An Essay on Man; Moral Essays and Satires

Why should not we be wiser than our sires?
In every public virtue we excel;
We build, we paint, we sing, we dance as well,
And learned Athens to our art must stoop,
Could she behold us tumbling through a hoop.
   If time improve our wit as well as wine,
Say at what age a poet grows divine?
Shall we or shall we not account him so,
Who died, perhaps, a hundred years ago?
End all dispute; and fix the year precise
When British bards begin t’ immortalise?
   “Who lasts a century can have no flaw,
I hold that wit a classic, good in law.”
   Suppose he wants a year, will you compound;
And shall we deem him ancient, right and sound,
Or damn to all eternity at once,
At ninety-nine, a modern and a dunce?
   “We shall not quarrel for a year or two;
By courtesy of England, he may do.”
Then by the rule that made the horse-tail bear,
I pluck out year by year, as hair by hair,
And melt down ancients like a heap of snow:
While you to measure merits, look in Stowe,
And estimating authors by the year
Bestow a garland only on a bier.
   Shakespeare (whom you and every play-house bill
Style the divine, the matchless, what you will)
For gain, not glory, winged his roving flight,
And grew immortal in his own despite.
Ben, old and poor, as little seemed to heed
The life to come, in every poet’s creed.
Who now reads Cowley? if he pleases yet,
His moral pleases, not his pointed wit;
Forget his epic, nay Pindaric art;
But still I love the language of his heart.
   “Yet surely, surely, these were famous men!
What boy but hears the sayings of old Ben?
In all debates where Critics bears a part,
Not one but nods, and talks of Jonson’s art,
Of Shakespeare’s nature, and of Cowley’s wit;
How Beaumont’s judgment checked what Fletcher writ;
How Shadwell hasty, Wycherley was slow;
But for the passions, Southern sure and Rowe.
These, only these, support the crowded stage,
From eldest Heywood down to Cibber’s age.”
   All this may be; the people’s voice is odd,
It is, and it is not, the voice of God.
To Gammer Gurton if it give the bays,
And yet deny the careless husband praise.
Or say our fathers never broke a rule;
Why then, I say, the public is a fool.
But let them own, that greater faults than we
They had, and greater virtues, I’ll agree.
Spenser himself affects the obsolete,
And Sidney’s verse halts ill on Roman feet:
Milton’s strong pinion now not Heaven can bound,
Now serpent-like, in prose he sweeps the ground,
In quibbles angel and archangel join,
And God the Father turns a school divine.
Not that I’d lop the beauties from his book,
Like slashing Bentley with his desperate hook,
Or damn all Shakespeare, like the affected fool
At court, who hates whate’er he read at school.
   But for the wits of either Charles’s days,
The mob of gentlemen who wrote with ease;
Sprat, Carew, Sedley, and a hundred more,
(Like twinkling stars the miscellanies o’er)
One simile, that solitary shines
In the dry desert of a thousand lines,
Or lengthened thought that gleams through many a page,
Has sanctified whole poems for an age.
I lose my patience, and I own it too,
When works are censured, not as bad but new;
While if our elders break all reason’s laws,
These fools demand not pardon, but applause.
   On Avon’s bank, where flowers eternal blow,
If I but ask, if any weed can grow;
One tragic sentence if I dare deride
Which Betterton’s grave action dignified,
Or well-mouthed Booth with emphasis proclaims,
(Though but, perhaps, a muster-roll of names)
How will our fathers rise up in a rage,
And swear, all shame is lost in George’s age!
You’d think no fools disgraced the former reign,
Did not some grave examples yet remain,
Who scorn a lad should teach his father skill,
And, having once been wrong, will be so still.
He, who to seem more deep than you or I,
Extols old bards, or Merlin’s Prophecy,
Mistake him not; he envies, not admires,
And to debase the sons, exalts the sires.
Had ancient times conspired to disallow
What then was new, what had been ancient now?
Or what remained, so worthy to be read
By learned critics, of the mighty dead?
   In days of ease, when now the weary sword
Was sheathed, and luxury with Charles restored;
In every taste of foreign courts improved,
“All, by the king’s example, lived and loved.”
Then peers grew proud in horsemanship t’ excel,
Newmarket’s glory rose, as Britain’s fell;
The soldier breathed the gallantries of France,
And every flowery courtier wrote romance.
Then marble, softened into life, grew warm:
And yielding metal flowed to human form:
Lely on animated canvas stole
The sleepy eye, that spoke the melting soul.
No wonder then, when all was love and sport,
The willing Muses were debauched at court:
On each enervate string they taught the note
To pant, or tremble through an eunuch’s throat.
   But Britain, changeful as a child at play,
Now calls in princes, and now turns away.
Now Whig, now Tory, what we loved we hate;
Now all for pleasure, now for Church and State;
Now for prerogative, and now for laws;
Effects unhappy from a noble cause.
   Time was, a sober Englishman would knock
His servants up, and rise by five o’clock,
Instruct his family in every rule,
And send his wife to church, his son to school.
To worship like his fathers, was his care;
To teach their frugal virtues to his heir;
To prove, that luxury could never hold;
And place, on good security, his gold.
Now times are changed, and one poetic itch
Has seized the court and city, poor and rich:
Sons, sires, and grandsires, all will wear the bays,
Our wives read Milton, and our daughters plays,
To theatres, and to rehearsals throng,
And all our grace at table is a song.
I, who so oft renounce the Muses, lie,
Not ----’s self e’er tells more fibs than I;
When sick of Muse, our follies we deplore,
And promise our best friends to rhyme no more;
We wake next morning in a raging fit,
And call for pen and ink to show our wit.
   He served a ’prenticeship, who sets up shop;
Ward tried on puppies, and the poor, his drop;
Even Radcliff’s doctors travel first to France,
Nor dare to practise till they’ve learned to dance.
Who builds a bridge that never drove a pile?
(Should Ripley venture, all the world would smile)
But those who cannot write, and those who can,
All rhyme, and scrawl, and scribble, to a man.
   Yet, sir, reflect, the mischief is not great;
These madmen never hurt the Church or State;
Sometimes the folly benefits mankind;
And rarely av’rice taints the tuneful mind.
Allow him but his plaything of a pen,
He ne’er rebels, or plots, like other men:
Flight of cashiers, or mobs, he’ll never mind;
And knows no losses while the Muse is kind.
To cheat a friend, or ward, he leaves to Peter;
The good man heaps up nothing but mere metre,
Enjoys his garden and his book in quiet;
And then—a perfect hermit in his diet.
   Of little use the man you may suppose,
Who says in verse what others say in prose;
Yet let me show, a poet’s of some weight,
And (though no soldier) useful to the State.
What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What’s long or short, each accent where to place,