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“Before he died, Mr. van Maarten brought a violin to you for repair, and it was collected by the vicar of the parish, I believe, on the day he was killed, in a Zeppelin raid.”

Andersen frowned. “Let me get my order book, and I will be able to tell you exactly.”

Maisie waited while the man went back into the workshop. Standing alongside a harp, she stretched out her hand and ran her fingers across the strings, the tumble of notes reminding her of a shower on a bright day, of primrose petals bending to the weight of raindrops. She regretted never having learned to play an instrument.

“Yes,” said Andersen, as he came back through the curtained doorway and into the shop. “He brought the violin to me in August. He liked to bring it in once a year. It was like a child to him.”

“What can you tell me about it? I know very little about musical instruments.”

Andersen looked up at Maisie, smiling as if remembering the features of a much-loved friend. “It was an exceptional violin, a Cuypers—Johannes Cuypers, the father, not one of the sons, who were also luthiers. It was an earlier model with the most exquisite reddish-golden finish, as if candlelight were reflected in the wood. The violin was almost one hundred and fifty years old, and Jacob—” he pronounced the name Yaycob—“inherited it from his father, and his father before him.”

Maisie took a deep breath. “Was he a proficient player?”

The man took off the spectacles he had donned to better read the ledger and pointed a bony finger toward the shop’s entrance. “Let me tell you, when Jacob picked up his violin, people would stand at that door to listen. He was an artist. It was a great loss.” He shook his head and looked down at the ledger once again, then turned it to face Maisie. “It may be my own writing, but my vision has worn with the years, and of course with my work. Your eyes are younger than mine. Look there and you will see when it was collected. I confess, I do not recall the man who collected the violin speaking of the Zeppelin, so it must have been before the tragedy, as you said. I myself received word of it some weeks later, when a mutual friend came in to tell me that he had perished, along with his family. It is best, I believe, that the boy was killed in the war. He was close to his father. It would have destroyed him.”

Maisie nodded and, squinting in the diminished light, made a note of the date of collection on an index card. “Thank you, Mr. Andersen.”

As she made a final note before placing the card in her bag, Andersen continued speaking, his affection for the van Maartens evident in memories shared. “They were a musical family, their own little orchestra. The boy was his father’s son, though given that he was but a child, his violin was a lesser model. I would not be wrong if I said that he would have become the better player, which would have pleased Jacob; mind you, the boy was troubled as he came to the edge of manhood, there were difficulties at school, so Jacob told me. It concerned him, as he had tried to avoid such problems.” He shook his head. “I often wonder what happened to the Cuypers. It was a delight to hold, such balance, such workmanship. And such beauty.”

Maisie held out her hand to Andersen. “And you never changed your name, Mr. Andersen? It seems something of an accepted practice among those from foreign lands.”

“I never needed to. The Vikings were kind enough to leave their names behind centuries ago, so my name is not unusual in this kingdom. Indeed, to me, an Andersen in Denmark Street seemed a perfect match.” He shrugged. “It is surprising, though, to have an acceptable name that originally belonged to marauding and cruel invaders.”

Maisie smiled. “Thank you, Mr. Andersen, you’ve been most helpful.”

The man inclined his head and shuffled back to his workbench.

SHE SAT IN the MG for some moments before moving on to the war records repository. The cards were falling into place. It was one thing to know, in some way, what had happened in a case such as Heronsdene, but another to understand the layers of truth and the web of lies that held a story together. Now she was acquiring a transparency, more able to interpret a chain of events in a manner that made sense. She sighed, checked the flow of traffic, and pulled out into the Charing Cross Road. One thing was clear, and that was that the man of the cloth had told another lie, for the violin was collected two days after the Zeppelin raid, when the Reverend Staples had known that both Jacob van Maarten and his son were dead and there were no descendents to lay claim to the valuable violin.

Maisie had visited the War Office Repository on Arnside Street before and was struck again by how much it reminded her of a library, with its polished dark wood floors and whispered conversations between visitors, who sat at refectory tables while poring over manila folders and onionskin papers. Today there were two couples and a woman on her own. Maisie thought the couples might be parents of soldiers lost to war or taken prisoner, and hope had kept them searching for a sign, perhaps one word, a sentence, a comment by a commanding officer that might give hope that their son was alive somewhere. Then again, it could take years to face up to the truth of a loved one’s loss—how well she knew that herself—and perhaps the lone woman was at last curious, after years of widowhood, to know the circumstances of her husband’s death on a foreign field.

Maisie placed her hand on a bell mounted on the counter. Less than a minute after the chime, a young man appeared, a pile of large envelopes under his arm. Maisie gave him her name, and explained that she had received a clearance to view two records. The man placed the envelopes on the counter and ran his finger down a list of names.

“Ah, yes, there you are.” He pointed to a table by the window. “If you take a seat, madam, I’ll fetch the files for you.”

Maisie thanked him and sat at the table indicated while she waited. There was no view to speak of, simply rows of rooftops extending off into the distance. Sun glinted off skylights, and she watched pigeons swooping back and forth, and sparrows alighting on gutters, and listened to the sounds of the river in the distance. It occurred to her, as she waited, that she would try to see Maurice on the way back to Heronsdene. Of course, she would see her father, but she wanted to talk to her former mentor, as in their days together.

Until now, she had avoided reflecting upon the cremation this morning, busying herself with those aspects of her investigation that must be accomplished before she returned to Heronsdene. Though she had at first been taken aback by Margaret Lynch’s decision not to have Simon laid to rest with a gravestone at his head, she had come to understand both the wisdom and the sacrifice inherent in that choice. And she was filled with admiration, all other feelings having burned away within her as Simon’s mother leaned against her, seeking her support. And she wondered about that movement, and those often elusive events, conversations, or thoughts that rendered the path clear for forgiveness to take root and grow in a wounded soul.

“Here you are, madam, Sandermere and Martin, though as you can see we have two names for the corporal, on account of his being enlisted under one name and then taking another—which, according to the record, was his in the first place.”

“I understand. Thank you. I shan’t be long.”

“Take your time. We close at five o’clock.”

Maisie had handled such records before, had spent time at the repository searching for clues, inconsistencies and truths in the papers of those, alive and deceased, who had served in the war. But when she came to the moment of opening the records of the dead, she undertook the task with a deep respect and reverence because, whatever might have been said about the man by his commanding officer, he had given his life for his country. Whether that gift was given willingly, perhaps with regret, or with anger was not relevant, once that life had been lost.