You’d think there was a terrible lot of dying going on, and you’d be right, but they were Victorians, and they didn’t have antibiotics or much in the way of sanitation and they only just had the germ theory of disease. However, I think in a way they must have been sickly, because you’ve only got to look at the Phelps family to see the difference. I’ll write about them another day. My Auntie Florrie, my grandfather’s sister, blamed it on all the education the Terises went in for. I don’t see how it can have killed them—and Auntie Syl, who was as educated as any of them, lived into her eighties. I remember her.
It seems so more complicated written down than it really is. Maybe I ought to draw a diagram. But it doesn’t matter. You don’t have to remember who these people are. All I really want to say about them is that when you belong to a big family like that, where you know everyone and you know all the stories about everyone, even the stories that happened long before you were born, and everyone knows who you are and knows the stories about you, then you are never just Mor but “Luke and Becky’s Mor” or “Luke Phelps’s granddaughters.” And also, when you need someone, someone will be there for you. It might not be your parents, or even your grandparents, but if you have a catastrophic need for someone to bring you up, someone will step in, the way Auntie Syl did. But she was dead before my grandmother died, and when I needed someone, somehow that net of family that I counted on to be there for me, the way you might bounce down to a trampoline, disappeared, and instead of bouncing back I hit the ground hard. They wouldn’t admit what was wrong with my mother, and they’d have had to do that to help me. And once I had to use social services to get away from her, they couldn’t do anything, because to social services an auntie you have known all your life is nobody compared to a father you haven’t even met.
He has a family too.
Tuesday 2ND OCTOBER 1979
Actually, James Tiptree, Jr.’s Warm Worlds and Otherwise gives The Wind’s Twelve Quarters, Vol II a run for its money. I’d say the Le Guin is still ahead, but it’s not as clear-cut as I thought it was. The other two books in the package from my father today are both Zelazny. I haven’t started them yet. Creatures of Light and Darkness was awfully peculiar.
Thursday 4th October 1979
Nine Princes in Amber and The Guns of Avalon are absolutely brill. I’ve done nothing but read them for the last two days. The concept of Shadow is amazing, and the Trumps too, but what makes them so good is Corwin’s voice. I have to read more Zelazny.
A letter from Auntie Teg came today, sounding very relieved to know I am well. She sent me a pound note, inside the letter. There’s lots of family news. Cousin Arwel is starting a new job with British Rail in Nottingham. Auntie Olwen is on the list for a cataract operation. Cousin Sylvie’s having another baby—and Gail’s not two yet! Uncle Rhodri’s getting married. She doesn’t say anything about my mother. I didn’t expect her to. I didn’t either. I didn’t tell her about abandoning art for chemistry. She teaches art; she wouldn’t understand. Chemistry and physics and Latin are my three favourite subjects, though my very highest marks are in boring old English, as usual. We’re reading Our Mutual Friend, which I secretly call Our Mutual Fiend. You could re-write it with that title to make Rogue Riderhood the one they all know.
Friday 5th October 1979
My grandfather’s father was French. He came from Rennes in Brittany, and his mother was Indian, from India. He was very dark-skinned, from all accounts, and my grandfather and his sisters were also quite dark—all dark-haired and dark-eyed, and with skin that tanned browner than any European skin. My mother was the same. Grampar despised our skins for burning in the sun. Alexandre Rennes changed his name to Phelps when he married my great-grandmother Annabelle Phelps, because she wouldn’t marry him on any other terms. He worked in the mines. She was one of eight children, had seven children herself, of whom five survived to adulthood, lived to be ninety-three, and was a tyrant all her life. She died the year before I was born, but I grew up on stories of her.
Because Alexandre was French, they spoke English at home, unlike my grandmother’s family, who always spoke Welsh by choice. Their five surviving children all married and had children of their own.
The eldest boy, Alexander, married on the eve of the Great War, and left his new wife pregnant when he went to the trenches. He never came back, and they had a telegram saying he was missing in combat. His young wife, my Auntie Bessie, moved in with her parents-in-law, had the baby, my Uncle John, and was generally, along with Auntie Florrie, treated as my great-grandmother’s unpaid servant. Then, years later, in 1941, a young woman got off the bus in Aberdare with two solemn-eyed little boys, my uncles Malcolm and Duncan. She went to my great-grandmother’s house, claiming to be the widow of her son Alexander. He hadn’t died at all, he’d stayed in the army and gone off to India, where he’d married again without the formality of a divorce from Auntie Bessie.
His second wife, Lillian, was English, had grown up in India and had a little money of her own. She was used to living in a hot country and having servants. My great-grandparents took her in, which some people thought very good of them in the circumstances, but she found living with them very difficult. After a while, she talked to Auntie Bessie, who had a small widow’s pension, and they discovered that between the two of them they could afford a tiny house of their own. By the time I was born the scandal was old news—I knew that they were both the widows of the same man, but what could you say? He was dead, after all. The two widows got on very well. They spent the war knitting socks for soldiers, then after the war opened a wool shop in their front room, where they sold wool and home-knitted items. It had a strange animal smell, which they tried to hide with bowls of dried lavender from Auntie Florrie’s garden, the first potpourri I ever saw.
My grandfather had three sisters, who all married and had children. One, Auntie Maudie, disgraced herself by marrying a Catholic and going off to live in England, where she had eleven children, the last a Mongol, and adopted four more, two of them African. I do not regard this as shocking, if she could care for them all, which she could. She had been my grandfather’s favourite sister, but now they couldn’t be together without quarrelling. She was a lot like her mother. I didn’t see what was so utterly shocking about being a Catholic, compared to being a bigamist, which everyone forgave dead Alexander, or a lesbian, like Auntie Olwen, which people didn’t talk about but quietly accepted.
Auntie Bronwen had three sons and a daughter, and her husband worked in the pit. Auntie Florrie lived very near us and we saw her all the time—my grandmother used her for babysitting. Her husband, who had been a miner, died in the war. She had two little boys, my Uncle Clem, who went to prison for forgery, and Uncle Sam, who never seemed to come home. She had seen the devil in her house one day and chased it upstairs with a prayerbook and shut it in the box room. Afterwards, she asked my grandfather to brick up the door to the box room so the devil couldn’t get out. Years later, after she died, he unbricked the door and we went in, consumed with curiosity, to find a printing press. He threw it out, but not before we helped ourselves to a number of blank calling cards and some of the leaden letters.