Выбрать главу

I raised my bottle.

‘To the future,’ I said. ‘Whatever that is.’

THE END

Technical Notes

DCI Seawoll is probably too old to have played in the ruins of Volcrepe Mill, since it didn’t stop production until 2003, but it made such an interesting scenario that I’ve decided to bend the laws of time and space. I’m sure Alexander wouldn’t mind.

The aircraft crash sites on the moors are real, too, as was the V1 attack on Manchester.

The London Silver Vaults is a real place and well worth a visit. I spotted some very pretty foxes down there when I visited, and if you need silver, rings, plates, cutlery or just weird statues, it’s definitely recommended. Also, it’s one of those quirky bits of London’s tapestry, like the sadly gone Whitechapel Bell Foundry, that we’re going to lose if we don’t support it.

Acknowledgements

Alas, my Latin and Early Modern Castilian is non-existent, so many thanks to Penny Goodman and Paul White from Classics at Leeds and Simon Doubleday from Hofstra University for their translations. Likewise Mary, for providing the Krio and the recipes that inconvenienced the foxes. I need to thank Andy Ryan for behind-the-scenes help and Clive Hall for architectural advice, as well as Thom Hetherington for a guided tour of Glossop. Thank you to everyone at the Portico Library and the London Silver Vaults. And doubleplusgood thank you to everyone on Twitter who answered my numerous questions no matter how bizarre they were.

Credits

Ben Aaronovitch and Orion Fiction would like to thank everyone at Orion who worked on the publication of Amongst Our Weapons in the UK.

Editorial

Emad Akhtar

Brendan Durkin

Celia Killen

Copy editor

Steve O’Gorman

Proof reader

John Garth

Editorial Management

Jane Hughes

Charlie Panayiotou

Tamara Morriss

Claire Boyle

Audio

Paul Stark

Jake Alderson

Georgina Cutler

Contracts

Anne Goddard

Ellie Bowker

Humayra Ahmed

Design

Nick Shah

Nick May

Joanna Ridley

Helen Ewing

Finance

Nick Gibson

Jasdip Nandra

Elizabeth Beaumont

Ibukun Ademefun

Afeera Ahmed

Sue Baker

Tom Costello

Inventory

Jo Jacobs

Dan Stevens

Marketing

Jen McMenemy

Brittany Sankey

Tom Noble

Production

Paul Hussey

Fiona McIntosh

Publicity

Stevie Finegan

Will O’Mullane

Leanne Oliver

Sales

Jen Wilson

Victoria Laws

Esther Waters

Frances Doyle

Ben Goddard

Jack Hallam

Anna Egelstaff

Inês Figueira

Barbara Ronan

Andrew Hally

Dominic Smith

Deborah Deyong

Lauren Buck

Maggy Park

Linda McGregor

Sinead White

Jemimah James

Rachael Jones

Jack Dennison

Nigel Andrews

Ian Williamson

Julia Benson

Declan Kyle

Robert Mackenzie

Megan Smith

Charlotte Clay

Rebecca Cobbold

Operations

Sharon Willis

Rights

Susan Howe

Krystyna Kujawinska

Jessica Purdue

Ayesha Kinley

Louise Henderson

By Ben Aaronovitch

:

Rivers of London novels

Rivers of London

Moon Over Soho

Whispers Under Ground

Broken Homes

Foxglove Summer

The Hanging Tree

Lies Sleeping

False Value

Rivers of London novellas

The Furthest Station

The October Man

What Abigail Did That Summer

Rivers of London graphic novels

Body Work

Night Witch

Black Mould

Cry Fox

Water Weed

Action at a Distance

The Fey and the Furious

Monday, Monday

Copyright

First published in Great Britain in 2022 by Orion Fiction,

an imprint of The Orion Publishing Group Ltd.,

Carmelite House, 50 Victoria Embankment

London EC4Y 0DZ

An Hachette UK Company

Copyright © Ben Aaronovitch 2022

The moral right of Ben Aaronovitch to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book.

All the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.

A CIP catalogue record for this book is available from the British Library.

ISBN (eBook) 978 1 473 22670 8

www.orionbooks.co.uk