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ara, your friendship cut across all convention and category. You were joined in an ancient and eternal way with the friend of your soul. Taking this as our inspiration, we explore interpersonal friendship in chapter 1. Central here is the recognition and awakening of the ancient belonging between two friends. Since the birth of the human heart is an ongoing process, love is the continuous birth of creativity within and between us. We will explore longing as the presence of the divine and the soul as the house of belonging.

In chapter 2, we will outline a spirituality of friendship with the body. The body is your clay home, your only home in the universe. The body is in the soul; this recognition confers a sacred and mystical dignity on the body. The senses are divine thresholds. A spirituality of the senses is a spirituality of transfiguration. In chapter 3, we will explore the art of inner friendship. When you cease to fear your solitude, a new creativity awakens in you. Your forgotten or neglected inner wealth begins to reveal itself. You come home to yourself and learn to rest within. Thoughts are our inner senses. Infused with silence and solitude, they bring out the mystery of the inner landscape.

In chapter 4, we will reflect on work as a poetics of growth. The invisible hungers to become visible, to express itself in our actions. This is the inner desire of work. When our inner life can befriend the outer world of work, new imagination is awakened and great changes take place. In chapter 5, we will contemplate our friendship with the harvest time of life, old age. We will explore memory as the place where our vanished days secretly gather and acknowledge that the passionate heart never ages. Time is veiled eternity. In chapter 6, we will probe our necessary friendship with our original and ultimate companion, death. We will reflect on death as the invisible companion who walks the road of life with us from birth. Death is the great wound in the universe, the root of all fear and negativity. Friendship with our death enables us to celebrate the eternity of the soul, which death cannot touch.

The Celtic imagination loved the circle. It recognized how the rhythm of experience, nature, and divinity followed a circular pattern. In acknowledgment of this, the structure of this book follows a circular rhythm. It begins with a treatment of friendship as awakening, then explores the senses as immediate and creative thresholds. This builds the ground for a positive evaluation of solitude, which in turn seeks expression in the external world of work and action. As our outer energy diminishes, we are faced with the task of aging and dying. This structure follows the circle of life as it spirals toward death and attempts to illuminate the profound invitation it offers.

These chapters circle around a hidden, silent seventh chapter, which embraces the ancient namelessness at the heart of the human self. Here resides the unsayable, the ineffable. In essence, this book attempts a phenomenology of friendship in a lyrical-speculative form. It takes its inspiration from the implied and lyrical metaphysics of Celtic spirituality. Rather than being a piecemeal analysis of Celtic data, it attempts a somewhat broader reflection, an inner conversation with the Celtic imagination, endeavoring to thematize its implied philosophy and spirituality of friendship.

ONE THE MYSTERY OF FRIENDSHIP

LIGHT IS GENEROUS

If you have ever had occasion to be out early in the morning before the dawn breaks, you will have noticed that the darkest time of night is immediately before dawn. The darkness deepens and becomes more anonymous. If you had never been to the world and never known what a day was, you couldn’t possibly imagine how the darkness breaks, how the mystery and color of a new day arrive. Light is incredibly generous, but also gentle. When you attend to the way the dawn comes, you learn how light can coax the dark. The first fingers of light appear on the horizon, and ever so deftly and gradually, they pull the mantle of darkness away from the world. Quietly before you is the mystery of a new dawn, the new day. Emerson said, “No one suspects the days to be Gods.” It is one of the tragedies of modern culture that we have lost touch with these primal thresholds of nature. The urbanization of modern life has succeeded in exiling us from this fecund kinship with our mother earth. Fashioned from the earth, we are souls in clay form. We need to remain in rhythm with our inner clay voice and longing. Yet this voice is no longer audible in the modern world. We are not even aware of our loss, consequently, the pain of our spiritual exile is more intense in being largely unintelligible.

The world rests in the night. Trees, mountains, fields, and faces are released from the prison of shape and the burden of exposure. Each thing creeps back into its own nature within the shelter of the dark. Darkness is the ancient womb. Nighttime is womb-time. Our souls come out to play. The darkness absolves everything; the struggle for identity and impression falls away. We rest in the night. The dawn is a refreshing time, a time of possibility and promise. All the elements of nature—stones, fields, rivers, and animals—are suddenly there anew in the fresh dawn light. Just as darkness brings rest and release, so the dawn brings awakening and renewal. In our mediocrity and distraction, we forget that we are privileged to live in a wondrous universe. Each day, the dawn unveils the mystery of this universe. Dawn is the ultimate surprise; it awakens us to the immense “thereness” of nature. The wonderful subtle color of the universe arises to clothe everything. This is captured in a phrase from William Blake: “Colours are the wounds of light.” Colors bring out the depth of secret presence at the heart of nature.

THE CELTIC CIRCLE OF BELONGING

All through Celtic poetry you find the color, power, and intensity of nature. How beautifully it recognizes the wind, the flowers, the breaking of the waves on the land. Celtic spirituality hallows the moon and adores the life force of the sun. Many of the ancient Celtic gods were close to the sources of fertility and belonging. Since the Celts were a nature people, the world of nature was both a presence and a companion. Nature nourished them; it was here that they felt their deepest belonging and affinity. Celtic nature poetry is suffused with this warmth, wonder, and belonging. One of the oldest Celtic prayers is a prayer called “St. Patrick’s Breastplate”; its deeper name is “The Deer’s Cry.” There is no separation between subjectivity and the elements. Indeed, it is the very elemental forces that inform and elevate subjectivity:

I arise today

through the strength of heaven, light of sun,

Radiance of moon,

Splendor of fire,

Speed of lightning,

Swiftness of wind,

Depth of sea,

Stability of earth,

Firmness of rock.

(TRANS. KUNO MEYER)

The Celtic world is full of immediacy and belonging. The Celtic mind adored the light. This is one of the reasons why Celtic spirituality is emerging as a new constellation in our times. We are lonely and lost in our hungry transparency. We desperately need a new and gentle light where the soul can shelter and reveal its ancient belonging. We need a light that has retained its kinship with the darkness. For we are sons and daughters of the darkness and of the light.

We are always on a journey from darkness into light. At first, we are children of the darkness. Your body and your face were formed first in the kind darkness of your mother’s womb. Your birth was a first journey from darkness into light. All your life, your mind lives within the darkness of your body. Every thought that you have is a flint moment, a spark of light from your inner darkness. The miracle of thought is its presence in the night side of your soul; the brilliance of thought is born in darkness. Each day is a journey. We come out of the night into the day. All creativity awakens at this primal threshold where light and darkness test and bless each other. You only discover balance in your life when you learn to trust the flow of this ancient rhythm. The year also is a journey with the same rhythm. The Celtic people had a deep sense of the circular nature of our journey. We come out of the darkness of winter into the possibility and effervescence of springtime.