‘Sometimes they guarded her,’ Queen Tiye declared, ‘and that intrigues me. Did you murder your Aunt Isithia, Mahu? At first I thought you did but you were in the palace when she died.’ She picked up a small cup from the table and sipped at it.
‘I didn’t kill her, Excellency, but I danced when I heard the news.’
‘I am sure you did.’
‘Who hired the Jackal Heads?’ I asked.
‘I don’t know. Perhaps I am not the only person who thinks you killed your aunt; it could be a blood feud. One day,’ she pursed her lips, ‘one day we’ll find the truth to all this and pull up the roots. Until then, you are my son’s protector and Djarka will be yours.’
‘I have Snefru!’
‘Djarka will be yours!’ she repeated flatly. ‘He is of good family and well suited.’ She narrowed her eyes. ‘You have very dangerous friends, Mahu. Sobeck, or whatever he calls himself now, is well-known to the police but he might be an ally.’
‘You wished to see me, Excellency?’ I was cold and tired.
‘Come!’ Tiye rose and crossed to a water clock standing in the corner. She glanced at it then picked up a cloak and swung it round her shoulders. ‘You’d best see this.’
We left the chamber, going along a maze of glorious corridors, across courtyards, penetrating deeper into the palace. Guards stood hidden in shadowy enclaves. Servants hurried by; fine robes billowing, bare feet slapping on the shiny floor. Halfway down one corridor Tiye paused, opened a door and led us into a chamber which smelt musty. No lights glowed. She stumbled about, whispering at us to be silent. Then she moved to the far wall, fumbled, and removed a small flap: a ray of light beamed into the room. She gestured me over. Djarka stayed leaning against the door. I crouched down, peered through and caught my breath.
‘The House of Love,’ Tiye whispered.
I was staring into the central chamber of the Magnificent One’s harem. The room was shadowy, though its centre was ringed with light. It was a beautiful place with water basins, lightly coloured pillars and a myriad of glowing oil lamps in pure alabaster jars. In the centre of the pool of light the Divine One sprawled naked in a thronelike chair. I could see every inch of his corpulent body, the heavy paunch and plump thighs glistening with oil, his powerful face, chin against his chest. All around him concubines fluttered, their slim naked bodies carefully shaved, lips painted, eyes lined with kohl, fingernails and toenails deeply carmined. Some anointed him with precious perfumes whilst others brought freshly plucked lotus for him to smell or sweet iced melon to quench his thirst. Beside him stood a small table bearing a game board, on which enamelled, terracotta pieces with dogs’ heads and hawks’ heads waited to be moved. The Magnificent One sniffed at the lotus or chewed a piece of melon. Now and again he’d grab the hand of one of the concubines and push it between his legs, even as he turned to throw the knuckle-bones to determine the next move upon the board. Against the far wall ranged a line of alcoves, above them the flashing gold of the Royal Vulture, its wings spread out. In one of the shadow-filled alcoves stood a divan, its cushions of many colours piled high. The Magnificent One rose and, taking two of the girls, entered the alcove and lay on the divan. The rest of the concubines patiently waited until he returned.
I wondered why Great Queen Tiye had brought us here: I was about to ask when a eunuch appeared, resplendent in white robes and insignia of office, body glistening, his sweaty, plump face painted like a woman’s. He came into the pool of light. Two of the concubines acted as fan-bearers on either side of him. The eunuch clapped his jewelled hands and shooed the women out from the Magnificent One’s presence. Pharaoh himself had returned to his thronelike chair. He picked up the knuckle-bones and threw them on the board, became angry at what he saw and turned away, flicking one of the pieces over with his finger. The chamber was now deserted.
‘Watch!’ Tiye hissed.
I heard a door open. The effect on the Magnificent One was startling. He pulled himself up in the chair, hands going between his legs. A shadowy form appeared, a young woman. She stepped into the light and I caught my breath. She was tall and slim; a thick braided perfumed wig framed her beautiful face. She was naked except for the jewellery which flashed at ear, throat, wrists and ankles. When she moved in her high-heeled sandals to stand before Pharaoh, I realised why the room had been emptied. I had only glimpsed her on a number of occasions but the young woman was Sitamun, Pharaoh’s eldest daughter. She crouched at her father’s feet, hands brushing his thighs, fingers moving towards his crotch. Then she rose and sat on his lap, legs dangling down either side as she moved further and further up, putting her hands about his neck. Pharaoh was now squirming with pleasure. I glanced at Queen Tiye: her face was like that of some ghost out of the West. Even in the poor light I glimpsed the grey pallor, the tear-rimmed eyes.
‘That,’ she whispered, ‘is the price I have to pay.’ She closed the flap very carefully and pressed the side of her head against the cold wall. ‘The Co-regency,’ she whispered. ‘Sitamun is playing the Great Queen, the Great Wife. Our daughter! His own flesh and blood!’
‘Why, Excellency?’ I whispered. ‘Why have you shown me this?’
Tiye remained silent, a hand to her eyes as she sobbed quietly, a heartrending sight. She brushed her eyes with her fingers.
‘Look on the magnificence of Egypt, Mahu, and despair.’
I thought she’d moved away but she turned and pressed both hands against the wall as if she wished to claw through the stone and plaster. My fingers searched for the flap. I felt the small handle, pulled it down and stared back at the House of Love. Sitamun had gone. Amenhotep sat crouched on his throne. I was about to lift the flap back when I saw a movement in the shadows. Someone else was in the room, a woman shrouded in a cloak.
‘Excellency,’ I whispered.
Queen Tiye ignored me. I peered through again. Amenhotep had risen and, grasping a cane, he waddled out of the pool of light, a ridiculous figure with his fat, vein-streaked legs, the drooping cheeks of his bottom, the creases of fat along his back. He moved into the shadows. The woman who was there offered her cloak which he placed round his shoulders. I could hear whispering but Amenhotep’s body blocked any view — yet I was sure I knew who the woman was: the Princess Khiya. What was she doing here, watching the Magnificent One make love to his own daughter? I felt Tiye’s nails in my cheek, forcing me away. I stood back, the flap was closed and Tiye led us out into the passageway. She only talked when we returned to the chamber, Djarka and I kneeling before her as she paced up and down. She looked grief-stricken though more composed.
‘What have you seen tonight, Mahu? Well,’ she sighed, ‘what you have seen is the rottenness in the blood; the way dreams can slip into nightmares. The Magnificent One, the brave-eyed lion, Horus in the South, being pawed by his own daughter. If Sitamun bears a child,’ Tiye stopped pacing and glared down at me, her eyes as fierce as any cat’s, ‘you are to kill her and the child.’
‘Excellency,’ I protested.
She brought her hand back and slapped me across the face. ‘There can be no more sons of Egypt!’ She crouched down before me. ‘You have seen my nightmare, Mahu. I now ask myself: is that rottenness also in my son? Will he surrender his destiny for passing pleasures? That’s why I chose Nefertiti for him.’ She stood up. ‘That’s why you are his protector.’
I kept kneeling, head down. I didn’t know why I had been taken to see what I had. Was it Queen Tiye’s way of warning me? Or was she preparing to murder her own daughter and grandchild? Perhaps she was trying to purge her own soul for allowing her husband full rein in his decadence?
Tiye gently touched me under the chin and forced my head back. ‘What else did you see, Mahu, when you looked again?’