"My name is Charles Carver," the man who had once described himself as a sorcerer and insisted on being called Sacra Silver said directly to the camera. "Until recently, I worked as an assistant to Roger Wellington, the chief of security for the Carver Shipping Company. I am the son of Bennett Carver, the founder of this company you now all collectively own, but my father is in no way responsible for the criminal actions I am about to describe to you. My father has avoided contact with me for twenty years, and with good reason."
I considered the picture quality of the 35mm film to be quite good, considering the fact that it had been transferred from quarter-inch videotape-a little grainy, but I thought that appropriate to the subject matter. The sound was too loud, even for the large auditorium, but it never even occurred to me to turn down the volume. Even above the booming sound of Chick Carver's voice, I could still hear shouts of protest and the loud buzz of excited conversation from below.
Chairman Barry Russell rushed up on stage, shielded his eyes with one hand, and squinted as he repeatedly made cutting motions across his throat with the other hand to indicate to the projection booth that the film should be stopped. Although I knew it was unlikely he could see me against the glare of the projection lamp, I made a series of cutting motions of my own back at him, and grinned. Then he started shouting orders and making frantic motions toward both sides of the auditorium. Security guards began running up the aisles, heading toward the stairwell leading up to the projection booth. I wasn't worried; careful preparations had been made for this special screening. In the lobby their security guards would meet our security guards, off-duty NYPD and transit cops hired for the occasion, and there was no doubt in my mind that our security guards would prevail. We would be undisturbed for the next fourteen minutes and twenty seconds, which was how long this particular promotional film would run.
On screen, the scene had shifted from the banks of the Hudson to the river itself, where we had filmed Chick Carver standing at the bow of a large powerboat borrowed from one of Garth's friends for the occasion. Carver was narrating a guided tour of the industries along the shores of the river serviced by Carver Shipping, while at the same time describing how he had originally come up with the idea for hauling water from the Hudson to the Middle East; he described how the idea had been eagerly received by the company's executives, and he named each of the individual directors who had come up to personally congratulate him for his initiative; he described the menu at the dinner to which the CEO had treated him, and he listed what he had bought with the five-thousand-dollar cash bonus he had received. He told how he had been made personally responsible for seeing that the captains of Carver Shipping's vessels acceded to the company's decision, and how he had personally delivered cash bonuses to the captains and their crews who agreed to cooperate.
The next-to-last stop on this tour of corporate greed and irresponsibility was the mooring site where he had ordered Julian Jefferson to activate his tanker's main engines while Tom Blaine was in the water below; the last stop was the fisherman's float net where Mary and I had found the bloody pieces of Tom's body.
Chick Carver finished by saying that he deeply regretted what he had done, and apologizing to his father for the damage he had done to the company Bennett Carver had been so proud of. Then the screen went blank.
I turned up the lights, looked down. There was pandemonium below, with all of the shareholders out of their seats, milling about and shouting at each other. The Secretary of the Interior was nowhere in sight. The chairman of the board was up at the lectern, banging his gavel for order, while, to a man, the rest of the directors were staring up at the projection booth, shock on their faces.
I hopped down off my perch, turned to the man who had been sitting stiffly, both feet on the floor and his hands clasped tightly in his lap, in a straight-backed chair throughout the screening. "You're on," I said.
Bennett Carver slowly rose to his feet. He looked much stronger now than when he had visited me in my hospital cell, and he had left his wife's cane at home. He stood straighter, his face was a ruddy color, and his pale green eyes glinted. He looked back and forth between Garth and me. "It sounds like there's a riot down there."
"They'll quiet down when you walk into the hall. I do believe the other shareholders will be looking for new leadership, and you'll have no trouble getting the people presently in charge to submit their resignations." "I would like the two of you to join me down there."
I looked at Garth, who was standing by the door of the projection booth, his hand on the knob. He hadn't even bothered to rewind the film. There was no need. If anybody wanted this particular print, they were welcome to it.
Garth shook his head. "We'd only be a distraction, Bennett. I've got a wife waiting for me, Mongo has a lover and ex-lover waiting for him, and there's also a little girl we promised to take-to the zoo. It's your show now; go break a leg."
"I owe the two of you more than I-"
"You owe us nothing, Bennett."
Garth opened the door, and Bennett Carver, walking steady with his head high and his shoulders back, preceded us out of the projection booth into a narrow vestibule. He went down a stairway leading to the auditorium, and we went down another.