A cardboard angel drops out of a notebook, a memento from a scholarly Irishwoman who befriended me in London, when I was there for two months, and who told me, one chilly afternoon, of her boredom with life. I was too young, without experience, I didn't understand her meaning, but now I think I do. Her mind instantly mandated the establishment of a foreign country, which I wanted to visit, she studied angels, but I refrained from asking too many questions and imposing on her time, and anyway I might not have been able to understand her or her belief in angels. Here, this morning, a blond-haired girl from Oklahoma rushed past me, brushing against my body nervously, even aggressively, as I walked toward the dining room, and this has happened especially when she has noticed that I have mail, and she doesn't. She has been here longer than I, we have never spoken, she is usually at the women's table, an informal congregation that takes shape from time to time, as does a men's table. Occasionally I decide I will inquire about her, delve into a relationship, but as she brushes past me, in the manner she did this morning before I entered the dining room, when I then rushed past the disconsolate women to the kitchen, I am confirmed in cny decision not to engage her. I know only that she has a number of allergies to unlikely foods and has caused the head cook consternation. If I had lived in the scholar's Ireland, in the early part of the 20th century, I would have a troubled relationship to God, with sin, not to poetry but to politics, and, I imagine, irritated nipples rubbed raw from the starched white sheets on beds in cold bedrooms. In her Ireland, I sit on a stiff, horsehair-covered chair near the fire, watching her long wavy blond hair as it drops onto the back of a chair, where, with scissors shaped like angel's wings, she clips pictures of angels and cherubs from one book and pastes them into another. On those chilly days, by artificial fires or electric heaters in London, she told me about chilblains and, because my skin is sensitive, I was prone to them, or vulnerable, and usually I sat near the fire with my hands and arms over my forelegs to shield them. Then my hands became chapped and red like hers and many English people's.
Many English people, with whose country America has a lasting and broken kinship, once had red, chapped hands from sitting in front of electric fires, many still resist central heating, and believe a cold room is good for them, though mostly they aren't Puritans. I like watching a fire, not an electric fire, which doesn't change, and I like watching TV, which changes and doesn't change, like a fire changes and stays the same, a recognizable blur of blue, purple, yellow, orange, and red flames, to my mind also numbers, leaping about, borrowing evanescent shapes, and with just a sheet of newspaper tossed casually onto it, roars approval and grows bigger and bigger. It can also become boring and dull, the way anything can, especially when you get older, mature and still dependent on the people you love and hate, and increasingly on novelty and surprise. So I like to make the fire grow, to make it huge and magnificent, to have it consume everything, and feed it like a child, nourishing it until I lose interest, which I shouldn't if it were a child, but my fear is that the fire will get out of hand and take over, overwhelm me, which is probably also what I want, an insane desire. A magnificent erection shown to me and for me in its first glory is moving and overwhelming, an obvious sign of pleasure, one that cannot be missed or obscured, though its source can be misunderstood, like imagining its hardness is for you alone when in fact it could he for anyone. A fire is always the same and yet different and could become uncontrollable, like the kitchen helper, were I to fan his flame and our nascent fantasy, since he is of scant reality to me, even though he is a daily piece in it. I like burning things, I like undoing and unmaking things, nowadays I take apart what I put together, pull one sticky side from the other, then scatter the bits on a table or the floor to see its fractured entirety. It's innocent behavior, no one gets hurt, there was a whole object and then there's an object ripped apart.
It is at these moments especially that I miss my cat. He might be uncontrollable, wild or just independent, he may always be frightened of people, but he is my cat, and if I imagine him dead or lost, I become distressed, even griefstricken. We are not allowed to have animals here, it is strictly forbidden, and many people miss their animals, figure out elaborate ways of visiting them, or have them lodged, though I know a man, he called himself an inventor, who kept his dog in a disused barn on the bounded property, and did not get into trouble, even when he was found out finally, since later he was allowed to return and took the same room and barn for himself. I remember him vividly because one night he stood on the balcony in the main hall and dropped his jeans and jockey shorts and exposed his well-shaped, rosy ass to everyone-the guy's callipygous, someone shouted. His ass was pink, startling, its flesh sublime against the dark wood of the old large room, and its shape, like two halves of a ripe peach, and though having this image was an embarrassment then, it maintains itself. A spark of sexual interest ignited, the way a dog's might in sniffing another dog's ass, but it passed, yet, like his ass, the interest was also surprising, but sublime, carrying beauty and horror. The inventor always returns with his dog, though I have not seen him again. Time has passed, all we have is time, prosaically, and there's nothing that is not in some way affected by time's passage, so anything anyone makes, does, doesn't do, or thinks is in debt to time, and all must pay their debt.
