To: Tech Unit B
From: St. Augustine
And never can a man be more disastrously in death than when death itself shall be deathless.
Nobody knew who sent these memos. Investigations had been made, people questioned, but nothing came of it. Whoever sent them had to overcome two difficulties. He had to get into the multilith room and run off enough copies for our entire sub-section without being discovered. And he had to distribute the memos, one by one, to every desk and office in the area. The multilith operators had been cleared of any suspicion and so had all the mailboys. No one had ever seen these particular memos delivered; they simply appeared, either in the morning or the early afternoon. This was the first of the St. Augustines. Previous memos had borne messages from Zwingli, Lévi-Strauss, Rilke, Chekhov, Tillich, William Blake, Charles Olson and a Kiowa chief named Satanta. Naturally the person responsible for these messages became known throughout the company as the Mad Memo-Writer. I never referred to him that way because it was much too obvious a name. I called him Trotsky. There was no special reason for choosing Trotsky; it just seemed to fit. I wondered if he was someone I knew. Everybody seemed to think he was probably a small grotesque man who had suffered many disappointments in life, who despised the vast impersonal structure of the network and who was employed in our forwarding department, the traditional repository for all sex offenders, mutants and vegetarians. They said he was most likely a foreigner who lived in a rooming house in Red Hook; he spent his nights reading an eight-volume treatise on abnormal psychology, in small type, and he told his grocer he had been a Talmudic scholar in the old country. This was the consensus and maybe it had a certain logic. But I found more satisfaction in believing that Trotsky was one of our top executives. He made eighty thousand dollars a year and stole paper clips from the office.
I sat at my desk and with a ballpoint pen traced the outline of my left hand on a blank piece of note paper. Then I called Sullivan but she didn't answer the phone. I walked around the office some more and looked out into the corridor. Many of the girls were back at work, unhooding their typewriters and storing squalid Kleenex in the bottom drawers of their desks where it would rest with old love letters, rag dolls, and pornographic books their bosses had given them in the spirit of the new liberalism, and also to see if anything would happen. I closed the door. Then I unzipped my pants and took out my cock. I walked around the office like that for a while. It felt good. I put it back and then filed Trotsky's memo in the folder that held all of his other work as well as some poems I had written in the office from time to time and some schizo-grams from girls I knew. (hello from the scenic coast of nebraska.) I opened the door. Binky was at her desk. She took a sandwich and a paper container out of a white bag. The sandwich, when she unwrapped it, looked wet and gummy. There was something very touching about that moment.
"Welcome back to the big rock candy mountain."
"Hi," she said. "I spent two solid hours at goddamn Saks without buying a thing. And now I'm about to eat a Coca-Cola sandwich. Merry Christmas."
"Trotsky struck again."
"I saw it," she said. "I still think it's you."
She knew that would flatter me. Often she said things that seemed intended to do me some good. I never knew why. In many ways Binky was a good friend to me and I used to wonder what would happen if I tried, in the jargon of the day, to complicate our relationship. Once, working late in the office, she removed her shoes while taking dictation. The sight of a woman taking off her shoes has always stirred me, and I kissed her. That was all, a kiss between paragraphs, but maybe it wasn't mere tenderness which made me do it, nor a desire to challenge the blandness of our attachment. Maybe it was just another of my ego-moments. It was only several days before that I had learned about Binky and Weede.
"Come on in," I said.
She brought her lunch with her and we sat on the sofa.
"Phelps Lawrence just got bounced," she said.
"I heard."
"There's a rumor that Joyner's next."
"Joyner started it," I said. "It's part of his survival kit. If he's not careful it's going to blow up in his face one of these days."
"Jody thinks it's the beginning of a purge. There's been a rash of confidential memos. She thinks Stennis might be forced to resign. But keep it quiet. She made me promise not to breathe a word."
"I've noticed all the closed doors. Sometimes I think they close their doors just to frighten us. Everybody knows closed doors mean secret discussions and secret discussions mean trouble. But maybe they're in there watching guitar lessons on Channel 31."
"Grove Palmer is getting a divorce," Binky said.
Suddenly I realized that I hadn't brushed my teeth after lunch. I kept some toothpaste and a toothbrush in my office and always brushed my teeth after a lunch that included a few drinks. The washroom after lunch was always full of men brushing their teeth and gargling with mouth wash. There were times when I thought all of us at the network existed only on videotape. Our words and actions seemed to have a disturbingly elapsed quality. We had said and done all these things before and they had been frozen for a time, rolled up in little laboratory trays to await broadcast and rebroadcast when the proper time-slots became available. And there was the feeling that somebody's deadly pinky might nudge a button and we would all be erased forever. Those moments in the washroom, with a dozen men sawing away at their teeth, were perhaps the worst times of all. We seemed to be no more than electronic signals and we moved through time and space with the stutter and shadowed insanity of a TV commercial.
"What's happening with your Navaho project?" Binky said.
"Quincy keeps jamming up the works. I'm going to talk to Weede and see if I can get to work on it alone. But don't mention it to anybody."
"David," she said.
"What?"
"They may drop 'Soliloquy.' '
"Are you sure?"
"The person who told me said the crappy sponsor wasn't interested in renewing."
"Why not?"
"The person didn't say."
"There's always the Navahos," I said.
"David, I think it's the third or fourth best show on TV."
"Soliloquy" was a series I had worked out on my own. It was the first major thing I had done since joining Weede's group-a small, elite and experimental unit put together for the purpose of developing new concepts and techniques. The rest of the network despised us because of our relative freedom and because of the industry prizes we had won for our warcasts, which were done independently of the news division. "Soliloquy" had won nothing. Each show consisted, very simply, of an individual appearing before the camera for an hour and telling his life story. I wanted to ask her what else Weede had said about the series. But that wouldn't have been fair. She had already taken a chance in telling me as much as she had. Just then Weede went by my office, moving swiftly, head down, body tilted forward as if on skis. He always came back to the office at least half an hour after Binky on Thursday afternoons; this maneuver, obviously, was an attempt to avoid suspicion. I liked to think that he walked around the block five times during that half-hour, or stood in a phone booth in the lobby and pretended he was talking to someone, moving his lips over the mouthpiece, perhaps actually speaking, carrying on a normal businesslike conversation with the dial tone. And he always walked by my office very quickly, then tried to avoid me for the rest of the day. He must have possessed an extraordinarily complex sense of guilt. I think he was afraid of me on those Thursdays. But on Friday morning he would come looking for me, breathing smoke and vengeance, as if I were the engineer of his guilt.