ancient cabin at the house's heart, where an open door led into the room with the loom. But to Peggy's surprise, it wasn't Becca seated there. It was the boy. Her nephew, the one who had dreamed of this. With practiced skill he drove the shuttlecock back and forth.
“Is Becca…” Peggy couldn't bring herself to ask about the weaver's death.
“Naw,” said the boy. “We changed the rules a little here. No more pointless sacrifice. You done that, you know. Came here as a judge– well, your judgment was heeded. I take my shift for a while, and she can go out a little.”
“So is it you we talk to now?” asked Alvin.
“Depends on what you want. I don't know nothing about nothing, so if you want answers, I don't think I'm it.”
“I want to use the door that leads to Ta-Kumsaw.”
“Who?” the boy asked.
“Your uncle Isaac,”.said Peggy.
“Oh, sure.” He nodded with his head. “It's that one.”
Alvin strode toward it.
“You ever used one of these doors before?” asked the boy.
“No,” said Alvin.
“Well then ain't you the stupid one, heading right for it like it was some ordinary door.”
“What's different? I know it leads to the Red lands. I know it leads to the house where Ta-Kumsaw's daughter weaves the lives of the Reds of the west.”
“Here's the tricky part. When you pass through the door, you can't have no part of yourself touching anything here but air. You can't brush up against the doodamb. You can't let a foot linger on the floor. It's not a step through the door, it's a leap.”
“And what happens if some part of me does touch?”'
“Then that part of this place drags you down just a little, slows you, lowers you, and so instead of you passing through the door in one smooth motion, you go through in a couple of pieces. Ain't nobody can put you together after that, Mr. Maker.”