The tall balding man owes a debt to the disconsolate, psoriatic woman, I can tell he has promised her something, so their union does compromise her time and his, he's engaged himself to her in his cryptic way, and it is usually better not to become intimate with another while in this community, because complications arise that must be faced at breakfast and dinner, though lunch is taken alone and then everything and everyone may be avoided, but seclusion comes to an end, always, with a generally unsatisfactory meal, and the person or persons whom you've contracted to yourself for a short or long while, in subtle, unspoken, muted, or direct ways, steps forward and wants something, everyone wants something. I do, often. Limitlessly I want, since I don't know when to stop. The tall balding man runs daily, for hours and hours, he runs up mountains, ablaze, hoping to better his speed to the peak, and he might have a case of anorexia athletica, which must bind him, sympathetically, to the psoriatic one, whose eating habits parallel his excessive exercising. He can't stop racing, his head high as he runs along the road, his lanky, muscular legs moving like a machine's under him, his chest thrusting against a brisk wind, and always he is sweating, shunting off fluids, his palms especially, the effect of primary palmar hyperhidrosis, and also he glows, but his skin is taut, his cheeks sunken. He is considered healthy since he achieves much physically, but his will to stay in shape unnerves me, though the Contesa insists he is a great success with women, and she supposes its because he runs.
Now I can burn nothing more, have lost the heart to do it, and the fire is dying. I shut the lights, gather my things, put on my coat, grab the keys, close the door behind me, test the lock, walk energetically past the field outside the window, and hope to notice it better, so I open my eyes wide, but the light is weak, and I don't see anything differently from before. It could be that I haven't noticed a changed effect, so I scour the land fitfully, failing again to witness new beauty or defect, and soon reach the quaint building where I sleep, opening the door gingerly so as not to make a commotion, since I don't want to announce my arrival to the others-the disconsolate young women, the tall balding man, if he's about, a dour man and fretful woman, who may or may not be sharing a bed, neither has ever sat at my table or I at theirs, by design or chanceone of their beds squeaks and cries in the night when I walk to the toilet. This hotel is too full, I think. I tiptoe across creaking floorboards to my room, whose bed is pristine since I didn't lie in it yet and ruffle its smooth facade. The bathroom is empty, my towels hang untouched, and I turn on the hot water, rinse the tub, though no ring's around it, no trace of other bodies that have lain in it, I can become repulsed imagining strangers lying there, especially the demanding man, but I quickly shake my head and open the faucets, watch the water stream into the porcelain tub, and, after cleaning it cursorily, turn the water off, let the bath drain, and begin again, now liberally pouring in scented bath oils, whose dubious promise I gratefully accept. Then I walk briskly, not landing heavily on the balls of my feet, to get my portable radio. My father insisted I step lightly at all times, veer to and guide myself along an imaginary straight line, and, even today when I walk, I visualize a line on a road or dividing a room, the invisible pretense of which frequently unbalances me, since by concentrating on what isn't there, I almost forget how to walk. Actors' bodies are their instruments, they learn how to walk, J and JJ say, and to hold their bodies, for to embody their characters, they must have carriage and control. They frequently discuss their craft and have cited techniques for standing and walking, and some might scoff and sometimes do at the table, especially in the morning, if the actors are holding court, which they occasionally do, with spirit. I never scoff, because I often forget how to walk and wish I'd been taught properly, so that my back would never hurt. Still, there are many ways to walk, the variety astonishes if you analyze individuals navigating their way along a street, arms swing high or don't, heads jut forward or shake, short strides are taken or loping ones, some move with fluidity while others awkwardly assert one foot after another, and there are those who take strong positions on approaches and techniques, as well as for teaching, walking, and standing. My father was a firm believer in standing up straight. Many believe standing and walking are activities, hardwired like language into the brain, that wouldn't require training, but since some walk better, speak better, some know the grammar of bodies and sentences better than others, and many walk and stand poorly, though genetically transmitted, these inherent and humanly possible activities are at least educable. It's a pity to see stooped adolescents, whose parents don't know how to model them as birds do their little ones, to teach them by example how to fly and find food, yet even some baby birds fall to the ground and then they are finished, but I know a man who saves fallen baby birds. He is not here now, but he was for a while, and observing him tend birds and feed them worms was particularly heartwarming, though I can scold myself for caring more about their feeding than I do humans other than myself, but then I don't understand the complaints of birds and can't decipher their whining from their singing, so they aren't annoying. Birdman was nourishing three fallen baby sparrows, with tiny white worms whose fate didn't matter to me, that he bought in a pet store, caring for their mother, too, feeding three stray cats and two dogs, while managing, by cell phone and fax, a tourist company with his diabetic partner. I wondered what possessed him, how his mercy had developed, if he were ruthless in some aspects of his life, very cruel in love or business. We talked intimately one night for a very long time, and I've heard Birdman may return soon, and, if so, I'll feed worms to birds with him, in order to find out.